NOTE IMDb
4,6/10
2,5 k
MA NOTE
Une station de ski du Colorado est assiégée par une bête sous-humaine qui commet des meurtres sauvages sur les pistesUne station de ski du Colorado est assiégée par une bête sous-humaine qui commet des meurtres sauvages sur les pistesUne station de ski du Colorado est assiégée par une bête sous-humaine qui commet des meurtres sauvages sur les pistes
- Réalisation
- Scénario
- Casting principal
Thomas Babson
- Buster
- (as Thomas W. Babson)
Richard Jury
- Charlie Braintree
- (as Ric Jury)
Annie McEnroe
- Heidi
- (as Anne McEncroe)
Daniel Mandehr
- Ski Instructor
- (non crédité)
Avis à la une
SNOWBEAST is about the Rill Ski Lodge, its 50th anniversary celebration, and the huge, hairy monster that wrecks it all.
The wanton slaughter starts right away, leaving unwary skiers slumped on the slopes. Of course, lodge owner, Carrie Rill (Sylvia Sidney) won't entertain the idea of closing the place down. After all, what are a few deaths, when a winter carnival is at stake?
Enter Gar and Ellen Seberg (Bo Svenson and Yvette Mimieux). He's an 8 foot tall man in need of a job and a confidence boost, and she's his long-suffering wife. Can they put their soap opera marriage on hold long enough for Gar to help track the creature? When 9 foot tall Sheriff Paraday (Clint Walker) gets involved, it takes a while to convince him, and then the hunt is on.
As made-for-TV, killer Bigfoot movies go, this one's not too bad. It's also fairly talky, and has several lengthy shots of people just skiing along, like they're in a travelogue.
THE BEST PARTS ARE: #1- When the beast attacks the lodge, ruining the night for the winter carnival queen! #2- The monster's assault on the sheriff's camper! The yowling yeti unleashes an avalanche of -conveniently placed- logs that defy physics and all logic, by hopping into the camper sideways!
A frigid feast of furry fun!...
The wanton slaughter starts right away, leaving unwary skiers slumped on the slopes. Of course, lodge owner, Carrie Rill (Sylvia Sidney) won't entertain the idea of closing the place down. After all, what are a few deaths, when a winter carnival is at stake?
Enter Gar and Ellen Seberg (Bo Svenson and Yvette Mimieux). He's an 8 foot tall man in need of a job and a confidence boost, and she's his long-suffering wife. Can they put their soap opera marriage on hold long enough for Gar to help track the creature? When 9 foot tall Sheriff Paraday (Clint Walker) gets involved, it takes a while to convince him, and then the hunt is on.
As made-for-TV, killer Bigfoot movies go, this one's not too bad. It's also fairly talky, and has several lengthy shots of people just skiing along, like they're in a travelogue.
THE BEST PARTS ARE: #1- When the beast attacks the lodge, ruining the night for the winter carnival queen! #2- The monster's assault on the sheriff's camper! The yowling yeti unleashes an avalanche of -conveniently placed- logs that defy physics and all logic, by hopping into the camper sideways!
A frigid feast of furry fun!...
For a low budget, made-for-TV movie from 1977, this one packs quite a wallop. Sure, we never really get to see the monster and there is an abundance of non-professional extras on hand, but the lead performances (Bo Svenson, Yvette Mimieux and Clint Walker) are just fine. There are two very strong qualities which take this film into the recommendable range. One is the excellent location photography. Sure, the Colorado mountains are gorgeous, but the stedicam work around the slopes really add to the tension. Second is the musical score. It is just excellent, so far about the norm for a TV movie of the era. I don't have the composer credit at hand, but it's my guess that there was a connection between him and Joseph Stefano, who wrote the film and was a veteran of Outer Limits, also noted for its engaging musical score. Anyway, between the music and the swooping camera work, this film is often genuinely creepy, almost from the first few minutes. And bless her sweet soul, isn't Yvette gorgeous? She sure grew from the Time Machine into a beautiful woman. Final word: it's hard not to notice the plot similarity between this feature and Jaws. Made two years after the Spielberg classic, we're still dealing with a monster on the loose and a town that doesn't want to admit it for fear of losing tourist dollars. Maybe Jaws on the Slopes would be a good subtitle here.
