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Ajouter une intrigue dans votre langueWhile The Rolling Stones rehearse "Sympathy for the Devil" in the studio, Godard reflects on 1968 society, politics and culture through five different vignettes.While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, Godard reflects on 1968 society, politics and culture through five different vignettes.While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, Godard reflects on 1968 society, politics and culture through five different vignettes.
Sean Lynch
- Commentary
- (voix)
Keith Richards
- Self - The Rolling Stones
- (as Keith Richard)
Frankie Dymon
- Black power militant
- (as Frankie Dymon Jnr.)
Tommy Ansah
- Black power militant
- (as Tommy Ansar)
Commentaire à la une
Sympathy for the Devil (1968)
BOMB (out of 4)
Jean-Luc Godard's "documentary" shows The Rolling Stones recording the title track while mixing in footage of the Black Panthers preaching hatred. This is without question one of the worst documentaries I've ever seen and it's the worth Godard film I've seen to date but it's rather amazing how incredibly stupid this legendary director can be at times. The title is going to attract mainly fans of The Rolling Stones but their footage isn't here for fans and I'm still trying to think of why Godard put the footage here. Apparently he's director's cut run eleven minutes longer and features more of the Black Panthers and it's clear that he wanted the spotlight on hate instead of the band so why include the band at all? There's one scene where a couple Black Panthers tell a story of how they want to kill white women and Godard follows this up with a short film of black men gunning down white women. There's non-stop hatred talk coming from this group so I'm really shocked there's not more controversy surrounding this film. There are various short films throughout the movie and there's all sorts of stuff acted out, which makes no sense when put together and you also get constant scenes of men spray painting cars. The Stones footage shows them recording the classic song from the early stages to its complete version but with all the other crap in this film I can't even recommend this to fans of the group.
BOMB (out of 4)
Jean-Luc Godard's "documentary" shows The Rolling Stones recording the title track while mixing in footage of the Black Panthers preaching hatred. This is without question one of the worst documentaries I've ever seen and it's the worth Godard film I've seen to date but it's rather amazing how incredibly stupid this legendary director can be at times. The title is going to attract mainly fans of The Rolling Stones but their footage isn't here for fans and I'm still trying to think of why Godard put the footage here. Apparently he's director's cut run eleven minutes longer and features more of the Black Panthers and it's clear that he wanted the spotlight on hate instead of the band so why include the band at all? There's one scene where a couple Black Panthers tell a story of how they want to kill white women and Godard follows this up with a short film of black men gunning down white women. There's non-stop hatred talk coming from this group so I'm really shocked there's not more controversy surrounding this film. There are various short films throughout the movie and there's all sorts of stuff acted out, which makes no sense when put together and you also get constant scenes of men spray painting cars. The Stones footage shows them recording the classic song from the early stages to its complete version but with all the other crap in this film I can't even recommend this to fans of the group.
- Michael_Elliott
- 26 févr. 2008
- Permalien
Histoire
Le saviez-vous
- AnecdotesThe producer of the film added film of The Rolling Stones performing the completed version of "Sympathy for the Devil" at the end of the movie in an attempt to make it more commercial. Jean-Luc Godard was so incensed by this that he punched the producer during a talk at London's National Film Theatre.
- Versions alternativesJean-Luc Godard's original director's cut (titled "One Plus One") runs approximately 110 minutes and consists largely of additional footage of the black power militants. The film's producers were dissatisfied with this cut and deleted 11 minutes, changed the title to "Sympathy for the Devil" to underscore the Stones connection, and added the final version of the title song to the film's soundtrack, over a freeze-frame of the last shot. These changes were all made without Godard's knowledge; when he finally saw them at the film's London Film Festival premiere, he allgedly went berserk and physically attacked one of the producers.
- ConnexionsEdited into Histoire(s) du cinéma: Une vague nouvelle (1999)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Rolling Stones: Sympathy for the Devil
- Lieux de tournage
- Battersea Railway Bridge, Battersea, Londres, Angleterre, Royaume-Uni(car wreck by the Thames)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 51 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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