NOTE IMDb
6,2/10
38 k
MA NOTE
La Communauté de l'Anneau vous emmène dans un voyage pour détruire l'Anneau et mettre fin au règne de Sauron sur la Terre du Milieu.La Communauté de l'Anneau vous emmène dans un voyage pour détruire l'Anneau et mettre fin au règne de Sauron sur la Terre du Milieu.La Communauté de l'Anneau vous emmène dans un voyage pour détruire l'Anneau et mettre fin au règne de Sauron sur la Terre du Milieu.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Christopher Guard
- Frodo
- (voix)
William Squire
- Gandalf
- (voix)
Michael Scholes
- Sam
- (voix)
Simon Chandler
- Merry
- (voix)
Dominic Guard
- Pippin
- (voix)
Norman Bird
- Bilbo
- (voix)
Michael Graham Cox
- Boromir
- (voix)
- (as Michael Graham-Cox)
Anthony Daniels
- Legolas
- (voix)
David Buck
- Gimli
- (voix)
Peter Woodthorpe
- Gollum
- (voix)
Fraser Kerr
- Saruman
- (voix)
Philip Stone
- Theoden
- (voix)
Michael Deacon
- Wormtongue
- (voix)
André Morell
- Elrond
- (voix)
- (as Andre Morell)
Alan Tilvern
- Innkeeper
- (voix)
Annette Crosbie
- Galadriel
- (voix)
John Westbrook
- Treebeard
- (voix)
Avis à la une
I'm fond of this film and it vexes me that so many "reviewers" rank it below the Peter Jackson trilogy. A filmed novel is always interpretive; in particular an animated film relies on the artist's vision and should be judged on its own terms. Speaking as a purist, this is a finer homage to Tolkien than the updated version. While this film has its flaws it stays truer to the source, especially so far as the characters are concerned.
In the Jackson version Tolkien's Frodo is barely recognizable: from the first scenes he is portrayed as a weakling, constantly wavering, manipulated by forces around him and never standing on his own two feet (this is physically and metaphorically true.) You wonder why fate chose this limp biscuit to carry the one ring to the Cracks of Doom. Jackson unforgivably rewrites Tolkien and robs Frodo of his finest moment when he allows Arwen to rescue him from the Ringwraiths...Bakshi's version respects the original, presenting a Frodo who demands the wraiths "Go back and trouble me no more!" Bakshi sustains Frodo's character as Tolkien conceived it. We see his decline as the weight of his burden increases. Frodo is so pivotal to Lord of the Rings you wonder why Jackson took such liberties (he does so with numerous characters)since character development propels the plot to its inevitable conclusion. Bakshi's film better explores the companionship between Legolas and Gimli in a few judicious scenes that are completely lacking in Jackson's version. Similarly we see Boromir horsing with Pippin and Merry, furthering the idea of fellowship. For my liking the camaraderie is more developed in the animated version than the live action.
Tolkien's poetry is an important ingredient in the novels and Bakshi makes tribute to this in one of my favorite scenes: when Frodo sings the "Merry Old Inn" song, minutes before stumbling into Strider. The cheery tune is chillingly juxtaposed with the darker theme music when seconds later, invisible to his friends but visible to the wraiths, Frodo is dangerously exposed. This is one of the most atmospheric portions of the film and chills me whenever I see it.
The well documented budget/time restrictions limit this film's final impact but had it been completed it may have resonated with more viewers. As it is, it's worth a look. Even its detractors admit that Peter Jackson derived much of his inspiration from this prototype.
In the Jackson version Tolkien's Frodo is barely recognizable: from the first scenes he is portrayed as a weakling, constantly wavering, manipulated by forces around him and never standing on his own two feet (this is physically and metaphorically true.) You wonder why fate chose this limp biscuit to carry the one ring to the Cracks of Doom. Jackson unforgivably rewrites Tolkien and robs Frodo of his finest moment when he allows Arwen to rescue him from the Ringwraiths...Bakshi's version respects the original, presenting a Frodo who demands the wraiths "Go back and trouble me no more!" Bakshi sustains Frodo's character as Tolkien conceived it. We see his decline as the weight of his burden increases. Frodo is so pivotal to Lord of the Rings you wonder why Jackson took such liberties (he does so with numerous characters)since character development propels the plot to its inevitable conclusion. Bakshi's film better explores the companionship between Legolas and Gimli in a few judicious scenes that are completely lacking in Jackson's version. Similarly we see Boromir horsing with Pippin and Merry, furthering the idea of fellowship. For my liking the camaraderie is more developed in the animated version than the live action.
Tolkien's poetry is an important ingredient in the novels and Bakshi makes tribute to this in one of my favorite scenes: when Frodo sings the "Merry Old Inn" song, minutes before stumbling into Strider. The cheery tune is chillingly juxtaposed with the darker theme music when seconds later, invisible to his friends but visible to the wraiths, Frodo is dangerously exposed. This is one of the most atmospheric portions of the film and chills me whenever I see it.
The well documented budget/time restrictions limit this film's final impact but had it been completed it may have resonated with more viewers. As it is, it's worth a look. Even its detractors admit that Peter Jackson derived much of his inspiration from this prototype.
