Le voyou

Lelouche and Trintignant combine for a deft, lighter touch than their normal weighty collaborations. Full of wry touches, there is never a pause in the mind's contribution and nothing conventional to help you catch your breath. This is the kind of movie that you wish Hollywood could make but it never does, full of layers of complexity and wit, this mini-masterpiece improves with each repeated viewing.

Trintignant is brilliant, aided by a terrific supporting cast, as a nihilistic but debonair professional thief. The plot is very clever with many surprising twists and turns, and this is combined with a philosophical spirit that transcends description. The film within a film angle has never been handled with more panache. I just saw it this week after not seeing it since the 70's, and the film stands the test of time marvelously -- still as fresh, funny, and involving as when I saw it originally. I recommend this overlooked jewel very strongly.

i LOVE this movie. I couldn't open the comment board so wrote my raptures on the message board. Please read that because i really want people to discover this lovely film. You may read the DVD cover and get an idea of the story. It's a lovely story but like all the great filmmakers say: it's not the story but how you tell it. I saw this movie and immediately watched it again with my assistants. I told them, Hollywood makes some superb films....but they can awe and intimidate you with their sheer mastery of the medium, technique and superior budgets. French cinema on the other hand can truly liberate you. This film has such a delightful casualness and yet is strongly plotted and has superb performances and full of ideas and technique that is decades before Quentin T and co.

And anyone who can get me Claude Lelouch's email id or contact address....i'd be very grateful. Need to send a two word mail or letter. Wow and Thanks. And i recommend Happy New Year to all those who love this picture. Find it, watch it.

Thanks to other reviewers on IMDb. I picked up this pleasant surprise. The opening musical had me worried a little. But soon the clever plot revealed itself. This movie is witty and funny, several steps above a lot of Hollywood movies in the same genre today. It still looks incredibly fresh today.

The flashback is so seamlessly inserted that I watched the movie again just to find out exactly where it begins. There are moments that make you smile or laugh out loud: the movie-in-movie poking fun at the genre, the mentioning of LeLouch's another film – "un home et une femme", the kidnapping plot, the little details about the characters,etc. LeLouch's direction is fluid and stylish. The naturalistic acting is great and spot-on from the top down. I didn't know that Trintignant could be funny!!! In this movie, he is charismatic, charming, and ruthless all at once and never once goes over the top or shows any movie star self-awareness we usually see today.

This is a fantastic movie that can be watched again and again.

This is a brilliant, charming film. To the poster wanting "Merci Simca" to become a common well-known phrase- I totally agree. This movie has it all- wit, charm, great acting, clever script, great use of flashbacks, inventive crimes, great car chase thru the 70's streets of Paris- an almost perfect film. This movie is easily the equal of other classic French crime films of the time- it's a shame it is so little known. You may be thrown a bit (as was I) when characters are doing things out of character, not realizing it's a flashback, but that only adds to the experience- I'd rather be confused for a few minutes than have some obvious corny announcement that a flashback is coming, like squiggly dream lines appearing on screen. I had heard nothing of this film and had no expectations, and was blown away. This film was 25 years ahead of its time, it's kind of a forerunner to comedy/crime films such as Pulp Fiction, True Lies, Go, etc., but superior to all those.