Ajouter une intrigue dans votre languePregnant woman and husband's plane lands in strange town due to atmospheric disturbance. Townspeople act zombie-like, repeating same actions. Couple trapped, seeking escape as they unravel t... Tout lirePregnant woman and husband's plane lands in strange town due to atmospheric disturbance. Townspeople act zombie-like, repeating same actions. Couple trapped, seeking escape as they unravel the mystery behind the eerie phenomenon.Pregnant woman and husband's plane lands in strange town due to atmospheric disturbance. Townspeople act zombie-like, repeating same actions. Couple trapped, seeking escape as they unravel the mystery behind the eerie phenomenon.
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I always wanted to see a 3D Movie and I finally made it. It felt very odd wearing the funny glasses, but all in all it was well worth it. Some of the effects were amazing, especially the scene with the dancer. I liked that a lot. At other times the effect was more disturbing, especially at the beginning where there was an empty seat in the plane that seemed to be hanging in the air and looked really out of place. But sitting in row 10 and actually believing that you can touch something because it seems to be just in front of you is really amazing. The film itself was not really bad although there is not much of a plot. I enjoyed the eerie feeling, acting was adequate but I had the impression that some scenes were missing. The pilot disappears and reappears for no apparent reason and in the end the nightmare ends for no apparent reason. But if you do not expect to much from the plot you should be able to enjoy the experience.
This was not the first polarized 3-D movie by a long shot, as over 50 3-D movies were released in polarized 3-D in 1953 and 1954. Some of those were later downconverted to the inferior red/blue anaglyph format but they were not seen that way upon their initial release.
However, this was the first film widely distributed in a single strip/one projector 3-D process instead of the dual strip/dual projector system used in the fifties.
The film has been compared to an overlong "Twilight Zone" and that is an apt description. The widescreen 3-D is quite good. It's a bit slow, and the film was cut from the original 112m version to 90 mins for a wide 1976 3-D re-issue under the title FANTASTIC INVASION OF PLANET EARTH. Later 3-D video versions cut it further to 75 mins.
Rhino's DVD restores the original title but is the 90 min version, and has been downconverted from polarized to inferior red/blue anaglyph. Still, the red/blue presentation is better than most; and is worth a purchase for 3-D fans. Just don't expect it to look as good as the original polarized glasses version.
However, this was the first film widely distributed in a single strip/one projector 3-D process instead of the dual strip/dual projector system used in the fifties.
The film has been compared to an overlong "Twilight Zone" and that is an apt description. The widescreen 3-D is quite good. It's a bit slow, and the film was cut from the original 112m version to 90 mins for a wide 1976 3-D re-issue under the title FANTASTIC INVASION OF PLANET EARTH. Later 3-D video versions cut it further to 75 mins.
Rhino's DVD restores the original title but is the 90 min version, and has been downconverted from polarized to inferior red/blue anaglyph. Still, the red/blue presentation is better than most; and is worth a purchase for 3-D fans. Just don't expect it to look as good as the original polarized glasses version.
If I recall correctly, this movie, when shown "flat" on TV has some perplexing moments when characters inexplicably move objects toward and away from the camera, apparently for no reason other than to create a 3D effect, like in the old Second City TV skit "Doctor Tongue". If you're looking for a big budget aliens attacking flick like Independence Day in 3D, you'll be disappointed. It's a little more cerebral, creating atmosphere and suspense instead of thrills. In order to appreciate this kind of a movie, you have to be willing to work with it.
I was a teen in the 60's and a big horror movie fan who saw and read anything I could get my hands on regarding horror films, and especially 3D horror films of the 50's. I distinctly remember reading the press releases in the Detroit newspapers that Arch Oboler, one of the technical pioneers of 3D films in the 50's, was in town to supervise the installation of special silver screens for his new 3D process.
It was not new because it used polarized lenses...those had been used in the majority of the 3D films in the 50's. The new process related to the projection of the film. (I don't recall the articles going into much more detail about that process, but now I know it was apparently the first to combine both images on a single filmstrip.)
I was so excited that Oboler himself was in my hometown to supervise the showing I made sure to go see it. I believe it was at the Adams in downtown Detroit.
The 3D was mind-blowing! The beer tray floating out over the audience has still (this is mid 2013) not been topped for jaw-dropping 3D. I have thought of it many times since, and I think the reason it worked so well, and so much better than explosions or other fast-moving moves out of frame, is that the tray moved slow enough to follow and keep in focus by our eyes. (This is similar to holding one finger in front of your face and slowly moving it toward your nose. Your eyes cross slowly as your finger gets nearer.) I remember little else of the film, but I know that I walked out feeling I got my money's worth, just for the 3D alone.
It was not new because it used polarized lenses...those had been used in the majority of the 3D films in the 50's. The new process related to the projection of the film. (I don't recall the articles going into much more detail about that process, but now I know it was apparently the first to combine both images on a single filmstrip.)
I was so excited that Oboler himself was in my hometown to supervise the showing I made sure to go see it. I believe it was at the Adams in downtown Detroit.
The 3D was mind-blowing! The beer tray floating out over the audience has still (this is mid 2013) not been topped for jaw-dropping 3D. I have thought of it many times since, and I think the reason it worked so well, and so much better than explosions or other fast-moving moves out of frame, is that the tray moved slow enough to follow and keep in focus by our eyes. (This is similar to holding one finger in front of your face and slowly moving it toward your nose. Your eyes cross slowly as your finger gets nearer.) I remember little else of the film, but I know that I walked out feeling I got my money's worth, just for the 3D alone.
Yes this is a awful movie however I was in it: This was my first movie I play(name not on credits) the little girl walking around and riding on the carnival ride in a complete trance. My uncle was a producer and assisted Arch Obler on this film. I was only 7 years old but what memories. Gilligans Island,Big Valley ,Its about Time were all being filmed and I hung out with all of the actors. Michael Cole and Debra Wally were in the Bubble and were great to me. I will never forget that time. I continued on until into my 20 in the Hollywood scene and then decided to move on. I now own a successful Ice Sculpting and Event Decor company on the West Coast. I was so surprised to see this on the amazon.com I had to laugh. I even went to the opening it was at a theatre in Hollywood i got to walk down the red carpet and could barely write my name when another child asked if i was in the movie and wanted my autograph I only new how to print not write.
Le saviez-vous
- AnecdotesOriginally released with a running time of 112 minutes but several critics complained about the slow pacing so, in 1968, director Arch Oboler cut it to 91 minutes. Unfortunately, the edits were made directly to the original camera negative and the footage was discarded. It was thought to be lost until a personal copy of the original print belonging to Deborah Walley was located. The 2014 Kino Lorber blu-ray retains the original title & 3-D but is still the 91 minute edit of the film.
- GaffesAfter Tony commandeered the taxi, he and the cabaret dancer are in the front seat while Mark and the driver are seen in the back, after a quick cut-scene of the road of statues, Mark and the dancer have switched seats.
- Versions alternativesAbout ten years later, this film was re-released in a edited and re-titled version. Approximately two reels of footage was removed and it was re-titled "Fantastic Invasion of Planet Earth." In the early 1980s, this edited and re-titled version was released again during the brief 3-D revival of that period.
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- How long is The Bubble?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Fantastic Invasion of Planet Earth
- Sociétés de production
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- Durée1 heure 52 minutes
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By what name was The Bubble (1966) officially released in Canada in English?
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