The Murder of Fred Hampton

I was 10 years old when this happened and I was taken to the apartment with my mother (a Chicago school teacher) and several of her co-workers. The black community was so up in arms about this that the schools pretty much closed down that day. We toured the apartment with the Panthers (not a police in sight). They had marked how all the shots in the walls were coming from outside to the inside. We saw the blood soaked mattress and how the apartment drawers and closets were all over turned like they were looking for something. Chicago PD was and still is crooked as hell. Fred Hampton was only 21 years old. Those young brothers (Mark Clark also) were about something great for the community and they were murdered!! Rest in Peace.

Fred Hampton, founder of the Illinois chapter of the Black Panther Party for Self-Defense, was assassinated by a special unit of the Chicago Police Department on December 4th, 1969 as he lay face down in bed. He was 21 years old when he was murdered. The police fired 99 unanswered shots into his apartment, wounding Fred as he slept. Apparently drugged by an informant, Hampton was unable to awaken. After the raid the police put two more shots into Hampton's head and said "Now he's good and dead."

This film follows the last year or so of Fred's life and the investigation immediately following his murder.

The first part of the film shows Fred speaking and organizing and provides a brief glimpse into the Panther community programs such as free breakfasts for school children, as well as a fairly good portrayal of Hampton's dynamic speaking abilities, vast depth of knowledge for someone so young, and his passion for the revolutionary struggle of all oppressed people worldwide regardless of race.

The remainder of the film focuses on Fred's murder including footage of the crime scene. The attacking police unit was so secret that the local precinct was not notified to clean things up after the bodies were removed. As a result the Panthers and their attorneys filmed and collected a vast amount of evidence which proved the police and states' attorneys were lying. The police and government arguments are given, interspersed with contradictory proof by the Panthers and their attorneys proving that this was not a raid gone sour, but rather a carefully planned assassination. The photo of the police smiling joyously as they carry Hampton's body out of the apartment is ominous.

This film was made right after Fred Hampton was murdered, and before the Panthers were aware that one of their own - William O'Neal - was actually an FBI informant who provided the police with the map of Fred Hampton's apartment. It was also filmed years before the information about the FBI's COINTELPRO campaign was made public. It is a great piece of history which gives a rare fair treatment to the Black Panther Party.

This documentary can be split into two parts. The first half is a biography of Fred Hampton, a civil rights pioneer, community organizer, and Black Panther member. The second half is a stunning work of investigative journalism that provides clear evidence that Hampton was assassinated by the Chicago police.

Hampton was called a dangerous revolutionary, but his message was nothing more revolutionary than social justice and equality. While there is certainly a revolutionary aspect to that, it is not the angry and violent rhetoric with which the state wanted to tar him. So they simply assassinated him and concocted a story that portrayed him how they wanted him -- dangerously violent. The facts of the case just don't fit that narrative, however.

Hampton's story is not well known. That makes this film even more important. It is extremely dangerous to think that state-sanctioned political assassinations could not happen or do not happen in the United States. Hampton's death is tragic enough without us learning nothing from it. Fascism can rise anywhere, and it can be as petty as racist cops working for a corrupt city government or as insidious as a federal agency that engages in black ops against its own citizens.

Much better than the film makers' previous "American Rev. 2" because it is more focused on a single unjust incident and its terrible reverberations than the earlier work which took its sweet time to get to the point, namely that poor whites and blacks should forge a common bond, with way too much time spent on extraneous stuff like the anti war protests in Chicago in '68. Not that this documentary is all that concise! The first hour is basically a series of Fred Hampton speeches in which he makes some cogent points, like the need for affordable healthcare and the alliance between racism and capitalism, as well as some, like an admiration for the Duvalier dictatorship in Haiti and the virtues of Chairman Mao, that show why it's a good thing that the Panthers were doomed to failure.

However, once we get to the eponymous slaying and see the clumsy machinations of the corrupt Chicago justice system, personified by DA Ed Hanrahan who looks and sounds like a character right out of Ben Hecht, the film's pace considerably picks up and we are riveted. Whereas I periodically stopped to check the time during the first hour there were no such signs of impatience and ennui during the second. Give it a B.

PS...One wonders if, had he lived, Hampton would have morphed into Bobby Rush, his number two guy, who is now a reliably corporate Democratic member of Congress or if he would have stayed true to his extreme left wing beliefs. We'll never know but his fervency, as opposed to Rush's more measured tones, perhaps provides us with a clue.

Fantastic documentary- both a great piece of journalism and a beautiful example of verite-filmmaking. It shows the truly socialist character of the Black Panthers as they feed and educate oppressed people of many backgrounds.

The radical journalists who made this film make clear that the Chicago police felt the need to execute Hampton, an important Black Nationalist, potentially an important Marxist revolutionary leader, before he developed any more of a mass, multi-national following. The fact that Hampton was convicted of clearly trumped-up charges of robbery by an all-white jury shows that the general white populace feared Black people, yet the many white progressives and radicals in Hampton's circle shows that the racial divide was gradually declining in the near- revolutionary climate of the late-'60s, at least among young people. The film thus makes terrifyingly comprehensible the capitalist state's desire to quash Black Power before it could be equated with, in Hampton's words, "Brown Power for Brown people, Yellow Power for Yellow People..." and even "White power for White people."