Ils étaient cinq

Hal Holbrook and four other doctors take their yearly vacation off in the deepest woods for uninterrupted fishing and camping. Once there strange occurrences begin to happen. All their boots are stolen. A deer is slaughtered and strung up with a snake crawling down its leg like a caduces. Someone is out there and someone knows these guys are doctors. Well, differing personalities and breaking points get the better of the men. Doctors begin to die...usually through no fault but their own in the beginning. Later the few survivors are hunted and (some) killed prior to reaching the film's resolution. This film is a little diamond in the rough of bad, pointless horror films of the seventies. It has some truly inspired moments of terror. It also has some truly disturbing moments. The deer scene is one such scene, and another scene is where a head of a previous killed doc is mounted on a pole ala Macbeth to greet the surviving doctors after their sleep. The image is horrifying as is the realization that the lives of the living could have been had at any moment by the hunter. Director Peter Carter is good at keeping the pace of the film moving and tight. The editing is the biggest problem as needless cuts and cutaways seem to be all over the place. They may be cuts made for the video distribution way back on the Embassy label. What really separates this film from a mindless slasher film is the heavy use of characterization throughout the film. We just don't see nameless doctors killed, but they are real people with real problems. Each character can be described in more than just appearance. Holbrook gives a very credible performance as a man who has a strong ethical base. Lawrence Dane does a likewise job as a man with a low breaking point. All the acting was very credible. The ending of the film is somewhat slapdash and some things just dont fit perfectly, but budgetary constraints appear to have been at fault for this little Canadian production. Despite, as an earlier reviewer noted, Siskel and Ebert giving it two thumbs down, I enthusiastically recommend the film as an entertaining suspenseful horror film.

Long before THE BLAIR WITCH PROJECT took the crown of 'lost-in-the-woods-and-stalked-by-evil' movies, there was this poorly distributed low budget gem which deserves reevaluation, and should be seen by any serious horror/thriller enthusiast.

A buddy group of medical field professionals trek into the solitude of the forest for a relaxing fishing trip. On their first day out, their boots mysteriously turn up missing, marking the inception of a tense and distressing game played against an unseen evil adversary. One by one, the men meet grisly fates, and a scattering of vague clues which may reveal the reason behind it all are left to be pondered.

Quite good of its type, and deserving of mention in the same breath as DELIVERANCE and SOUTHERN COMFORT.

7/10.

After reading no less than positive thoughts (mainly by horror fans), in the back of my mind I was thinking that maybe I was setting myself up for a huge letdown after finally managing to get my hands on a copy (uncut too). Gladly to say it lived up to its reputation and I was thoroughly enthralled by the slow grinding, suspense-drilling minimal 70s survival horror set-up amongst the remote, vast Canadian deep mountainous backwoods.

Five doctors meet up every year, and this reunion they decide to go on a trek in a remote mountain terrain known by the local Indians as the Cauldron of the Moon. However they soon realise they're not alone, and find they'll being stalked and slowly picked off by someone who seems to hold a grudge of some sort.

What I found that separated this from most backwoods survival horror (and it shares common ground with its blatant influencer 'Deliverance') is that the characters are given more emotional weight (as background mistakes and methodical differences arose from the unbearable stress) and in doing so makes their conflicts and petty bickering intensely raw and effective in the way they stretch their friendships. This is based more so on the inflicting psychological drama, than say just the nasty action (gore and violence is kept low-key, but there is still a dangerous air of sinisterness within). It's a fight for survival, reverting back to primal instincts isn't option at first, but eventually it succumbs to. Also lingering in the well-written script is the focus of being frightened by the unknown and paralysed by abandonment. Our deranged tormentor stays pretty much a shadow (we're give a brief story or explanation to why he's humiliating and torturing these doctors. Is it personal? Does someone know more than they let on? Or it is just in the wrong place at the wrong time) to only appear as an eerily ominous figure in the picturesque backdrop (that sets off some nerves), until the final closing frames we come face-to-face with the freak of nature. The material formed by Ian Sutherland is cerebral and emotionally guided, if a little grey.

Director Peter Carter efficiently constructs a productively tight pace and bleak atmospherics from the alienating locations. Distinctively skin crawling imagery can leave a haunting mark. Sure the low-budget showed up some niggles (jumpy editing and dark passages), but was neatly worked around it. The tension is gained more so from the authentic character interactions and attitudes that they battle to stay one step ahead. As it's just no the killer to worry about either, but the tearing harshness of Mother Nature. Being eaten alive by bugs. Rapid moving rivers. Unstable terrain and the beaming sun. And not to forget one another. The performances are tremendously towering and strongly delivered by a dependably competent cast. An anchor-like Hal Holbrook is demandingly sharp and Lawrence Dane is suitably good. Hagood Hardy's majestically shuddery music score had that organic sense surrounding it and fitted in perfectly. Rene Verzier's camera-work is top-rate as he sharply lenses the colourful backdrop, but also the impending intensity in the character's actions.

An excellently uneasy and captivating low-budget survival trek that keeps it all quite basic, but manages to also bring out the bitter blows when it counts.

Five doctor friends go hiking in the wilderness where they are stalked and terrorized by an unseen killer.

Rituals, also known as The Creeper, is a rather forgotten and underrated early slasher flick. While the premise may seem like the formula, stereotype backwoods killer story this film actually came along before the time of Friday the 13th and its countless followers. Rituals really owes its inspiration in part to Deliverance, but it is hardly the rip-off of that classic movie that some critics would have you think. It has a gritty, low budget atmosphere and some effectively nightmarish moments in its plot (head on a stick, anyone?). The film is also rather gruesome, particularly in the rare uncut version of the film. It has plenty of creepy mood to keep it from being the routine slasher outing.

However there are a few flaws. First, in all versions of the film that I've ever seen the lighting in the climax of the movie is so dim that it's difficult to understand what is happening. Second, the plot is very thinly written and the characters aren't sympathetic in the slightest. Also, the editing is very rough.

Never the less, the effective atmosphere and chills come to the rescue and save this woodsy slasher. Not bad, but best enjoyed by the dedicated horror fans.

** 1/2 out of ****

This is a powerful,surreal and frightening film. Like Deliverance, It's mostly about the very thin veneer of civilization. Shot in a cinema verite style, the brutality and horror seems almost documentary like, unlike Deliverance where there are practically signposts saying "meaning" per 24 frames, this film allows the horror and absurdity of itself unfold itself slyly around the edge of the frame.( consider the brilliant satire of having the surgeons chant "take him apart! take him apart!" as they dance around the campfire. And the eerie shot of the forest dwelling killer standing on top of the hill, a shadow against the sun.) Wheras Deliverance was all about northern white guilt, the doctors in this film have something to be guilty about. I think "Deliverance" is great but this film reveals it's limitations, it's lack of guts, and it's prettifying of nature. Ultimately this is a superior film.