Fureur noire

There's nothing particularly distinguished about the blaxploitation actioner "Trouble Man", but it does entertain. A bad ass Robert Hooks plays a character named Mr. T - around a decade before somebody else made that moniker famous - in the story of a cool, calm, and collected problem solver. He's hired by two criminals, Chalky (Paul Winfield) and Pete (Ralph Waite, a long way from 'The Waltons'), to find out the identities of the thieves who have been holding up their gambling operations.

Mr. T finds out that things aren't as they seem. We in the audience get tipped off as to where things are heading, early on. Ordinarily this would present a problem as the viewer might get tired of waiting for our hero to play catch up, but T is such a good and smart character that we don't much mind. In the meantime, director Ivan Dixon (also an actor in things like "Car Wash") serves up respectable doses of action and suspense. The screenplay concocted by executive producer John D.F. Black is fairly uncomplicated and consistently enjoyable. The dialogue is often quite amusing. As with so many films in this genre, one of the greatest joys turns out to be the music score. The man responsible for the score in this instance is the soul legend Marvin Gaye.

The largely black cast is full of terrific actors. Hooks displays a lot of poise in the lead role, and one may wish that he had had more starring vehicles over the years. Paula Kelly is appealing as his loving girlfriend Cleo. William Smithers does fine as the disapproving white cop who is suspicious of T, who doesn't appear to have a steady source of income but has nice things. Winfield is excellent, as is a perfectly slimy Waite. Julius Harris lends his authoritative presence as a crime boss - unimaginatively named Big. Other familiar faces include singer / actor Bill Henderson, Stack Pierce, Lawrence Cook, Virginia Capers, Tracy Reed, Felton Perry, John Crawford, Gordon Jump, Jeannie Bell, and Harrison Page.

The rousing finale and sense of humour help to make this well worth a viewing.

Seven out of 10.

I originally became curious about this movie because of the original score and Soundtrack by Marvin Gaye. After waiting a couple of years for the DVD to be released, I was truly impressed by the film as a whole. I'm very disappointed by the score of this film on IMDb. This has to be the most slept on blackploitation movie there is. It has very excellent plot and cinematography that puts you right into the action. Hell, Robert Hooks has to be one of the most unsung heroes in action movies. I watch the movie over a dozen times There was someone that was "cooler" than Shaft, His name is Mr. T. (not the guy with the Mohawk). This is a definite must for you black action collection.

This is one of the grandest "blaxploitation" flick of the 1970's,and to this day it still doesn't get the ultimate respect it truly deserves. This is a one man in-your-face action flick that delivers the goods and keeps coming back for more. It's ranks up there with the best of that era which includes films like "Black Caesar","Shaft","Super Fly","Coffy" "Foxy Brown","Hammer","Three The Hard Way",and so much more. For those who never seen this film,it is worth the required viewing in a movie that doesn't waste any time,even though its running time of 99 minutes holds the audience in check. When this film came out in 1972,it was not very likable by the critics,but audiences were enthralled by the great acting,unstoppable action and the great atmosphere. In other words,one of the baddest ass flicks of the decade. This film came out around the same time another blaxploitation film came out about the same time.... Gordon L. Parks' "Super Fly"(Warner Bors.,1972),which starred Ron O'Neal and "Black Caesar"(AIP,1972),directed by action-guru Larry Cohen which starred Fred Williamson.

"Trouble Man"(20th Century Fox,1972),directed by fame Hogan Heroes'star Ivan Dixon,and starring Robert Hooks as the central character Mister T. Mister T was one cool dude,a straight-up hustler,pimp daddy and private eye who always kept his cool whenever something was about to happened,and usually does. He has a beau of beauties,drives a expensive Lincoln Continental car,and wears $600 suits that are customed made in Italy! Also,you can tell that Mister T came up hard,and had to be harder than the competition! Raised in the streets he's been a man since he was a kid. He has an aresnal of weapons,he's rough and tumble and ready for action,and can fix almost any situation while being the ultimate lady killer. Also,to point out that Mister T is no joke! You'll rub him the wrong way or try to double crossed him,he'll blow up in your face. He is cold hard steel,not to be messed with! However,he has hassles with the police,the mobsters who want to eliminated him at all costs(including one of them played by Ralph Waite,of the TV series The Waltons,and the others played by Paul Winfield and Julius Harris)while maintaining the control of his business and his main squeeze(played by Paula Kelly),but Mister T gives them hell to pay and pay they do! In other words,"Trouble Man",was throroughly impressive,and its a crying shame that this film is not out anywhere on DVD and Video since the last time I saw this was when I was little with my parents in the movie theatres,and again as an adult when cable's The Fox Movie Channel. This film is Rated "R" for strong graphic violence and language with parts of nudity for some of the sexual material.

About the motion picture soundtrack to "Trouble Man":(Release in 1972) This soundtrack came out before the film did,and if you check it out it is a soul classic of the era. However,this was basically a jazz album by the way since Motown great Marvin Gaye wanted to do a jazz instrumental piece for years,but here is the album that gave a new generation a classic piece of brilliant soul. Here is vintage soul music with all the arrangements and songs written by Marvin Gaye himself and it is worth the listening experience,so please check it out.

Robert Hooks stars as one sharp dressing, pool hustling, coke drinking, lady pleasing, bad-ass private eye in this cool and groovy seventies blaxploitation classic.

As the film title suggests, trouble is very much afoot here after our man becomes embroiled in a potential gang war between rival factions, after one side hires him to find out who has been ripping off their low rent gambling dens. Matters become even more complex when our hero subsequently ends up being framed for a murder. None too pleased with being made the scapegoat however, our man subsequently sets out to get revenge which he does.....in violent style!

Chock full of snazzy dialogue, cool music, and some fine action sequences, this is great stuff from beginning to blood soaked end. Hooks is especially cool in his role which makes it somewhat of a shame that there were never any sequels produced as for instance other similarly strong black protagonists of the time such as Shaft and Slaughter enjoyed. Oh well, as it stands, our hero in this is equally as memorable. Be sure to check this out.

In 1972, Paul Winfield had an interesting year: he starred in the Oscar-nominated Sounder (of which he got a nod) with Kevin Hooks as his son. Then he also played one of the villains in Trouble Man which starred Hooks' father, Robert. As for the star, he's real cool here as he goes like Shaft playing pool, making love to his lady (Paula Kelly), and knowing when to shoot without messing up his suit! While I rarely watched "The Waltons", I knew the other bad guy was played by Papa Walton, Ralph Waite, and boy, does he really get it! And how about the future Arthur Carlson from "WKRP in Cincinnati", Gordon Jump, playing a slum landlord who has to apologize to a woman whose baby almost got killed by a railing but not before getting his butt whooped by Mr. T (Robert Hooks' character)? Julius Harris was as cool as Mr. Big here as he was in Hell Up in Harlem a year later. Most cool of all is Marvin Gaye's main title theme and the entire score he composed. Really, what else to say except Trouble Man is solid, you dig? And, no, I really don't think this deserves to be in the book "The Fifty Worst Films of All Time".