Butterfly Murders

Who would have thought that this movie would open the door for one of the most legendary movie directors in Hong Kong film history. Although this movie came out almost 25 years ago, but it is like an old wine vintage that only gets better in time, the movie does not feel dated at all.

I checked out this movie to get a feel of what Tsui Hark was like in the beginning, I was not disappointed at all.

The film debut of legendary Hong Kong director and producer Tsui Hark, The Butterfly Murders is a blend of everything and anything into what I'm going to say is an 88-minute new-wave wuxia murder mystery spectacle. If I'm honest, whatever you thought going into this film with a title like that, will not be what you get. Hark's visual style and later hallmarks are on clear display but also tangled up in a plot so confusing that if you look away for a second or even blink, you'll miss vital details and thus the whole story. There is one thing you can infer from the title, however... the butterflies do indeed kill people.

Butterfly Murders This is an early Tsui Hark film with a neat mystery at its core. The basic story concerns the investigation of a series of death said to have been caused by deadly butterflies. It's a investigated by a journalist who enlists the aid of a couple of monks who then journey to a monastery to see what's going on. There's more to it than that, a clash of clans and a newly discovered manuscript of an important writer also figure into the mix. As a mystery this is quite good. The idea of killer butterflies is more than enough to intrigue even the most jaded mystery lover, heck it hooked me. The film also boasts some very good martial arts sequences, especially a villain in a unique suit of armor. The problem is that the two halves don't really mesh. There are times when both the mystery and the martial arts seem out of place. It's as if Hark didn't know which way to turn and put in a fight or a plot twist because he had to move things along. The seeming uncertainty makes the pace of the film uneven with moments where it moves along a good clip and others where you look at your watch wondering when its next going to move forward. Still it's a good movie. Certainly worth a look if you want to see a mystery with a unique twist or a martial arts film that's not your typical run of the mill.

Startlingly different to other Chinese martial arts films of the time, Tsui Hark's directorial debut is a lost gem. Combining traditional Chinese ghost story elements with plenty of action, atmospheric settings (the caves under the castle are particularly menacing), and a complex murder plot based around killer butterflies, this film is both entertaining and engaging. My main criticism would be the rather disjointed plot and uneven pacing, reminiscent of the average Italian Giallo, and the rather undeveloped motivation of the main villain. Neither of these however spoiled my enjoyment. I'd love to see this in a restored version.

Tsui Hark has one of the most unique voices of the Hong Kong new wave that revolutionized action cinema, kung fu and comedy in the late 70s and gave us a deep well of remarkable treasures that has yet to run out. Visually he is certainly among the best in the business, not only in Hong Kong, both as a director and a producer. The Once upon a time in China and Chinese ghost story series being particularly impressive examples of his prowess.

Butterfly Murders already contains many of his future hallmarks, especially in the imaginative cinematography. It's basically a blend of Kung Fu action and Giallo which I had yet to see. As such it is not fully successful. The visuals are quite amazing, very distinct and cinematic. They foreshadow both his own career and the new trajectory of Hong Kong cinema at the nadier of the more theatrical Shaw brothers productions. The limited setting is suspenseful and well utilized. The mystery story setup is also quite intriguing at first, but the conclusion left a few things left to be desired. The same goes for the fight scenes, which aren't done badly by any means but lack the fluency, creativity and splendor you associate with Tsui Hark. It appears he had yet to learn to marry the hypnotic beauty of his narrative shots with his action shots.

It's an entertaining romp throughout, so I don't want to come down on it too harshly, but it should or at least could have crescendoed to a true classic. I usually wouldn't suggest such a thing, but maybe this material could be made to shine with a remake by the master himself.