NOTE IMDb
6,4/10
35 k
MA NOTE
Une guerre biologique a décimé la vie sur Terre. Los Angeles est une ville fantôme balayée par le vent où Robert Neville parcourt les rues ensoleillées à l'aide de sa décapotable à la recher... Tout lireUne guerre biologique a décimé la vie sur Terre. Los Angeles est une ville fantôme balayée par le vent où Robert Neville parcourt les rues ensoleillées à l'aide de sa décapotable à la recherche de vivres.Une guerre biologique a décimé la vie sur Terre. Los Angeles est une ville fantôme balayée par le vent où Robert Neville parcourt les rues ensoleillées à l'aide de sa décapotable à la recherche de vivres.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Anna Aries
- Woman in Cemetery Crypt
- (scènes coupées)
DeVeren Bookwalter
- Family Member
- (as De Veren Bookwalter)
Rachel Benson
- Family Member
- (non crédité)
Stewart East
- Family Member
- (non crédité)
Steve Goldstein
- Last Boy
- (non crédité)
William Henry
- Stricken Man
- (non crédité)
Avis à la une
This movie rocks, right from the opening scene where our hero leaps from his car and sprays mutants with a machine gun, to the final frame where... but enough of that. A great flick, one in a line of Charlton Heston post-apocalyptic movies. If you like this you'll love Soylent Green and, of course, the first two Apes films. Heston's like John Wayne in space. Nobody does it better. In this one disease-ravaged mutants stand in for the hippies- that fixes up society's problem with the riff raff, and Charlton has an inter-racial relationship. So there are mixed messages. Charlton Heston chews the scenery in every frame. Oh well, damn you all to hell.
Such a good 70's flick with many flaws. Just enjoyable on many levels
This movie scared the utter CRAP out of me when I first saw it at age 12. The mutants haunted my dreams for months afterward. Extremely creepy stuff! After all these years, "The Omega Man" still holds up as a thoughtful and chilling cautionary tale. Admittedly, it's now more campy and dated and has some unintentionally funny scenes, but that tends to simply add another dimension to the entertainment value. Great period detail and Charlton Heston in fine form.
There have been rumors of a remake/revision of the film (actually of the source novel, "I Am Legend," by Richard Matheson). May I suggest John Carpenter as a possible director?
There have been rumors of a remake/revision of the film (actually of the source novel, "I Am Legend," by Richard Matheson). May I suggest John Carpenter as a possible director?
One of these days soon we will see another remake of Richard Matheson's seminal Horror novella. If we do, I hope the marquee will read: "I Am Legend." This should be done for no other reason than to make it easier for Sci-Fi nerds to argue and champion their personal favorite. But I have this feeling the producers will take the easy way out.
Boris Sagal, the veteran television director, who died under the most grisly of circumstances--he walked into a helicopter blade--helms a brilliant adaptation of the book. Sure, they changed the vampires into psychotic albinos. And they also injected a heavy dose of the Seventies counter-culture. But the essential themes resist the tampering by the new screenwriters and remain solid story chestnuts. No one handles a weapon with such verve as Mr. Heston. He fires at random and generally hits something. Always a good approach in this type of movie. I enjoy his conversations with Caesar's bust in his "Honky paradise". The sculptures and paintings on the walls are actual reproductions of the immortals they represent. Also, check out the art work on the back of "Dutch's" jacket. It packs a wallop. Ron Grainer's score is legendary and has a elegiac feel punctuated by strange sounds from obscure instruments. The action scenes rival the best. Catch Heston's despair and loneliness when he jogs by a large office building along side a reflecting pool. Every scene is chock full of memorable lines and quirky bits of business. The bodies of the dead pop up randomly with a wild note on the soundtrack. There is a brief nude scene that for once fits into the plot. A standing ovation is in order for anyone left alive.
