Une photo de trop

Bank in Vancouver, still under construction, is the target for robbery by a slick computer programmer/con-man (Donald Sutherland, with fluffy strawberry-blond hair) and his computer genius pal (Paul Mazursky), who's a hypochondriac; the "woman" of the title is professional photographer Brooke Adams, whom Sutherland falls for after she mistakes him for an executive and snaps his picture (the two are reunited here from 1978's "Invasion of the Body Snatchers"). Somewhat dippy, but not-bad crime-comedy from screenwriters Raynold Gideon, Bruce A. Evans and Stuart Margolin, from a treatment by Gideon and Evans, was the first and only film to come out of teen actress Kristy McNichol's niche production company, McNichol (although she doesn't appear). There's a gross, scary neighbor of Brooke's I could have done without (he's into whipped cream sex!), but the star-trio are a very smooth combination. Director Noel Black and cinematographer Jack Cardiff show a breezy touch with scenes that include movement (particularly in the graceful opening), and the logistics of the caper are well-considered. **1/2 from ****