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Nicolas et Alexandra

Titre original : Nicholas and Alexandra
  • 1971
  • Tous publics
  • 3h 3min
NOTE IMDb
7,2/10
6 k
MA NOTE
Nicolas et Alexandra (1971)
Official Trailer
Lire trailer4:15
2 Videos
99+ photos
BiographieDrameGuerreL'histoireDrames historiques

Ajouter une intrigue dans votre langueTsar Nicholas II, the inept last monarch of Russia, insensitive to the needs of his people, is overthrown and exiled to Siberia with his family.Tsar Nicholas II, the inept last monarch of Russia, insensitive to the needs of his people, is overthrown and exiled to Siberia with his family.Tsar Nicholas II, the inept last monarch of Russia, insensitive to the needs of his people, is overthrown and exiled to Siberia with his family.

  • Réalisation
    • Franklin J. Schaffner
  • Scénario
    • Robert K. Massie
    • Edward Bond
    • James Goldman
  • Casting principal
    • Michael Jayston
    • Janet Suzman
    • Roderic Noble
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    6 k
    MA NOTE
    • Réalisation
      • Franklin J. Schaffner
    • Scénario
      • Robert K. Massie
      • Edward Bond
      • James Goldman
    • Casting principal
      • Michael Jayston
      • Janet Suzman
      • Roderic Noble
    • 85avis d'utilisateurs
    • 27avis des critiques
    • 57Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 2 Oscars
      • 3 victoires et 11 nominations au total

    Vidéos2

    Nicholas and Alexandra
    Trailer 4:15
    Nicholas and Alexandra
    Nicholas And Alexandra: My Reasons Are Personal
    Clip 1:38
    Nicholas And Alexandra: My Reasons Are Personal
    Nicholas And Alexandra: My Reasons Are Personal
    Clip 1:38
    Nicholas And Alexandra: My Reasons Are Personal

    Photos109

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    Rôles principaux59

    Modifier
    Michael Jayston
    Michael Jayston
    • Nicholas
    Janet Suzman
    Janet Suzman
    • Alexandra
    Roderic Noble
    Roderic Noble
    • Alexis
    Ania Marson
    Ania Marson
    • Olga
    Lynne Frederick
    Lynne Frederick
    • Tatiana
    Candace Glendenning
    Candace Glendenning
    • Marie
    Fiona Fullerton
    Fiona Fullerton
    • Anastasia
    Harry Andrews
    Harry Andrews
    • Grand Duke Nicholas (Nikolasha)
    Irene Worth
    Irene Worth
    • The Queen Mother Marie Fedorovna
    Tom Baker
    Tom Baker
    • Rasputin
    Jack Hawkins
    Jack Hawkins
    • Count Fredericks
    Timothy West
    Timothy West
    • Dr. Botkin
    Katherine Schofield
    Katherine Schofield
    • Tegleva
    Jean-Claude Drouot
    Jean-Claude Drouot
    • Gilliard
    John Hallam
    John Hallam
    • Nagorny
    Guy Rolfe
    Guy Rolfe
    • Dr. Fedorov
    John Wood
    John Wood
    • Col. Kobylinsky
    Laurence Olivier
    Laurence Olivier
    • Count Witte
    • Réalisation
      • Franklin J. Schaffner
    • Scénario
      • Robert K. Massie
      • Edward Bond
      • James Goldman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs85

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    Avis à la une

    9manuel-pestalozzi

    Dynasty - with a superior, intelligent script

    This truly beautiful movie with considerable artistic value should not be watched for its historical accuracy or its lack of geographical precision. It is mainly a story about a marriage of two weak but lovable people who somehow should not have been where fate put them. You could call Nicholas and Alexandra an anti-monarchistic manifesto.

    The script really is first rate, it doesn't matter that all the characters are far more English than Russian, what counts is the way a tragic situation unfolds in front of the viewers. For many the last czar probably was a monster as he ordered the death of hundreds of thousands. Yet watching the movie you want to believe that he is the victim of circumstances, far removed from everyday life and a husband and father who cares deeply and, in spite of all his outrageous decisions and non-decisions, wants „to be good". Strange as it seems, but the intimate scenes between him and his wife are the highlights of the movie, as they really bring out the affection between two people who are attracted to each other although they are only too familiar with each other's flaws. It makes the tragic ending of the movie all the more sad.

