Ajouter une intrigue dans votre langueIn 1830, forty years to the day since the last manifestation of their dreaded vampirism, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircal... Tout lireIn 1830, forty years to the day since the last manifestation of their dreaded vampirism, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircalla - or as she was in 1710, Carmilla.In 1830, forty years to the day since the last manifestation of their dreaded vampirism, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircalla - or as she was in 1710, Carmilla.
- Réalisation
- Scénario
- Casting principal
Erik Chitty
- Professor Herz
- (as Eric Chitty)
Avis à la une
In 1830 a renowned occult novelist called Richard Le' Strange (Johnson)is taken on to teach English at an exclusive finishing school for young girls in Styria. He falls in love with one of his pupils, the beautiful Mircalla (Stensgaard), but gradually discovers that she may well be the reincarnation of the evil vampire Carmilla Karnstein. Meanwhile in the village that neighbors the school, the locals are living in the grip of fear because it is forty years to the day since the vampiric Karnstein family reincarnated themselves in search of blood and village girls have been going missing.
Hammer's adaptation of Sheridan Le' Fanu's THE VAMPIRE LOVERS (1970) had been successful enough to warrant a sequel, therefore Tudor Gates who had scripted the former was duly approached to script the next one. The result was a rather unsavoury brew of vampirism and lesbianism and veteran Hammer producer-writer Jimmy Sangster who was responsible for such Hammer classics as THE CURSE OF FRANKENSTEIN, Dracula and THE NANNY was brought in to direct. It was his second outing behind the camera having made his directorial debut in 1970 with Hammer's spoof THE HORROR OF FRANKENSTEIN. This went out on a double bill with Roy Ward Baker's SCARS OF Dracula and only did average business. Whereas Sangster had enjoyed the experience of directing the Frankenstein spoof, he apparently hated LUST FOR A VAMPIRE along with his star Ralph Bates. He and Bates were apparently horrified at the preview screening when they discovered a cheesy pop song had been inserted called STRANGE LOVE sung by an unknown Tracy over the love scene between Johnson and Stensgaard.
Viewed today, LUST FOR A VAMPIRE certainly has it's flaws, for a start there is the inept casting of BBC Radio One disc-jockey Mike Raven as Count Karnstein. His voice was dubbed to make him sound like Christopher Lee and in the reincarnation sequence, a close up of Lee's bloodshot eyes from Dracula HAS RISEN FROM THE GRAVE was used instead of making Raven wear the red tinted contacts and doing a close up on him. Raven also appeared in Amicus's Jekyll and Hyde film I MONSTER (1971). The film also lacks a convincing hero, Johnson's Richard Le' Strange is little more than a boozy womaniser who is content to chase after a schoolgirl and the basic premise is somewhat crude. The film also shares sets with SCARS OF Dracula, Hammer fanatics will no doubt recognise the somewhat impoverished looking castle set from that picture. Yet there is still some fun to be had here, Bates gives a strong performance as the schoolmaster who lusts after Carmilla and wishes to sell his soul to the devil and Sangster stages the shock scenes with some style, especially the scene in the ruined castle where Carmilla is brought back to life.
LUST FOR A VAMPIRE wasn't all that successful, but Hammer managed to squeeze in a third outing for the Karnstein's, TWINS OF EVIL, which is in it's own right a better film by far.
Hammer's adaptation of Sheridan Le' Fanu's THE VAMPIRE LOVERS (1970) had been successful enough to warrant a sequel, therefore Tudor Gates who had scripted the former was duly approached to script the next one. The result was a rather unsavoury brew of vampirism and lesbianism and veteran Hammer producer-writer Jimmy Sangster who was responsible for such Hammer classics as THE CURSE OF FRANKENSTEIN, Dracula and THE NANNY was brought in to direct. It was his second outing behind the camera having made his directorial debut in 1970 with Hammer's spoof THE HORROR OF FRANKENSTEIN. This went out on a double bill with Roy Ward Baker's SCARS OF Dracula and only did average business. Whereas Sangster had enjoyed the experience of directing the Frankenstein spoof, he apparently hated LUST FOR A VAMPIRE along with his star Ralph Bates. He and Bates were apparently horrified at the preview screening when they discovered a cheesy pop song had been inserted called STRANGE LOVE sung by an unknown Tracy over the love scene between Johnson and Stensgaard.
Viewed today, LUST FOR A VAMPIRE certainly has it's flaws, for a start there is the inept casting of BBC Radio One disc-jockey Mike Raven as Count Karnstein. His voice was dubbed to make him sound like Christopher Lee and in the reincarnation sequence, a close up of Lee's bloodshot eyes from Dracula HAS RISEN FROM THE GRAVE was used instead of making Raven wear the red tinted contacts and doing a close up on him. Raven also appeared in Amicus's Jekyll and Hyde film I MONSTER (1971). The film also lacks a convincing hero, Johnson's Richard Le' Strange is little more than a boozy womaniser who is content to chase after a schoolgirl and the basic premise is somewhat crude. The film also shares sets with SCARS OF Dracula, Hammer fanatics will no doubt recognise the somewhat impoverished looking castle set from that picture. Yet there is still some fun to be had here, Bates gives a strong performance as the schoolmaster who lusts after Carmilla and wishes to sell his soul to the devil and Sangster stages the shock scenes with some style, especially the scene in the ruined castle where Carmilla is brought back to life.
