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6,4/10
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MA NOTE
En 1937, Johnny Kovak, un employé d'entrepôt rebelle de Cleveland, monte en grade dans un syndicat de routiers, jusqu'à en devenir le président, mais ses liens avec le crime organisé vont lu... Tout lireEn 1937, Johnny Kovak, un employé d'entrepôt rebelle de Cleveland, monte en grade dans un syndicat de routiers, jusqu'à en devenir le président, mais ses liens avec le crime organisé vont lui causer sa perte.En 1937, Johnny Kovak, un employé d'entrepôt rebelle de Cleveland, monte en grade dans un syndicat de routiers, jusqu'à en devenir le président, mais ses liens avec le crime organisé vont lui causer sa perte.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Tony Mockus Jr.
- Tom Higgins
- (as Tony Mockus)
Avis à la une
This is a real hidden gem of a film. Thought provoking, intelligent and times indignant, without resorting to sentimentality.
Contrast this,with the commercially lucrative but artistically meaningless "Crash, Bang, Wallop" movies that Stallone became synonymous with in the 1980s.
Stallone can act when he wants to, and FIST amply demonstrates this wasted potential.
Based (very loosely) on the life of the Teamsters boss, Jimmy Hoffa, FIST charts the rise and fall of a Trade Union leader. A cautionary tale of how noble causes can be sullied by ambition and hubris.
I highly recommend it, if only to convince others that Stallone occasionally turned in a credible performance without the promise of a big pay day.
Contrast this,with the commercially lucrative but artistically meaningless "Crash, Bang, Wallop" movies that Stallone became synonymous with in the 1980s.
Stallone can act when he wants to, and FIST amply demonstrates this wasted potential.
Based (very loosely) on the life of the Teamsters boss, Jimmy Hoffa, FIST charts the rise and fall of a Trade Union leader. A cautionary tale of how noble causes can be sullied by ambition and hubris.
I highly recommend it, if only to convince others that Stallone occasionally turned in a credible performance without the promise of a big pay day.
You cannot judge Stallone's acting career without seeing this movie. The movie was made during the height of Rocky-mania, and I don't recall it getting much attention on its first run.
Sly plays a blue-collar grunt at the pre-dawn of the organized labor movement in the US. I think the film does a commendable job showing the audience what conditions were like before the work force was unionized. Indeed it depicts what what drove workers to form the original labor unions. Federated Inter-State Truckers or FIST is the union that Stallone's character reluctantly helps organize and lead through the early dark years of violent strikes and lockouts to the later years of labor successes breading union corruption.
I am not a fan of the Rocky series, but did enjoy First Blood 1. I found FIST to be the best film of his career.
Sly plays a blue-collar grunt at the pre-dawn of the organized labor movement in the US. I think the film does a commendable job showing the audience what conditions were like before the work force was unionized. Indeed it depicts what what drove workers to form the original labor unions. Federated Inter-State Truckers or FIST is the union that Stallone's character reluctantly helps organize and lead through the early dark years of violent strikes and lockouts to the later years of labor successes breading union corruption.
I am not a fan of the Rocky series, but did enjoy First Blood 1. I found FIST to be the best film of his career.
This is an unappreciated film, mostly because it's star doesn't exactly have a good reputation as an 'actor'. This film is definately worth catching and it is worthy of repeated viewings. The music too is perfect for the film. It charts the rise of a Union leader from his humble beginnings to his fame. The story sustains the attention of the viewer throughout the picture. Stallone is better in the earlier scenes as a young Johny Kovak. His acting limitations come about as we see him as an older man. All he does his makes his voice a little husky and the make up on him (and other members of the cast) is ineffective. Early in his career, kovak has the dilema of bringing in the mob for help after an unsuccessful strike which results in one of his best men being killed. If he brings them in, he can enforce his will on the big companies and make the union very strong. Without them, he has little chance of the union growing. To the dismay of his best friend, he takes them in. His decision comes back to haunt him. Stallone tailored the script so he can play the good guy, originally Kovak wasn't a nice man. There is a nice scene with him and Brian Dehenny who later would turn up as Rambo's nemesis in first blood. I would certainly recommend fans and non fans of Stallone to catch this movie.
