Marseille contrat

April in Paris is a time for lovers , but for a ruthless drug baron called Jacques Brizard (James Mason) is the smuggling season and for the destructors it's the killing time . When a US intelligence agent , Steve Ventura (Anthony Quinn) , is unable to bring a heinous kingpin to justice , he resorts to hiring and is put in contact with a likable contract killer , John Deray (Michael Caine) , who results to be a former friend . These Three Great Protagonists Anthony Quinn , Michael Caine , James Mason Live the Sweet Life But They Play a Game of Sudden Death.

Nice Paris-located crime drama with intrigue , suspense , thrills , car pursuits , twists and turns . The picture succeeds because of the thriller , tension , as well as an intelligent written script written by Judd Bernard delving into a twisted intrigue dealing how to chase an extreme villain . It packs an exceptionally fine camera work , attractive sequences and car crashes on the metropolitan streets , in Paris and Marseille . This thrilling picture mingles action-packed , drama , exciting pursuits , suspense , cross and double-crosses as well as spectacular sequences though won't mean much on little screen TV . Pulse-quickening thriller movie but plenty of clichés and lots of violence , shootouts and killings . Anthony Quinn is top-notch as US drug agent to stop a nasty kingpin , being helped by a hired killer who turns out to be an old friend . An animated Michael Caine stands out as the sympathetic assassin . And James Mason is perfect , as usual , as a drug lord who belongs to aristocracy of underworld . This excellent main cast is supported by an adequate support cast , such as : Maurice Ronet , Alexandra Stewart , Maureen Kerwin , Marcel Bozzuffi , Catherine Rouvel and the eternal secondary Vernon Dobtcheff . Colorful cinematography by Douglas Slocombe , shot on location in Gare d'Orsay, Grotte, Parc des Buttes-Chaumont , Paris , Cannes, Alpes-Maritimes, and Marseille, Bouches-du-Rhône, France . Stirring and lively musical score by Roy Budd .

This film also released as "The Destructors" was professionally directed by Robert Parrish , though it has some flaws and gaps . Robert was an Academy Award-winning film editor who also realized and acted in movies . As an editor he won an Academy Award for Body and soul (1947), the 1947 Robert Rossen film that starred John Garfield as a money-grubbing, two-timing boxer on the make. Parrish also worked on All the King's Men (1949), an account of the rise and fall of a Louisiana politician that won the Academy Award for Best Picture. Parrish then moved on to direct films during the 1950s and 1960s . Among his best received works was the brooding western ¨Saddle the Wind¨ (1958) , a Noir film titled ¨Cry danger¨, a Sci-Fi picture titled ¨Journey to the far side of the sun¨, the wartime movie ¨Purple plain¨ that resulted to be one of the best films and other strange Western called ¨A town called Bastard¨ . And of course , this his final film , the exciting thriller titled ¨The Marseille Contract¨ .

All I knew was the cast of The Destructors before I started watching it. How could a film starring Michael Caine, Anthony Quinn, and James Mason be bad? Thankfully, I wasn't disappointed. It's an extremely entertaining movie with three powerhouse actors making the most of their roles.

The start of the film shows Anthony Quinn and his lover Alexandra Stewart getting dressed after a liaison. They seem to have a loving chemistry together, but then she mentions having to go home and relieve the babysitter—she's married. It's a perfect warning for the audience because nothing's as it seems throughout the film. Tony is a policeman, and he's continually frustrated by a drug lord's escaping the legal system. Not only does the villain peddle massive amounts of drugs in and out of the country, but he and his henchman murder without any provable trace that they're responsible. Tony's fed up and decides to take matters into his own hands by hiring a hit-man.

Even more than I love the performances of the three leads—which are very good—I love Judd Bernard's screenplay. He introduces each character with a uniquely interesting scene that helps the audience gain an accurate picture. There are so many scenes I'd love to describe in hopes of getting you hooked on the premise, from the meaningful, tension-filled scenes between Tony and Alexandra to the introduction of Tony to Michael Caine—it's natural yet nerve-wracking. Both Tony and Michael are particularly yummy in this film, if you happen to think either of them is handsome like I do. James Mason has a few miles on him, but he's classy and almost regal-looking, and his sensitive expressions outweigh any bad behavior he might be getting into. If you like any of the three actors, European-styled films, thrillers with bad boys, or want to see the famous ten-minute car chase seduction that so many films have subsequently copied, rent The Destructors for a very fun weekend movie night.

The plot sounds intriguing and we know Caine can play a hit man, but he lacks any of the bite we saw as Harry Palmer. It was his mega busy period, and this was appears to have been just another gig.

James Mason is underused, having little to do,and Anthony Quinn, despite sharing several scenes with Caine, appears to be in a different film. He looks ill at ease throughout, and a nonsensical plot twist undermines his honest cop routine.

Considering the salary bill for just these three the studio could surely have hired a director who could breath some sort of life into the limp script, hang on, why was it green lighted with that script at all? A waste.

Unlike some other reviewers, I found this little known piece to be very entertaining. Yes, Tony Quinn over-emotes on occasion (e.g., poker scene) and his affair with Rita (Alexandra Stewart) goes undeveloped, but the story line itself is well paced, interesting and suspenseful. If you're looking for an esoteric, psychologically penetrating example of the crime drama genre, this film is probably not for you. It is, however, a 90 minute "straight, no chaser" crime caper with the obligatory chase scenes, double-crosses, romantic entanglements, etc. Is it Caine and Mason at their best? No, but they don't need to be to fulfill their contribution, individually and collectively, to the flow of the story line. Also, the not-so-well known French actors (to American audiences) cast in the film were up to the task at hand.

In conclusion, great camera shots of Paris, southern France and Marseille. In no small manner, they augmented the film's overall thrust and added an extra dimension of cinematic flavor.

As a fan of Micheal Caine and of action thrillers from the seventies I was looking forward to watching this film. I'd listened to the wickedly funky soundtrack by Roy "Get Carter" Budd, and spent a while tracking down a copy of the film on VHS.

Firstly i'll deal with the good points. Marseille is a good location to film a thriller, think of French Connection 2 for example, and it is well used. I'm in love with the Citroen DS, especially in black, so I was pleased to see them used throughout the film. There's a playful "cat and mouse" car scene, which was later copied in a more OTT style by John Woo in MI:2! There are a few interesting killings. Caine looks very seventies cool.

Now for the not so good points. Budds soundtrack although is efficient, it is too efficient for my liking, i'd like to hear more of it in the film. The music never really gets going. There are a couple more chase scenes thrown in for good measure, but they are boring. The acting is very very average, as is the film.

In my opinion I think that the director should have made a decision to go with either A) A gritty, hard hitting thriller. Or B) A more tongue in cheek, stylish caper movie. This film has both qualities at certain points within the movie, but it doesn't have the mix right. This is a shame because it could have been much better, perhaps a bigger budget was needed, who knows.

So to sum up, if Michael Caine in various seventies fashions such as roll neck sweaters, giant aviator sunglasses, a smoking jacket with cravat and the odd kipper tie floats your boat, this is the move for you!