I really liked this movie, and it is true, too many people compare it to the Peter Jackson films. Even more impressive was that they fitted two books into one film, many people consider that a mistake and that things were missed out, when actually considering the books aren't very easy to adapt, I thought this film wasn't too bad an attempt. The animation was very impressive, a little dated by our standards, but bear in mind people it was made in the 70s and that it is lower budget than that of Disney or Pixar. The music was very well done especially the orks' march to Isanguaard, very haunting indeed. Though speaking of the orks, a very young audience will find them very frightening, and will be deterred by the sight of blood. The film is also overlong and a bit slow, but anyone who's seen the Peter Jackson films will argue that they have the same problem. The voice talents are exceptional, standouts being Christopher Guard as the idealistic Frodo, William Squire as the wise Gandalf(very good but Ian McKellan was better but only marginally) and John Hurt's brave Strider/Aragorn. Some of the scenes in this film are very hard to depict, like the scenes with the Black Riders(the scene in the inn was genuinely creepy), and I must say, that in general, the execution of those scenes were well-above average. In conclusion, despite the flaws, this film is nowhere near as bad as people say it is. My dad and my brother are both die-hard LOTR fans, and they say that this film was very well done. 7/10 Bethany Cox.
I won't dwell on the purists' outrage over Bakshi's liberties with story or characters. For the most part, they are correct. I'm certainly not coming to the filmmaker's defense, but in the context of the material's density, animation technology of 1978, et al., this guy really took a swing at bringing this thing to the silver screen.
Sadly, the film wasn't that good. Much of the animation was disjointed, and most of the backgrounds were crudely drawn and failed to create the correct atmosphere that one gets from reading the book. I will say, though, that I have always liked the rotoscoping, in particular that of the orcs. There is something exceedingly frightening about the way they are displayed, something today's CGI characterizations seems to miss. Bakshi used this technique in his other works as well, particularly in Wizards, which is a better, if different, film than his version of LotR. But mixing purely-drawn characters (hobbits) with those that are rotoscoped (orcs) just didn't look right here.
I must agree with some others who assert that some of the frame direction and scene selection is oddly similar to Peter Jackson's version of late. And if Jackson was influenced by at least SOME of the look of Bakshi's film, then what's the harm?
If you want to be dazzled, this version of LotR probably won't rouse you. There's many more misses than hits. But it isn't as bad as many would have you believe. If it weren't a Tolkien adaptation, I think it would be received much better.
Sadly, the film wasn't that good. Much of the animation was disjointed, and most of the backgrounds were crudely drawn and failed to create the correct atmosphere that one gets from reading the book. I will say, though, that I have always liked the rotoscoping, in particular that of the orcs. There is something exceedingly frightening about the way they are displayed, something today's CGI characterizations seems to miss. Bakshi used this technique in his other works as well, particularly in Wizards, which is a better, if different, film than his version of LotR. But mixing purely-drawn characters (hobbits) with those that are rotoscoped (orcs) just didn't look right here.
I must agree with some others who assert that some of the frame direction and scene selection is oddly similar to Peter Jackson's version of late. And if Jackson was influenced by at least SOME of the look of Bakshi's film, then what's the harm?
If you want to be dazzled, this version of LotR probably won't rouse you. There's many more misses than hits. But it isn't as bad as many would have you believe. If it weren't a Tolkien adaptation, I think it would be received much better.
My friend had the idea of watching the animated LOTR after seeing the Peter Jackson Return of The King. So I finally bought it off e-bay, thinking right from the start it was going to suck. Actually, it really wasn't as bad as I thought it would be. The animation was good for its time, they used a unique method of blending live action with animation to create some interesting effects, and the guy who did the voice for Frodo sounded somewhat like Elijah Wood.
Not the greatest adaptation of a book, but trust me, I've seen a lot worse. It skips quite a lot of things, since both Fellowship and The Two Towers are compressed into one two hour movie. Definatley worth a watch, kids might like, but still, absoutley no comparision with the Peter Jackson trilogy.
Not the greatest adaptation of a book, but trust me, I've seen a lot worse. It skips quite a lot of things, since both Fellowship and The Two Towers are compressed into one two hour movie. Definatley worth a watch, kids might like, but still, absoutley no comparision with the Peter Jackson trilogy.
It's J.R.R. Tolkien's The Lord of the Rings books 'The Fellowship of the Rings' and 'The Two Towers'. Hobbit Frodo Baggins must guard the one most powerful ring against powerful dark forces with the help of Gandalf, Samwise and others.
Ralph Bakshi directed Wizard. Using the same rotoscoping of live-action footage, it has that fascinating 70s animation style. It's actually very effective for the material especially since the needed special effects haven't been perfected yet. The style is definitely a very interesting vision and gives an adult sensibility in the animation. However there are limitations with the compressed nature of the film and it also doesn't help that this movie never got the needed sequel. It ends in an unsatisfying cliffhanger. It's a fascinating cinematic oddity but not much more.
Ralph Bakshi directed Wizard. Using the same rotoscoping of live-action footage, it has that fascinating 70s animation style. It's actually very effective for the material especially since the needed special effects haven't been perfected yet. The style is definitely a very interesting vision and gives an adult sensibility in the animation. However there are limitations with the compressed nature of the film and it also doesn't help that this movie never got the needed sequel. It ends in an unsatisfying cliffhanger. It's a fascinating cinematic oddity but not much more.
Le saviez-vous
- AnecdotesTim Burton was incorrectly identified as an animator on this movie. However, Ralph Bakshi clarified that Burton only cleaned the dust off animation cels and did not animate any sequences in the film.
- GaffesThe name of the wizard of Isengard fluctuates between "Saruman" and "Aruman" throughout the movie.
- Versions alternativesThe version screened on British TV in the 1980s contains more music than the recently-released VHS and DVD version.
- ConnexionsEdited from Alexandre Nevski (1938)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El señor de los anillos
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 30 471 420 $US
- Week-end de sortie aux États-Unis et au Canada
- 626 649 $US
- 19 nov. 1978
- Montant brut mondial
- 30 477 175 $US
- Durée2 heures 12 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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