Hitman, le Créole de Harlem

Hit Man (1972)

** (out of 4)

Fairly weak and at times tame Blaxploitation flick has Bernie Casey playing a man who travels to L.A. after the suspicious death of his brother. It turns out that the brother got involved with gangsters and pornography so Casey must seek some revenge. HIT MAN really isn't a very good movie, although fans of the genre will probably find enough entertaining things in it to make it worth sitting through. I think the funniest thing about the picture is the dialogue, which of course is full of the "N" word but there are some hilarious one-liners. The dialogue certainly fits into the "so bad it's good" territory but it at least gives you a reason to laugh. The film contains quite a bit of nudity from start to finish but the real surprise was the lack of any real violence up until the very end. Once the ending comes around then we're greeted with some rather over-the-top and very bloody death scenes. The film is basically a reworking of the British classic GET CARTER but this film here is certainly lacking in most categories. The performances are all okay but certainly nothing that's going to jump out at you. Casey would go on to star in other Blaxploitation flicks like CLEOPATRA JONES and DR. BLACK, MR. HYDE and while he's certainly nothing classic like Jim Brown, he at least manages to keep you entertained. Pam Grier is sadly wasted in her supporting role that simply doesn't give her enough to do. Director George Armitage certainly keeps the film moving at a good pace but there's certainly a major need of a re-write.

Largely because I read Pam Grier was in this, I was curious about seeing Hit Man so when I found it at my local library, I snapped it up! She plays a porn film actress who eventually gets on lead Bernie Casey's bad side because of something involving a relative of his she did something bad to. Casey is looking for info on why his brother was found dead but the people he runs into tell him nothing but lies. Plenty of sex and nudity (Yes, Ms. Grier is one of those who unclothe themselves) and some violence sprinkled throughout. I must admit I couldn't keep track on why certain sequences were happening but for the most part, I didn't care. So on that note, Hit Man is worth a look for anyone very interested in these blaxploitation pics from the early '70s.

As a big fan of 'Get Carter,' I watched this on cable TV for a laugh and wasn't disappointed. It is a funky blaxploitation movie to rival 'Shaft' and a pretty fair remake of 'Carter,' much better than the Stallone nonsense of a couple of years back. It was fun matching scenes from the original especially the 'phone sex, which just killed me. Very funny and pretty cool!

An excellent version of the Ted Lewis book, Jack's return home. Although the style and acting is below the high standard of Hodges' classic Get Carter, it conjures up some novel death scenes and some cool dialogue. Caine said "You're a big man, but you're out of shape. Me, it's a full time job." Bernie Casie said, "You're a big cat, but don't be selling me no wolf ticket." Quality. If you liked Carter, you'll like Hit Man.

This film shows how taking even a solidly founded film and remaking it with low end rambling dialogue can mutilate what had some promise. Shot almost scene for scene from GET CARTER -based on the 1969 novel Jack's Return Home (which has resonated through multitudes of other film plots successfully). This movie flounders in a horribly almost plot-less screenplay. I dread what the outcome would have been had GET CARTER not been the master mold. In this genre remake the hero is not clear as to his history and drive and floats from place to place. No matter how much spicing up with racy visuals it still falls short.

Not trying to short change any film, I watched it a second time and nothing changed, no nuance to be found (no fault of Bernie Casey). This is a typical low grade band wagon production from MGM of the time. With dialogue like "That just ain't in his head. I'm the freak of the family", when pondering whether his brother's death could have actually been a suicide you have a long haul to the end of this one.

Better use of the "out for revenge" plots of this era and genre have been seen in Welcome Home Brother Charles and Gordon's War.