This was filmed partially in Crested Butte, Colorado for the ski slope shots, and 30 miles away in Gunnison, Colorado for fill shots. They shot the 'Winter Wonderland' High School dance sequence in the gym at the high school. This was a pretty big deal for all of the students. A real "Hollywood" movie! I remember Yvette being very petite and very quiet during her on-camera parts. One of the shots has Bo sitting in the middle of a bunch of students in the bleachers. Look close (and quick) and you'll see a geeky guy in glasses behind him. I remember wearing a bright shirt that day. We all had to sign the waivers and promise to be polite and quiet. The director would lay out what was going on in that particular shot and how we were supposed to act. They replaced the glass in one of the gym doors so the Beast could stick his arm through it. They seemed to be careful to not let us see the whole beast. Only parts of it. Bo was a large guy, as I remember. And nice. I was a freshman or sophomore at the time so this was being filmed in the 1976-77 time frame. My friends dad was principal at the time. I remember him being very stressed about all the diversions. Not education friendly I guess. But it was a neat learning experience in another way. And I get to say I was in a movie with Yvette and Bo. Thanks.
An annual Colorado skiing event is terrorised by a Yeti.
Not to be confused with 2011's Snow Beast. Veteran TV director Herb Wallerstein's 1977 outing is a competently made, poor mans, TV version of Jaws but doesn't reach the summer blockbusters depth, tension or flair. Written by Joseph Stefano (who wrote the screenplay for Psycho) offers the expected slow talky dialogue which is broken up by the occasional glimpses of the Yeti, Bigfoot-like Snow Beast.
Robert Prince music is fitting, notable is a set up where the beast is glimpsed at a window which it then smashes through in front of a hall full of children and skiers. Endless Snow beast POV shots aside, the snowy on location shoot adds atmosphere with cinematography from Frank Stanley. The acting is of its time but better than today's low budget attempts and the man in a suit and real looking blood is still more effective than the bad CGI Syfy channel productions being put out.
It has higher-than-usual production values especially considering it's a made-for-television movie. As Yeti films go, it's worth checking out especially for those wanting a 70s fashion nostalgia ride.
Not to be confused with 2011's Snow Beast. Veteran TV director Herb Wallerstein's 1977 outing is a competently made, poor mans, TV version of Jaws but doesn't reach the summer blockbusters depth, tension or flair. Written by Joseph Stefano (who wrote the screenplay for Psycho) offers the expected slow talky dialogue which is broken up by the occasional glimpses of the Yeti, Bigfoot-like Snow Beast.
Robert Prince music is fitting, notable is a set up where the beast is glimpsed at a window which it then smashes through in front of a hall full of children and skiers. Endless Snow beast POV shots aside, the snowy on location shoot adds atmosphere with cinematography from Frank Stanley. The acting is of its time but better than today's low budget attempts and the man in a suit and real looking blood is still more effective than the bad CGI Syfy channel productions being put out.
It has higher-than-usual production values especially considering it's a made-for-television movie. As Yeti films go, it's worth checking out especially for those wanting a 70s fashion nostalgia ride.
I saw this on late night tv in the early eighties. I was staying at my grandmothers house and I was in a sleeping bag. She had one of those Ye olde toilets where you had to go outside to pee. Needless to say I was to scared to go out side lest the Snowbeast would get me. There was no snow but I was too scared and peed in the sleeping bag. I'm still scared of the dark. And sleeping bags. And my grandmother. She's dead now though which is fine cause she was crazy. Also don't watch scary movies if you have to outside to pee, it may not end well.
Le saviez-vous
- AnecdotesThe scene where the snowbeast attacks the town hall during the snow queen ceremony was written in to replace a previously scripted and filmed attack scene that was deemed too violent to be aired on television.
- GaffesIt appears that Sylvia Sidney took an unplanned fall during the gymnasium scene. She trips and falls pretty hard. It appears she may have broken an right arm in the fall.
- Citations
Gar Seberg: I quit being a skier in 1968 because the other skiers were mavericks!
- Versions alternativesThe National Broadcasting Company decided it would be a little violent to have a skier fall from the ski lift and break a leg and then become a victim to the Snowbeast. In this scene, it was where the Winter Games took place. Writer Joseph Stefano and director Herb Wallerstien changed the scene to have the Snowbeast attack the town's gymnasium were they are holding a skiing contest for the snow champions. The fall from ski lift scene appears in some other versions of this film.
- ConnexionsFeatured in Saturday Fright Special: Snowbeast (2008)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La Bête des neiges
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 26min(86 min)
- Couleur
- Rapport de forme
- 1.33 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant