Beast of the Yellow Night

A bad man makes a deal with the devil to stay alive. His reward a pile of rotten meat and existence. The devil has plans for him. The man must occasionally turn into a beast and reek havoc on the surrounding area. There is another part of the plot, his relationship with his min- skirt wearing wife. He has not treated her well, but because she loves him, she puts up with his inconsistencies, including coming back from the dead in a hospital. He knows that there is no good end, but he has been made invulnerable, so he must carry out the wishes of his master. The problem lies with what the desired end is. When dealing with he devil, we must recognize his powers and, since we don't know how extensive they are, our hero (anti-hero) has no real free will. That's the rub. He meets a snarly old blind man who has a checkered past and philosophizes constantly. The central character would like to die. The interesting thing is that after his resurrection he is a pretty kind man, thoughtful and gracious and caring. I don't know. It's so darned obtuse that I just never got a handle on it.

After recently finding a copy of this on DVD, I brought it home and was amazed to find this was everything I was looking for and a whole lot more. Filmed in the Philippines and directed by Eddie Romero, I was horrified/enlightened by its blasphemous blend of cannibalism, comedy, and deals with the devil gone bad. John Ashley is excellent as one of the most frightening, gruesome, and demented-looking monsters I've ever seen. Entertaining as can be. For me, the only thing scarier than this movie is the fact that I almost never got to see it! Great flick!

Vic Diaz as the almost comedic Satan lends this Filippino horror film an eccentric flavour that saves it from total oblivion. Ashley isn't bad either as a damned murderer, inhabiting the body of an American businessman, forced by Satan to endure of life of evil, but when guilt gets the better of him, Satan resorts to dirty tricks in order to compel him to serve. The transformation he undergoes to that of a hairy beast with super-human strength causes the local police to suspect they have something out of the ordinary with which to contend.

Ashley plays the tortured soul well enough for the film's limited scope, and he's ably assisted by the statuesque beauty Mary Wilcox as his neglected, but loyal wife. Wilcox has a few risqué scenes in modest attire (although sometimes also clad in a zebra outfit), but it's debatable as to whether that's indeed her in the bizarrely photographed love-making scene. Fans will also recognise the prolific Eddie Garcia as a detective (he also directed), and American Ken Metcalfe ("Up From the Depths") in a minor supporting role playing Ashley's concerned brother.

There's not much horror, and what there is can often be too dark to discern, but the film does improve after a slow start at least achieving mediocre status, including the witty banter of Diaz's omnipotence, and equally, moronic dialogue from the sultry Wilcox. There's a couple of twists (e.g. the banished blind man with whom Ashley forms an alliance) that generate some interest and the climax in the tall grass lends some sympathy to Ashley's condemned character, but don't expect too much for your time.

I remember seeing this title on the marquee at my home drive-in as a child. Watched it and finds it an interesting film, but curious as to why it's not in the Mad Doc series...or is it? The acting isn't bad at all, especially compared to original Mad Doc. I noted that the first scene of the monster's arms look like they were re-used from the Mad Doc flix. The Filipino back-drop of this film, as well as the Mad Doc films, provides something a little different and interesting that stands alone from movies that we're accustomed to viewing. The mono sound with the atmosphere, particularly in the opening scenes, gives the filmgoer the creeps. I do wish I could've talked my parents into taking me to see it way back then!

This movie begins in Southeast Asia immediately after World War 2 with soldiers searching in the jungle for someone (or something) who has killed a couple of innocent villagers. As it turns out, an American deserter named "Joseph Langdon" (John Ashley) is also in the vicinity and due to his desperate situation makes a deal with the devil (played by Vic Diaz) to escape from the situation he has found himself in. It's at this point that the movie fast-forwards to the present with the body of Langdon being buried but his soul transported into a man named "Philip Rogers" (also played by John Ashley) who has just been declared dead by a surgeon in a hospital. Needless to say, his wife "Julia" (Mary Wilcox ) is overjoyed when Philip comes back to life. However, the new version of Philip isn't the same and immediately makes decisions that hurt all those around him by sowing evil among them--and that especially applies to Julia and his brother "Earl" (Ken Metcalfe). But then one night something very unexpected happens and Philip is transformed into a kind of werewolf--which creates even more problems for everyone involved. Now rather than reveal any more I will just say that this was a standard low-budget film characteristic of movies produced in the Philippines during this particular time. Yet, even though the acting was adequate it was the makeup and special effects which really doomed this film-especially on the part of the supposed werewolf. It was really bad. That said, I have rated the film accordingly. Below average.