Hawaii police d'état

This show lasted for many seasons because of the talents of Jack Lord and great writing, but I think it helped that it was on CBS as well. CBS always seemed to stand behind it's shows longer, even after ratings begin to drop. Perhaps my memory is wrong, but didn't the show end because Jack Lord wanted it to instead of it being cancelled? There are many memorable episodes of course, but the one that always stands out in my mind was the episode with singer Nancy Wilson as the heroin addicted performer. I thought she did a great job! Hopefully the show will come out in a DVD set. I hope the show will always be in reruns somewhere at least!

Although the plots and stories trailed off a little in quality near the end of the series, 'Hawaii Five O' in its prime was a remarkable example of how to do a television show right. It had a lot a factors going for it : Spectacular opening and closing credit sequences, a grabber of a theme song, exotic locations, a charismatic lead actor who had great hair and knew how to work it, and a racially diverse and intriguing supporting cast.

The series creator took a chance and had Jack Lord play McGarrett as a hard-nosed, hard-driving tough guy instead of a "Teddy bear" type, but this worked because McGarrett was so obviously committed to his job and to "Law And Order" that his brilliance and energy won the audience over, and in fact made them like him even more than if he had been played as a "Basil Rathbone Sherlock Holmes" character.

But the thing that sets Five O apart in my mind, is that whoever was in charge of story and script quality really knew their stuff and were allowed to do their job. H50 episodes had remarkably tight and internally consistent plots and screenplays. The screenplays always played fair with the audience, and almost always featured extremely clever plot devices, gimmicks or MacGuffins that made you admire the deviousness and ingenuity of the characters who were trying to do bad things under Five-O's watchful eye. And McGarett and his staff would scramble against a deadline to understand the gimmick and solve the mystery or the heist or the caper before the 'bad guys' could get away with whatever they were planning. And each episode was directed and edited with crispness and energy that kept everything moving and wasted no screen time.

Many times things were so interesting that the hour long show seemed to be over almost as soon as it started. You can't give a police detective show a much higher compliment than that. To manage to pull this off for so many years was a remarkable achievement.

Three cheers for "Hawaii Five O" and the people behind it. It holds up as one of the high water achievements of television drama.

Hawaii Five-O's successful 12-year run proved one thing: A drama doesn't have to be perfect or overly complex to succeed.

Hawaii Five-O's plots were straightforward and self-contained. They rarely had big surprises or twists, and the plot of one episode rarely carried over into future episodes. However, the stories were (for the most part) well written, intelligent, and often unique. For example, in the sixth season's "Draw Me a Killer", a young man "in love" with a female comic book character murders people who resemble her fictional adversaries. This sort of creativity resulted in interesting plots that didn't have to depend upon shocks or gimmicks to be watchable.

Hawaii Five-O was authentic. It was shot entirely on location in Hawaii. Most took place in Honolulu, but the show saw some time on the other islands, as well. Local actors were used to fill nearly every minor part in almost all episodes. While many of these actors were clearly amateurs, you didn't care. This actually added to the show's charm and authenticity. Some of these locals had recurring parts, being seen in different roles in as many as 14 episodes. That also wasn't a big deal, provided you didn't take the show too seriously.

Hawaii Five-O was nice to look at. The show went out of its way to create scenes with beautiful backdrops, allowing the viewer to feel he's on a Hawaiian vacation while in his own living room.

Hawaii Five-O featured one of the best opening theme songs and title sequences. It still holds up well 37 years later. Even the end title sequence, showcasing about 20 native Hawaiians paddling a boat through the ocean off Hawaii, fit in with the show's Hawaiian authenticity. A bit of trivia regarding the opening sequence: The famous wave at the beginning was NOT filmed for Hawaii Five-O, and was instead taken from some 1962 stock footage. This footage was so unimportant at the time that it is now unknown exactly where that wave video originated. Also, the 10-year-old boy shown on the beach was randomly selected and given $5 for allowing himself to be filmed. He didn't know he was in the opening titles until kids at school teased him about it! The first 7 seasons of the show were by far superior to the final 5. The show especially deteriorated by season 11. This was simply a case of a show that had run its course, and it honestly should have been canceled two years earlier.

Jack Lord did a superb job as Five-O head Steve McGarrett. We never got to learn too much about the lives of the other characters, but it was always clear that they were there to support McGarrett. The unity and dedication amongst the characters of the show was comforting to watch. While many cop shows (such as NYPD Blue) introduce conflict between the main characters, this had no place in Hawaii Five-O. This was a show about Five-O versus the criminal element of Hawaii.

Despite the repeated showcasing of Honolulu's crime, Hawaii Five-O actually did a lot to boost Hawaii tourism. You would think that episodes showing tourists as murder victims would put people off. Perhaps everyone felt protected by McGarrett and Five-O, even if both were just a work of fiction.

The longest-running cop show on American TV until "Law & Order"'s thirteenth season, "Hawaii Five-O" still has a long life in reruns and probably will continue in that vein long into the future.

Admittedly it did go downhill towards the end (the last season's episodes, ironically, seem even more dated than those from the '68 run) and no one can really claim that the acting was on a par with your Bochcos or your Levinsons, but it worked - yes, the scenery was a plus, along with Reza S. Badiyi's title sequence (still one of the all-time greats), but ultimately the glue that held it together was the late Jack Lord. He clearly thought the show revolved around him, and he was right - stiff, yes, but the man WAS Steve McGarrett; you never doubted for a second that he was in charge.

The show also had more than a few decent stories to go with the Hawaiian setting; that's the main reason this show was popular enough to run for more than 10 years (and more than twice that length in reruns). That and Morton Stevens's theme music, of course - all these years and that still hasn't worn thin yet either. I doubt "Miami Vice" will hold up so well.

The Stephen J. Cannell-backed pilot shot in '97 (and which brought back Chin Ho, killed off in "A Death In The Family") was judged so bad by CBS that to this day it hasn't aired, and probably never will. Like I'm weeping...

I have been watching this show since I was 8 years old. I remember watching its final episode in 1980(when I was 14 years old). And its still on in syndication some 20 years later after it went off the air. For the astounding 13 seasons that it ran on CBS-TV(from 1968-1980),and again as a very short lived series called "McGarrett"(when Jack Lord's character leaves 5-O to become a private investigator),its no wonder why in point the shows still leaves viewers on the edge of their seats,and at the end its McGarrett telling his partner after he catches the bad guy or super villain to "book'em,Danno...murder one". This show set the standards today for all cop shows that were to follow it,and it still holds up. Kudos to the legendary Jack Lord(who died two years ago on his resort in Hawaii),and series creator Leonard Freeman who were the first to put Asian-Americans and other minorities in non-stereotypical roles(which followed the same format that producer Sheldon Leonard used when he put Bill Cosby as the first African-American in a starring role in "I Spy" four years earlier in 65). One of classic TV cop shows of the late 1960's and throughout the remainder of the 1970's,and it shows. Catch the reruns.