Una breve vacanza

Those viewers who are feeling a little down about their own particular life situation may be a bit cheered when they see what Clara Mataro's daily grind is like, in Vittorio de Sica's 1973 offering "A Brief Vacation." The sole breadwinner in her family, living in a dingy, cramped apartment on the outskirts of Milan with her loutish husband, thuggish brother-in-law, waspishly senile mother-in-law and three young sons, her torturous job at a rubber factory is just another element in her daily hell. No wonder that when the National Health clinic forces her to go to a sanatorium in the Italian Alps to cure her incipient TB, Clara views this as the titular brief vacation. (If only the U.S. had a health care system like this!) Away from her usual troubles and surrounded by new friends, Clara inevitably blossoms, and that metamorphosis is wonderful to see. Florinda Bolkan, who had greatly impressed me in such marvelous gialli as "Lizard in a Woman's Skin" and "Don't Torture a Duckling," is superb here as Clara, especially when the prospect of a possible love affair at the sanatorium arises. Clara's fellow patients are a very interesting bunch; de Sica, the old neorealist master, directs winningly yet unobtrusively; son Manuel de Sica's theme song "Stay" is lush and superromantic; and the snowy backdrop of the Alpine countryside is often quite spectacular. So, does the film give poor Clara the reward of a happy ending? I would never dream of telling, but those who have seen such earlier de Sica classics as "The Bicycle Thief" and "Umberto D" might be able to guess. Clara Mataro is a remarkably well-drawn character, and my feeling is that most viewers will be very happy that they have spent a few brief hours with her....

This is the story of a woman given a respite from her grim life as a devoted wife and mother. She takes her illness in stride and goes off to the mountains to a sanatorium for a cure. While there, she meets people she would never have met otherwise and has time to experience a life other than one of drudgery and selfless devotion. She is even given a chance of escape/salvation. Will she take it? Ah, but that would be a spoiler!

This superb movie shows that realism can be moving and gripping. This woman's plight, her decency and her quiet heroism make for one of the best motion pictures ever made. If it could be released on video or DVD, I'm sure it would do well. Let's hope the owner of the rights to this movie soon figures this out.

Florinda Balkan stars as a factory worker battered by her crippled husband who discovers she has lung disease and is send on medical leave to a TB resort in the mountains for treatment. Here she is romanced by a handsome patient from a nearby facility and develops close friendships with her roommates, sharing their triumphs and disappointments while they battle with fates of mortality. The great irony results in that she is cured, but ruined by the fact she must return to her factory work and poor, abusive family. Fans of Bette Davis (Jezebel) and Joan Crawford (Mildred Pierce) will enjoy her portrayal of a strong tragic heroine. I must admit scenes with her abusive husband and fellow TB patients are quite hard-hitting, but worth enduring to see the powerful finale.

Be like a train; go in the rain, go in the sun, go in the storm, go in the dark tunnels! Be like a train; concentrate on your road and go with no hesitation!" Mehmet Murat ildan

Trains are featured prominently in this film. Without them, our heroine, Florinda Bolkan wouldn't be able to go to work, or even mountain retreat. Like trains, she would go on with her life journey - with no regrets and hesitations, in spite of tears.

This is an amazingly beautiful film. The story of a woman of little means and a horrendous family life who learns much about the world in a sanatorium in the Italian alps. It gives her a brief vacation from a hard life. And understanding. And hope. Truly wonderful. Florinda Bolkan is a great actress ... emoting without emotion. This movie has many levels of plot and story rolled into a single, seemingly simple story. There are many levels of relationships in the movie. Of particular interest is the set of relationships formed between patients from the upper class, the 'paying' patients and those who are in the sanatorium paid for by the national health. The juxtapositions between have and have not, happy and sad, sick and healthy, doctor and patient, hardworking and lazy and many others form the basis of what we see as Clara's learning process and set of life dilemmas.

Hard to find but worth it. Belongs on the top 250 list....but not enough people have seen it to vote.