    I had the chance to visit Nicholas' palace in Yalta a few years back. It is full of family snapshots, as the czar was an avid photographer (and also movie maker). It is striking how modern those pictures are, how relaxed and „middle class" the imperial family, always in bathing suits or some elegant leisure wear, appears. In a strange way the Russian emperor comes through as being much less crusty than his contemporaries on the throne of Britain, Germany or Austria-Hungary. It gives you the idea that he was a modern man. Strangely, whenever he himself is in the photos, he is never in the center of the picture but always somewhere in a marginal position, seeming to be either bemused or slightly embarrassed. What a sad career!

    An interesting side-effect of the movie is the fact that it shows that at the outset of World War I the crowned heads of Europe, many of them related to each other and on relatively intimate terms, could have prevented the bloodshed. They failed colossally and thus sealed the fate of a continent that still tries to find unity and a common denominator.
    9clee7903

    Great Movie..great acting!

    I have always been fascinated by Russia's last tsar and his family. I have literally read dozens of books as well as articles about them. This movie puts into perspective what I have known all along. I came across this movie (VHS form) over 10 years ago. I've read Robert K Massie's book and although the movie can never be as concise as a book, it skillfully captures the mood and developed the plot really well as the movie progresses. The casting also deserved a big applause. Jayston and Suzman did a wonderful job portraying the real tsar and tsarista. The only thing I guess (and it is not fault of theirs) is perhaps better sounds and graphics. I had to turn up my volume really high to hear what they are saying especially if the actors speak softly as demanded by the mood of that scene. Oh well..it's the early 70's..what can we expect. Great movie...i would recommend it to everyone.
    7russnickm

    The best so far on the Last Tsar and Tsarina of Russia.

    When Robert Massie's monumental work, Nicholas and Alexandra, first came out in the last sixties, I was amazed he was able to get as much information as he did on a subject that Soviet Russia was petrified of. It became a sort of standard for all future researchers on the fall of the Romanovs. The movie soon followed and it, too, was fairly accurate. Obviously, it was impossible to cover so much of a story in a three hour time-frame, but some important details of Nicholas' and Alexandra's reign was missing: where was Anna Vyburova? Where was Elizabeth Feodorovna, Alix's sister? These might seem small criticisms but they did play a significant part in the story. I was amazed by how much they matched actors appearances with their historical character: Michael Jayston is a spitting image of Nicholas, physically as well as his personality. Laurence Olivier is quite perfect as Count Witte, Janet Suzman is also a mirror image of Alexandra. The movie could have benefitted from more music in the background, especially at crucial moments. I kept waiting for a swell of instrumental music and... Nothing! Fortunately, I saw this movie when it first came out on TV and remembered the scenes that were cut when it came out on video (Why these scenes were cut is beyond me: The deciding vote creating the Bolshevik Party where Stalin and Lenin meet; a touching scene where Nicholas explains to Alexis the meaning of "war in the Balkans (July 1914)" and not to worry; Alexis' fall on the bob-sled on the steps in the house in Tobolsk and after Nicholas' scolds him he shouts in tears, "Why did you abdicate for me? I could have helped Russia!" All in all, however, it's the best we have so far on this period of history and a must-see for all Romanov students.
    8roy_wood

    An Epic Worth Becoming Watching

    I watched this movie for the first time this weekend (on DVD). It's been troubling me ever since because I still don't know how I feel about the last Czar: flawed man trapped by circumstance or bumbling autocrat responsible for countless deaths, including his own family's??? The movie doesn't portray the last Romanovs as absolute heroes or absolute villains. And this, my friends, is the sign of a well-crafted historical epic!! I've read Robert K. Massie's book; while it is overwhelmingly historically detailed, I think some of the humanity of the characters is lost. That is where this movie excels: it reminds us that Nicholas, Alexandra, Lenin, Rasputin, etc. were flesh-and-blood and not mere historical paper-dolls. I'm not going to comment on the individual actors because this movie is great because of the sum of its parts. The bottom line: I'm still haunted by this movie and I'm deeply affected by the tragedy of errors which affected so many people during this time. I've read many books on the Russian Revolution, but I've never felt the human tragedy as much as when I watched this movie. It may not be the most conventional movie, but it's worth spending the time to get through it.
    7ma-cortes

