Le magnifique

Bob Sinclar is the greatest secret agent in the world : he is handsome, strong, intelligent, unstoppable ... and he doesn't exist. You're irritated by the perfection of James (Bond) ? check this movie.

This movie looks old, and most of its jokes don't work as well as it worked 31 yrs ago, yet, this movie has to be seen. It is short, and there are some great findings (and some stuff are still funny too). Actually the concepts in the movie are better than the movie itself IMHO, but it's still a nice movie. When I was a kid I LOVED that movie so much !!!

BTW, I guess that the name Sinclar comes from who was James Bond at this time (Roger Moore) that was Simon Templar and Lord Sinclair on TV.

I almost forgot : if you're a man ... or a lesbian, Jacqueline Bisset is a sufficient enough reason to watch the movie.

" - coucouroucoucou coucouroucoucou

• VOS GUEULES !!!

• cou ... ou ..."

Check it out.

This movie is a story about a writer which is maintaining and developing a character, which is a lot in contrary of himself. As a viewer you follow the man when he is writing the book, and you can follow all of his sometimes funny, sometimes exaggerated fantasies by the creation of the story.

It must have been a challenge for the script writer(s) to make this film not too difficult to follow, because it depends on good timing when switching the roles as they are growing during the story.

When you place the movie in its own time, it was one of those real Belmondo's: cleverly written, and full of terrific action, with often surprising acts. A nice movie!

There are some cornball aspects to this film, but it also incredibly inspired in many ways. It is best not to read a bunch of summaries of the plot, just watch it and revel in the imagery which is fantastic in many parts. Belmondo is fantastic as is Jacqueline Bisset. If you already found sixties spy/agent films campy, this film will be a wonderful release, but also a haunting pastiche of dark humor on the whole genre. The jokes are layered very thick, not all of them hit, but compared to the campy schtick done in hollywood, this is shakespearean.

The first half of "Le Magnifique" is postmodern tongue-in-cheek genius, a wild, ludicrous and in every department excellent mixture of James Bond spoof, splatter effects, slapstick, intertextual verve and romantic comedy clearly exceeding the ten stars limit, plus a downright irresistible Jacqueline Bisset (and I'm not even into brunettes). The second half, hmm, doesn't really come as a letdown, but sticks more to conventional vaudeville formulas and simply can't live up to the absurd roller-coaster folly already established, a few bitter tones possibly due to Francis Veber, a prolific and superb, but sometimes uneven writer who also worked on the script. The Canal Plus DVD features the French original as well as the English and German dub. As for comic dramas of the 70s, unorthodox and essential viewing.

Albanian agents are smuggling missile platforms into Mexico. An American agent is devoured by a shark in a phone booth. Superspy Bob St. Cloud is sent to Acapulco to investigate. There he meets the beautiful Tatiana, but their romance is interrupted when they are attacked by an army of Albanian scuba divers, armed with machine guns. In the middle of the carnage, a cleaning woman pushes a vacuum cleaner up the beach. She enters the door of a small beach house where...

In a shabby Parisian flat, Francois Merlin, writer of cheap fiction, is pounding out his forty-third spy novel. He sees a young sociology student through the window of a nearby flat. Though he's never met her, she becomes part of his novel.

From this beginning French director Philippe de Broca (King of Hearts) creates a bizarre comedy of frustrated desires and fantastic dreams. Like Walter Mitty, Merlin creates a fantasy life within his novels far more exciting than his own.

French film star Jean-Paul Belmondo shows great versatility in a duel role as the campy hero Bob St. Cloud and the burnt-out Francois Merlin. Jacqueline Bisset is the vampish spy, Tatiana, as well as Christine, the sociology student who studying the popular appeal of Merlin's escapist novels. Vittorio Caprioli also plays a dual role as Bob St. Cloud's arch-enemy, the evil Colonel Karpoff, and as Merlin's smarmy publisher Georges Charon.

De Broca is a master of light comedy and his film careens wildly through moments of high camp, pathos and outright slapstick, as the story switches back and forth between the fantasy of Merlin's novel to the reality of his own life. In the end Merlin must battle his own fictional alter ego, as well as his publisher, for the love of the fair Christine.