Boris Sagal, the veteran television director, who died under the most grisly of circumstances--he walked into a helicopter blade--helms a brilliant adaptation of the book. Sure, they changed the vampires into psychotic albinos. And they also injected a heavy dose of the Seventies counter-culture. But the essential themes resist the tampering by the new screenwriters and remain solid story chestnuts. No one handles a weapon with such verve as Mr. Heston. He fires at random and generally hits something. Always a good approach in this type of movie. I enjoy his conversations with Caesar's bust in his "Honky paradise". The sculptures and paintings on the walls are actual reproductions of the immortals they represent. Also, check out the art work on the back of "Dutch's" jacket. It packs a wallop. Ron Grainer's score is legendary and has a elegiac feel punctuated by strange sounds from obscure instruments. The action scenes rival the best. Catch Heston's despair and loneliness when he jogs by a large office building along side a reflecting pool. Every scene is chock full of memorable lines and quirky bits of business. The bodies of the dead pop up randomly with a wild note on the soundtrack. There is a brief nude scene that for once fits into the plot. A standing ovation is in order for anyone left alive.
A film that can't help but aim too high, "The Omega Man" suffers from the very thing that makes it great. Set in a post-apocalyptic future (for the audience of 1971) the film attempts to show a world populated by a single solitary man. Well, a man and a cult of malcontented zombie/mutant/vampire beings. Robert Neville (Heston) is the lone survivor of a germ war that turned the population of the world into freaks. Based on the amazingly brilliant book "I Am Legend" by Richard Matheson, the film shares most of the qualities of the book, yet excludes the portions that make "Legend" fantastic.
The idea of being the last man is intriguing. I used to fantasize about being Neville as a child (probably not the healthiest thing for a kid). Neville has paradise, but with the highest price possible. He can have anything he wants, but no one to share it with. And come night time, he must hide in his fortress away from the angry mob of mutants.
The apocalyptic world that makes the first half so captivating is destroyed by the second half's plot device. I won't go into details for those who haven't seen it. However, I will say the film starts to slide downhill from the mid-way point. But the lesser parts can be enjoyed as early 70's camp.
Even with its faults, "The Omega Man" is a great Sci-fi movie. It also gives Heston a chance to play his quintessential role of a man at the end of civilization. The film's weaknesses don't ruin the experience entirely. It is a film that myself and my friends talk about to this day despite the fact that most of my friends only saw it once or twice (when forced by me).
Related note: I Am Legend was also made into the film "The Last Man on Earth" starring Vincent Price. "Omega Man" is discussed in the first scene of indie-film classic "Slacker."
The idea of being the last man is intriguing. I used to fantasize about being Neville as a child (probably not the healthiest thing for a kid). Neville has paradise, but with the highest price possible. He can have anything he wants, but no one to share it with. And come night time, he must hide in his fortress away from the angry mob of mutants.
The apocalyptic world that makes the first half so captivating is destroyed by the second half's plot device. I won't go into details for those who haven't seen it. However, I will say the film starts to slide downhill from the mid-way point. But the lesser parts can be enjoyed as early 70's camp.
Even with its faults, "The Omega Man" is a great Sci-fi movie. It also gives Heston a chance to play his quintessential role of a man at the end of civilization. The film's weaknesses don't ruin the experience entirely. It is a film that myself and my friends talk about to this day despite the fact that most of my friends only saw it once or twice (when forced by me).
Related note: I Am Legend was also made into the film "The Last Man on Earth" starring Vincent Price. "Omega Man" is discussed in the first scene of indie-film classic "Slacker."
Le saviez-vous
- AnecdotesThe production company wanted a locale that looked like an abandoned metropolitan area, but it was too costly to build. The producer drove through downtown Los Angeles one weekend and discovered there were no shoppers, so the majority of the film's exteriors were shot there on weekends.
- GaffesIn a city supposedly laid waste, Neville has to resort to running a generator any time he requires electricity. He does so to power his apartment; he does so to power up the projector inside the cinema when he goes to watch the film. But this city with no surviving infrastructure (in the opening scenes, as he's driving around in the red convertible), all the traffic lights are powered up.
- Citations
Little Girl: Are you God?
Lisa: Let's find out if he's even a doctor before we go promoting him, okay?
- Crédits fousThe opening credits feature the credit "Based on a book by Richard Matheson", and does not give the title of the actual book, I Am Legend.
- Versions alternativesIn the common version of this film, the scene where Richie tells Neville that he should either kill the Family or cure them takes place inside Neville's apartment. In an alternate version, the scene takes place on the rooftop, where Neville has a large water tank and a .50 caliber machine gun.
- ConnexionsFeatured in The Last Man Alive: The Omega Man (1971)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- La última esperanza
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 8 720 000 $US
- Durée1 heure 38 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Le survivant (1971) officially released in India in English?
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