Avanti!
- 1972
- Tous publics
- 2h 24min
NOTE IMDb
7,2/10
13 k
MA NOTE
Un homme d'affaires prospère se rend en Italie pour organiser le retour du corps de son père magnat. Il découvre que son père est mort avec sa maîtresse de longue date.Un homme d'affaires prospère se rend en Italie pour organiser le retour du corps de son père magnat. Il découvre que son père est mort avec sa maîtresse de longue date.Un homme d'affaires prospère se rend en Italie pour organiser le retour du corps de son père magnat. Il découvre que son père est mort avec sa maîtresse de longue date.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Antonino Faà di Bruno
- Concierge
- (as Antonino Faa' Di Bruno)
Yanti Somer
- Nurse
- (as Yanti Sommer)
Avis à la une
So much has been said about the plot of Avanti it seems pointless to go over the synopsis again- but I can say although I am a lover of Horror films, Thrillers and Westerns- it is Avanti that is my favourite film of all time.Avanti is gorgeous to look at and features a beautiful music score. How I wish I could obtain a soundtrack of this delightful score. The scene when Pamela Pigott ( Juliet Mills ) tours the city on a horse drawn carriage and later running from her new found admirers is beautiful with the music so perfect.Also when Pamela and Wendell ( Jack Lemmon ) have their evening meal together , it is again a beautiful music score. Jack Lemmon as the bombastic Wendell Armbruster is as always great. Juliet Mills as Pamela Pigott looks far too gorgeous to be ridiculed by Armbruster but she shines in her finest ever role. However for me the film is stolen completely by Clive Revill as the hotel manager- what a sublime performance. Watch his every movement, his every expression, his delivery of every line.It is a captivating performance, totally exquisite. Clive Revill is an actor sorely neglected by the film world.Billy Wilder's film is so very neglected and it's a pity as this is the perfect film. Watch the beautiful, poignant sequence at the mortuary as Pamela and Wendell view the bodies of their mother and father respectively. And again watch Clive Revill alongside Lemmon and Mills- acting with only movement, expression and not a word. The lighting in this scene is so wonderful, it is dark and depressing with the exception of a shaft of sunlight penetrating the smallest of windows. Wilder manages to wring excellent portrayals out of even the most minor of characters. Watch Avanti and savour the acting, the music and the scenery.
10mdm-11
Billy Wilder & Jack Lemmon didn't go straight for the belly laughs in this departure from their usual all-out-crazy comedies. Fans of the masters will be pleasantly surprised by this delightful romantic comedy, which captivates the viewer from the very start. Mezmerizing backdrop music plays as though secretly staged by Cupid standing by to assure that lovebirds will find one another. Lemmon plays the son of a mega-wealthy American business man who had to drop everything to fly to Italy in order to claim the father's remains after a car accident. En route to his late father's "final stop", Lemmon runs in to a persistent young woman, who turns out to be the daughter of the woman with whom the father had had a lengthy affair, and who was found lovingly slung around his neck as they both died in said accident.
The situation seems rather awkward at first, but eventually Lemmon and the young woman begin following into the exact same steps their departed parents had done years earlier. The picture is completed by a brilliant supporting cast of hotel personnel and colorful locals. The performance of the multi-talented and ever-present-minded hotel manager was Oscar worthy.
Listening to the testimony of all people asked, Lemmon learns that his late father and his "friend" were viewed as Royalty, nothing less than figures from a fairy tale. The concluding scenes are the final touches to a most enchanting romantic comedy, one that has few rivals in its category. Billy Wilder has done it again. What he missed in big laughs, he made up in many magic moments and gentle pressures to your tear glands. One of the very best out there. Belissima!
The situation seems rather awkward at first, but eventually Lemmon and the young woman begin following into the exact same steps their departed parents had done years earlier. The picture is completed by a brilliant supporting cast of hotel personnel and colorful locals. The performance of the multi-talented and ever-present-minded hotel manager was Oscar worthy.
Listening to the testimony of all people asked, Lemmon learns that his late father and his "friend" were viewed as Royalty, nothing less than figures from a fairy tale. The concluding scenes are the final touches to a most enchanting romantic comedy, one that has few rivals in its category. Billy Wilder has done it again. What he missed in big laughs, he made up in many magic moments and gentle pressures to your tear glands. One of the very best out there. Belissima!
At the 70s, people took much more care of the characters than today !! It is not a comedy where you can laugh aloud. But you have a smile on your face all the time you watch this movie ! In a way, this movie makes you happy !! Especially Jack Lemmon is a great actor !!
This charming and whimsical flick has been a favorite of mine for years, and I am puzzled as to why it so neglected. There are five main reasons the film works so well, not necessarily in order of importance: 1) the cinematography of the isle of Ischia 2) Billy Wilder's direction 3) Jack Lemmon 4) Wilder's and Diamond's script 5) Clive Revill as the hotel manager. Little can be added to the generally favorable comments found here. My favorite scene: Wendell Armbruster's introduction to the Trotta family ("That's a lotta Trottas!"). Well worth a see!
The great team of actor Jack Lemmon and director Billy Wilder create yet another classic in their repetoire of great films. In AVANTI! (which means "forward" in Italian), Lemmon plays Armbruster, a snobby American executive who travels to Italy to reclaim the body of his father after the latter dies of an autowreck. Little did Armbruster
know that his old man had a companion with him, a British lady whose daughter Pamela (Juliet Mills) is also present to claim her body. Though antagonists at first, Armbruster and Pamela are drawn together because of their parents' mutual interest. With a rich Italian
landscape (complete with an awesome view of the Mediterrean Sea), plus a typically great performance by Lemmon and a well-played one by Mills, make this a terrific romance flick.
know that his old man had a companion with him, a British lady whose daughter Pamela (Juliet Mills) is also present to claim her body. Though antagonists at first, Armbruster and Pamela are drawn together because of their parents' mutual interest. With a rich Italian
landscape (complete with an awesome view of the Mediterrean Sea), plus a typically great performance by Lemmon and a well-played one by Mills, make this a terrific romance flick.
Le saviez-vous
- AnecdotesJuliet Mills gained 25 pounds within six weeks to take on the role of Pamela Piggott.
- GaffesWhen the US flag was draped over the coffin at the end of the movie, the canton (the blue field with stars) was over the upper left of the coffin, as viewed from the foot of the coffin. The canton is to go to the upper right of the coffin, the deceased's left shoulder.
- Citations
J.J. Blodgett: Maybe it's one of those Greek islands?
Helicopter pilot: No sir, Greece is way to the left.
J.J. Blodgett: Not as long as I am with the State Department!
- ConnexionsEdited into Jerry Maguire (1996)
- Bandes originalesSenza Fine
Written by Gino Paoli
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- ¡Avanti! Amantes a la italiana
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 750 000 $US (estimé)
- Montant brut mondial
- 22 792 $US
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