    Biopic shot in Spain about the last Russian Czar with historical detail , luxurious sets and outstanding acting

    Historical film correctly based on real events about Russian CZar Nicholas II (Michael Jayston , though press reports at time of pre-production said that Rex Harrison) , wife (first cinema film of Janet Suzman , and Audrey Hepburn and Vanessa Redgrave considered to play Alexandra) and sons Aleksey Nikolaeyvitch Romanov (Roderic Noble was chosen due to his resemblance) , Anastasia (Fiona Fullerton who had an interesting career as teen) , Tatiana (Lynne Frederick who subsequently married and inherited to Peter Sellers but she died early) . Czar Nicholas II, the inept monarch of Russia , insensitive to the needs of his country , is overthrown and exiled to Siberia with his family . In the film appears several historic personages as Kerenski (John McEnery) , The Queen Mother Marie Fedorovna (Irene Worth) , Trostki (film debut of Brian Cox) , Lenin (Michael Bryant) , Stalin (Hizeldine) , Rasputin (it was Laurence Olivier who first suggested Tom Baker to be cast and Peter O'Toole was asked to play Rasputin) , he was killed by Prince Yussoupov (Martin Potter)

    This overlong film contains drama , emotion and notorious deeds dealing with the over-detailed depiction of happenings preceding Russian Revolution until the deaths of Czar and family . Gorgeous sets and spectacular production design by John Box and Gil Parrondo ; being mostly filmed in Spain , as the Royal Palace of Madrid . It's marvellously photographed by Freddie Young in magnificence color . Evocative and sensitive musical score by Richard Rodney Bennnett . The picture is well directed by Franklin J. Schaffner . He directed excellent motion pictures as "The Planet of the Apes", "Patton," "Papillon", ¨"Nicholas and Alexandra", after the flop of his film titled " Islands in the Stream ", in which went on to coincide with the actor of "Patton," George C. Scott, decided to embark on a project more commercial and successful as "The Boys From Brazil" , however ¨Sphinx¨ ,¨Lionheart¨, ¨Si Giorgio¨were others flops . Rating : Better than average , worthwhile watching

