La Dernière route

According to the Films of Henry Fonda from the Citadel Film Series, The Great Smokey Roadblock was on the shelf for two years before being released. After that I suppose the producers decided this one was strictly for the red state drive in trade. I certainly don't remember it being exhibited in Brooklyn at the time.

It's not a bad film, it was the kind of thing that Fonda did during that last decade, mostly films strictly for the paycheck and no strain on any ability. He's a typical red state hero, a hard working truck driver who because of a prolonged hospital stay was unable to keep up payments on his big rig and the bank repossessed it. Not something you do to Fonda who steals the truck back and goes looking for a last big load.

And what a load it is. A favorite place of Fonda's a cat house that caters to men of the road has been shut down and Eileen Brennan and her girls have been told to cease and desist. But she's got a new location in South Carolina so she moves bag and all the baggage with Fonda from Wyoming.

The film has a few laughs but some serious flaws as well. Try as I might I could not understand why the eyes of a nation should be focused on Fonda and his plight. Nor could I understand why he could not get a legitimate load for his vehicle even if it was stolen in the eyes of the law. Why should those shipping if he's got a good reputation care? And the villain of the piece drugstore cowboy truck driver Gary Sandy was hostile to Fonda for reasons that were never made clear. And Robert England's character of a hitchhiker Fonda picks up along the way is never really any kind of coherent.

I did enjoy sheriff Dub Taylor and how the women got around him after he jails Fonda and them. And the women do have a good way for paying for gas, food and lodging.

Young Susan Sarandon had a bit role as one of Eileen Brennan's girls. The Great Smokey Roadblock while not great was better than a lot of what Fonda was in during his last decade.

I was the Production Accountant on this movie, and I also got to do some voice-over work on it, so I'm not entirely unbiased, but if it were awful, I would say so. I thought it was a fun film, not a critically acclaimed masterpiece, by any means, but there were plenty of laughs along the way. The Bible states that laughter does good like a medicine, so watching this movie could be good for your health.

So many of the actors in this picture hadn't yet reached their peak at the time we made this film. Susan Sarandon, of course, is one who has since gone on to much greater fame. Melanie Mayron was seen on TV on a weekly basis as a photographer in the "Thirty-Something" TV drama series. Robert Englund later became known as Freddie Krueger, still haunting people's dreams. One of my personal favorite actors on this show was Dub Taylor, who played the sheriff. He was an excellent comedic actor, and a truly nice, sincere person. We all had fun working on this show, and I think that fun comes through.

After being admitted to a hospital in California for a terminal illness, a truck driver named "Elegant John Howard" (Henry Fonda) has his big rig repossessed by the finance company. But rather than stay there and die he decides to retake his truck and drive it one last time on a trip across the country. On the way he picks up a hitchhiker near Cheyenne named "Beebo Crozier" (Robert Englund) who wants to go to Florida. Unfortunately, neither he nor Beebo have enough money to pay for the food and fuel necessary to get there. As luck would have it, however, while driving near Laramie, upon stopping to visit an old friend named "Penelope Pearson" (Eileen Brennan)-who happens to be the madam of a brothel--he discovers that she and six prostitutes desperately need to get to South Carolina. Needless to say, with their ability to make money, combined with his need to fund one last cross-country trek, both Elegant John and Penelope reach a business agreement of sorts to accomplish their respective goals. Now rather than reveal any more I will just say that this was an entertaining and light-hearted drama which kept me interested from start to finish. Admittedly, it is a bit dated but I thought it definitely managed to capture that particular period of time quite well. In any case, although this isn't the best "trucker film" ever made, I thought it was well worth the time spent and for that reason I have rated it accordingly. Slightly above average.

Elegant John (Henry Fonda) is a terminally ill truck driver who steals his old rig to make one last great cross country run, but this time has the law on his tail as who pursue his 18 wheeler across State lines. Along the way he picks up an odd assortment of hitch-hikers and passengers, including a band of evicted prostitutes, the madam (Eileen Brennan) being his old flame.

A rather odd film cheaply shot by a one time director John Leone that pre-figures the CB radio craze and such popular road movies as SMOKEY AND THE BANDIT (1977) and CONVOY (1978). This odd curio did become a cult favourite following the CB radio craze and with the emergence of the home video boom. A curious film for Fonda that one would suspect was not quite the film he thought it was going to be. Some of the band of followers, from the odd Robert Englund character to the band of prostitutes that includes Susan Sarandon; Sarandon was also a co-producer on the film.

Henry Fonda plays Elegant John, an old trucker who steals back his prized rig in California and takes off with almost no money. His Kenworth tractor has the name Eleanor on it. Elegant John once met Eleanor Roosevelt. He pulls a Fruehauf van with a "sunroof". Why is he called Elegant John? Well, sonny, if you drive five million miles without being late or having a wreck, you deserve to be called Elegant. Elegant John picks up Bible-thumping hitchhiker Beebo Crozier, who is going to Florida to learn motel management. Elegant John stops and gets fuel. Beebo reluctantly pays for fuel. The two stop at a whorehouse for truckers at Cheyenne, Wyoming, a possible homage to Fonda's movie The Cheyenne Social Club. The prostitutes are about to be raided, and the madam hires Elegant John to take them to the coast of South Carolina to start another prostitution business. Thus Elegant John's trip will be coast to coast. They go through Kansas and have a commotion near Springfield, Missouri, with Dub Taylor's character Harley Davidson. After that, there's a truck stop dancing scene to the music of Orleans' "Still the One", which is pop rock in a country sort of way. The movie claims that it's a compliment for a truck driver to be called a cowboy, but I've seen where an out-of-place, amateur, careless truck driver is called a cowboy or a cotton picker. There's a great Smokey roadblock in Georgia to stop them. Will Elegant John's Kenworth plow through a bunch of old Mopars? Will Elegant John live to see the Atlantic Ocean? And what is Beebo going to do with his life, now that it has taken an unexpected turn? This movie is just a hodgepodge of elements thrown together for drive-in fare.