Ajouter une intrigue dans votre langueTwo detectives are drawn into the world of porn, while investigating murders of centrefolds...Two detectives are drawn into the world of porn, while investigating murders of centrefolds...Two detectives are drawn into the world of porn, while investigating murders of centrefolds...
- Réalisation
- Scénario
- Casting principal
Michael Gradwell
- Terry Day
- (as Michael-John Gradwell/Michael Gradwell)
Ronald Flanagan
- Wilson
- (as Ron Flanagan)
John M. East
- Mediaman
- (as John East)
Avis à la une
This is a strange one ...whoever was in charge of directorial reins did not know if they were making a carry on style comedy ..a hardcore porn movie...a cop thriller in the style of the sweeney ..or an outright Horror movie replete with Psychopath ...-the end result is a confuse mish mash , not without some appeal --but with a lot of 'Non-appeal' at the same time..adding to the Euston-films cop show feel is Glynn Murphy ( Dave from minder ) as a detective sergeant who actually has the funniest line in the whole movie ( when i say it is 'F off' you will know the overall standard of writing )--his associate is the bloke off 'Thats life' and there are cameos from famous British faces including Derren Nesbitt whose screentime amounts to 2 mins and he looks like a Treacle-sponge ...-Sad spectacle in a way yet remains watchable for its entire duration ..when the 'supposedly shocking ending' comes you think ...yeah , that about makes sense ..-overall worth a watch for the nudity and dodgy performances .
There were some great things in the UK in 1978, Kenny Dalglish, Siouxsie Sioux, Kate Bush and David Bowie, but this all pails into insignificance to this utter twaddle. This is one of the worst films I've ever seen (and I've seen Society (1989)). The fact that the late Mary Millington is probably the best thing in this sorry mess of a film tells it's own story. The fact also that some famous faces are also in this guff like Glynn Edwards, Kenny Lynch and Dudley Sutton, they must all have needed a quick buck to appear. On the plus side for all involved the only way was up, apart for Millington and the late Alan Lake.
THE PLAYBIRDS is another late '70s sexploitation effort from Britain, but like most of the others it really isn't much cop. Mary Millington appears as a female police officer who agrees to help some detectives in their hunt for a serial killer, but there are so many characters here she just sort of gets lost in the masses. Familiar faces pop up the cast but don't get very much to do, although it's amusing to see TV presenter Gavin Campbell as the lead. The mystery aspects are very poorly handled and the closing reveal is as uninteresting as they come. Expect wall to wall nudity, as per usual by genre standards, and a particularly angry Alan Lake performance.
This is an absolutely terrible British stab at the giallo genre, crossed with more traditional "skin flick" elements. Pedestrian, nonsensical, endless, with lots of horseracing footage (if you're an enthusiast). (Barely) escapes a zero-star rating because of some nice stripping / posing scenes, as well as an all-too-brief lesbian interlude.
Producer David Sullivan was determined to make his then girlfriend Mary Millington into a star. The Playbirds goes for a giallo type crime thriller with some soft porn.
Centrefolds who have recently appeared in a sex magazine are being murdered by a serial killer. Suspects include the occult loving magazine publisher or the religious zealot who goes round Soho railing against sin.
The police are under pressure to catch the killer. So they get traffic cop Lucy (Mary Millington) to pose as a fledgling model. Lucy is keen to go undercover as she is bored slamming parking fines.
Millington's acting does not mount to much. She is there along with other young females in the movie to go nude. This includes a scene where female cops have to strip in front of their bosses to show they have the attributes to be a nude model.
There is at least a plot here, sort of borrowed from 1970s American grindhouse movies.
The movie is a touch misogynistic and surprisingly given that this was meant to be titillation. It opts for a bleak downbeat ending.
Centrefolds who have recently appeared in a sex magazine are being murdered by a serial killer. Suspects include the occult loving magazine publisher or the religious zealot who goes round Soho railing against sin.
The police are under pressure to catch the killer. So they get traffic cop Lucy (Mary Millington) to pose as a fledgling model. Lucy is keen to go undercover as she is bored slamming parking fines.
Millington's acting does not mount to much. She is there along with other young females in the movie to go nude. This includes a scene where female cops have to strip in front of their bosses to show they have the attributes to be a nude model.
There is at least a plot here, sort of borrowed from 1970s American grindhouse movies.
The movie is a touch misogynistic and surprisingly given that this was meant to be titillation. It opts for a bleak downbeat ending.
Le saviez-vous
- AnecdotesAfter being hurled into the swimming pool near the end of the movie by Alan Lake, Diane Foster was taken to hospital, having hit the bottom of the shallow end. The cast seen diving in were attempting a genuine rescue and was not scripted. The ambulance arriving when the scene cut to outside the house was real and was left in the movie. This was documented in a News of the World feature later.
- GaffesDuring Lucy Sheridan's striptease sequence, her knickers change from black to white to black again.
- ConnexionsFeatured in Mary Millington's True Blue Confessions (1980)
- Bandes originalesTitle song
Playbirds"
by Johnny Worth (as John Worth) & David Whitaker
Sung by Johnny Worth (as John Worth)
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- How long is The Playbirds?Alimenté par Alexa
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