    The picture based on facts , it begins when Japan's own territorial ambitions on the Chinese and Asian mainland. Russia is involved in a costly war with Japan over the Korean peninsula and the Czar rejects all recommendations that he bring the war to an end. War began in 1904 with a surprise Japanese attack on the Russian fleet in Port Arthur, without formal declaration of war and Russia is defeated by Japan . The Romanovs (Michael Jayston, Janet Suzman) are absolute rulers, among the last of their kind in Europe, living in luxury while the vast majority of Russians live in absolute poverty and take place revolts . As on January 1905 , Gapon (Julian Glover) began his march . Locking arms, the workers marched peacefully through the streets. Some carried religious icons and banners, as well as national flags and portraits of the Tsar. As they walked they sang religious hymns and the Imperial anthem, 'God Save The CZar'. All of the converging processions were scheduled to arrive at the Winter Palace . Throughout the city, the marchers found their way blocked by lines of infantry, backed by Cossacks and Hussars; and the soldiers opened fire on the crowd . The official number of victims was 92 dead and several hundred wounded. By the time of Stolypin (Eric Porter)'s assassination by Dmitry Bogrov, a student in a theatre in Kiev on 18 September 1911, Stolypin had grown weary of the burdens of office . Because of the fragility of the autocracy at this time, Nicholas and Alexandra chose not to divulge Alexei's condition to anyone outside the royal household. In fact, there were many in the Imperial household who were unaware of the exact nature of the Tsarevich's illness. At first Alexandra turned to Russian doctors and medics to treat Alexei; however, their treatments generally failed, and Alexandra increasingly turned to mystics and holy men . One of these was an illiterate Siberian , Grigori Rasputin (Tom Baker) , appeared to have some success. Rasputin's influence over Empress Alexandra, and consequently the Tsar, had grown stronger ever since 1912, when the Tsarevich nearly died from an injury while the family was on vacation at the hunting lodges at Bialowieza and Spala ,now part of Poland . The Czar's decision, against advice, to authorize a general mobilization in 1914 leads to disaster on the front . As the government failed to produce supplies, there was mounting hardship creating massive riots and rebellions. With Nicholas away at the front in 1915, authority appeared to collapse , while Empress Alexandra ran the government from Petrograd from 1915 , and the capital was left in the hands of strikers and mutineering conscript soldiers . At the end of the "February Revolution" of 1917 , Nicholas II chose to abdicate . He firstly abdicated in favour of Tsarevich Alexei, but swiftly changed his mind after advice from doctors that the heir-apparent would not live long apart from his parents who would be forced into exile .The abdication of Nicholas II and the subsequent Bolshevik revolution brought three centuries of the Romanov dynasty's rule to an end. The fall of autocratic Tsardom brought joy to Liberals and Socialists in Britain and France and made it possible for the United States of America, the first foreign government to recognise the Provisional government, to enter the war early in April fighting in an alliance of democracies against an alliance of empires. In Russia, the announcement of the Tsar's abdication was greeted with many emotions . However , revolutionaries abound and the rise of the Bolsheviks, led by Lenin (Michael Bryant) and Trotsky (Brian Cox) , slowly begin to gain an advantage . Before the year is out the Bolsheviks will be in power and the Romanovs in custody. In Siberia takes places the eventual execution of the entire family - the Czar, Czarina, four daughters and one son - in July 1918.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sir Laurence Olivier first suggested Tom Baker to be cast as Grigori Rasputin. Olivier was the director of the National Theatre in England; Baker was a member of the company.
    • Gaffes
      When the family is in the basement in the final scene, the Grand Duchesses' hairstyles are based on official photographs from 1914. In real life, when the Grand Duchesses were imprisoned, their heads were shaved due to illness. By the time they were killed in July 1918, their hair had grown to the napes of their necks.
    • Citations

      Tsar Nicholas II: Taking someone's life, no man should have that power.

      Yurovsky: You had it.

      Tsar Nicholas II: Yes. And I have learned that a strong man needs no power, and a weak man is destroyed by it. He's like a child. You don't shoot children, do you? In your new world, are there penalties for innocence?

      Yurovsky: Sometimes. It takes a wise judge to know who is innocent and who is guilty. I wish I knew.

    • Crédits fous
      "By courtesy of the National Theatre of G.B." is written underneath Tom Baker and Laurence Olivier's names in the end credits. "By courtesy of the Royal Shakespeare Company" is written underneath Janet Suzman's name.
    • Versions alternatives
      The present DVD issue is slightly longer than the original VHS versions and includes several scenes not featured in the earlier versions e.g. a Russian general committing suicide and more scenes of the royal family in captivity.
    • Connexions
      Featured in Oliver Stone - Les États-Unis, l'histoire jamais racontée: Chapter 3: The Bomb (2012)
    • Bandes originales
      Wiegenlied (Lullaby) Op. 49 No. 4
      (uncredited)

      Music by Johannes Brahms

      Words from Des Knaben Wunderhorn

      Sung by Alexandra

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    FAQ

    • How long is Nicholas and Alexandra?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 avril 1972 (France)
    • Pays d’origine
      • Royaume-Uni
    • Site officiel
      • Sony Movie Channel (United States)
    • Langues
      • Anglais
      • Français
      • Allemand
      • Russe
    • Aussi connu sous le nom de
      • Nicholas and Alexandra
    • Lieux de tournage
      • Cala Sa Conca, S'Agaró, Castell-Platja d'Aro, Girona, Catalonia, Espagne(beach scenes)
    • Société de production
      • Horizon Pictures (II)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 9 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      3 heures 3 minutes
    • Rapport de forme
      • 2.35 : 1

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