LUST FOR A VAMPIRE wasn't all that successful, but Hammer managed to squeeze in a third outing for the Karnstein's, TWINS OF EVIL, which is in it's own right a better film by far.
This definitely isn't the best Carmilla film (though the uncut version, unseen in the US, is highly erotic), yet it has a huge cult following largely due to the presence of Yutte Stensgaard. There are few one-hit wonder actresses in any genre who inspire such......lust. The edited US versions make this just another Hammer vampire film, the unedited version is definitely worth a look.
While we anxiously await Lesbian Vampire Killers, we can visit a Hammer classic that has loads of naturally endowed women in a finishing school.
While the lesbianism that is inferred is probably just normal boarding school hi-jinks, we are able to enjoy the peaks of pleasure exposed to our view. The vampire Mircalla (Yutte Stensgaard) has plenty of girls to go skinny dipping with.
The teacher Richard (Michael Johnson) is quite taken with the beauty that he fellow teacher (Ralph Bates) believes to be the reincarnation of a Countess that died 120 years previous. Another teacher (Suzanna Leigh) almost buys it after she continues to stick her nose into the problems of dying and missing.
As expected, the villagers finally take matters into their own hands to rid themselves of the problem.
While the lesbianism that is inferred is probably just normal boarding school hi-jinks, we are able to enjoy the peaks of pleasure exposed to our view. The vampire Mircalla (Yutte Stensgaard) has plenty of girls to go skinny dipping with.
The teacher Richard (Michael Johnson) is quite taken with the beauty that he fellow teacher (Ralph Bates) believes to be the reincarnation of a Countess that died 120 years previous. Another teacher (Suzanna Leigh) almost buys it after she continues to stick her nose into the problems of dying and missing.
As expected, the villagers finally take matters into their own hands to rid themselves of the problem.
In many ways this movie is little different from other Hammer horror films produced at the time . It has an inn that doesn`t take too kindly to strangers especially ones that don`t believe in vampires , it`s obvious that the " night " scenes were filmed during the day by sticking a blue filter over the camera lens and there`s some really dodgy effects and make up like the very obvious dummy at the film`s climax
What sets LUST FOR A VAMPIRE apart from other British horror movies at the time is some really superb ( For its day ) T&A on display complete with some lesbian kissing . It`s also good to see some old fashioned buxom women who have never heard of the phrase silicone implants . That`s something you don`t see in horror movies nowadays I can tell you
What sets LUST FOR A VAMPIRE apart from other British horror movies at the time is some really superb ( For its day ) T&A on display complete with some lesbian kissing . It`s also good to see some old fashioned buxom women who have never heard of the phrase silicone implants . That`s something you don`t see in horror movies nowadays I can tell you
The absolutely stunning Danish actress Yutte Stensgaard stars as the vampire seductress Mircalla in Hammer films part two of the "Carmilla Karnstein" trilogy. Not a great film but a worthy one for all Hammer/British horror film fans. Originally to be directed by the ace of gothic horror, Terence Fisher, he was injured in a car accident just days before filming started. A good/decent film from Jimmy Sangster, but one thinks of what it could have been in Fisher's hands. MUST viewing for all Yutte fans and fans to be.
Le saviez-vous
- AnecdotesWhile Mircalla is being resurrected, two closeups of the bloodshot eyes of Count Karnstein are not of Mike Raven, but are clearly actually the eyes of Christopher Lee, in a shot cut in from another movie, almost certainly Les Cicatrices de Dracula (1970). It's probable that the insert was used because of the striking bloodiness of the eyes, coupled with Raven's close facial resemblance to Christopher Lee.
- GaffesWhen the policeman goes down the well, he strikes a safety match. These did not exist in 1830 [ the date given in the film ]
- Versions alternativesFor the original UK cinema release a BBFC cut was made which replaced a topless shot of Amanda with a partially covered one during the bed scene where she is bitten by Mircalla. Video releases were uncut though the 2002 Warner DVD curiously featured the edited cinema print. The 2008 Optimum DVD is the uncut version.
- ConnexionsEdited from Les Cicatrices de Dracula (1970)
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- How long is Lust for a Vampire?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Ataúd para un vampiro
- Lieux de tournage
- Hunton Park, Essex Lane, Abbots Langley, Hertfordshire, Angleterre, Royaume-Uni(exteriors Girls Finishing School)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 35min(95 min)
- Rapport de forme
- 1.85 : 1
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