F.I.S.T. is one of the few films out there that illustrate Sly Stallone's great acting talents. Stallone really brings his character, Johnny Kovak, to life and gives one of his most memorable performances. This film shows that, having gone a different route, Stallone could have become a much better actor. After this film, Stallone had a few other good films but the majority were crumby sequels, cliché action films, and poor attempts at comedy. It's really a shame he didn't put his talents to better use like he did in his earlier work like Rocky, and Nighthawks.
The film begins in the Great Depression of the 30's and follows the life of Johnny Kovak, a labourer who works at unloading trucks. Who, with his coworkers after being severely mistreated, and underpaid fights back against the company. This leads to Kovak becoming a member of the Union F.I.S.T, the Federation of Innner-State Truckers. At first idealistic, Kovak's morals and values are challenged when he has to get organized crime groups involved to get what's fair.
My only complaint with the film is, in the later scenes were Stallone plays an older Kovak, his portrayal is a bit weak given his limited acting abilities at the time. This, however is only a minor complaint, he still gives a great performance.
The script is good, all the characters are realistic and well fleshed out,and the great director, Norman Jewison puts his talents to good use in F.I.S.T. Also, filled with a fantastic supporting cast (including, Peter Boyle, and Rod Steiger) all these elements come together to make F.I.S.T. a film that is definitely worth seeing.
The film begins in the Great Depression of the 30's and follows the life of Johnny Kovak, a labourer who works at unloading trucks. Who, with his coworkers after being severely mistreated, and underpaid fights back against the company. This leads to Kovak becoming a member of the Union F.I.S.T, the Federation of Innner-State Truckers. At first idealistic, Kovak's morals and values are challenged when he has to get organized crime groups involved to get what's fair.
My only complaint with the film is, in the later scenes were Stallone plays an older Kovak, his portrayal is a bit weak given his limited acting abilities at the time. This, however is only a minor complaint, he still gives a great performance.
The script is good, all the characters are realistic and well fleshed out,and the great director, Norman Jewison puts his talents to good use in F.I.S.T. Also, filled with a fantastic supporting cast (including, Peter Boyle, and Rod Steiger) all these elements come together to make F.I.S.T. a film that is definitely worth seeing.
For the most part, this is a good, solid (pseudo)biography of a charismatic labor leader, but towards the end it runs out of steam and loses the clarity and effectiveness of the early sequences. Still, it's worth seeing, with Stallone getting one of his most atypical roles and handling it satisfyingly. (**1/2)
Le saviez-vous
- AnecdotesNewly a big star, Sylvester Stallone was frequently hounded, screamed at, and sought out to be touched by fans during principal photography on this picture. Thousands of fans from more than one hundred miles away gathered daily to filming locations in Dubuque, Iowa chanting "Rocky! Rocky! Rocky!" from behind rope and police barriers, and frequently only a block away from the on-set filming. Reportedly, Stallone would make about three pilgrimages a day to the security barriers to shake hands with fans, pose for photos taken with their Instamatic cameras, let some of the more daring kiss him. When time did not allow for signing autographs, Stallone apparently would say: "You'd only lose it. A handshake lasts forever!"
- Citations
Babe Milano: Nobody's 100%... Nobody.
- Versions alternativesThe original release in theaters ended showing Johnny Kovak getting shot at the top the staircase in his home. Then, in the last scene, the camera pans to show a close-up of a moving truck with a "bumper sticker" that says "Where's Johnny?". The cable release does not show that last scene. Instead, the closing credits are shown over a crowd of truckers with their fists in the air.
- ConnexionsFeatured in The Directors: The Films of Norman Jewison (1999)
- Bandes originalesSanta Claus Is Coming to Town
Written by J. Fred Coots
Lyrics by Haven Gillespie
Performed by Bing Crosby and The Andrews Sisters
Courtesy of MCA Records
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Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
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Détails
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 388 920 $US
- Montant brut mondial
- 20 388 920 $US
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