L'enfer dans la nuit

After opening with the most jaw-droppingly godawful theme song ever conceived: "Moonchild! Moooonchild! Moo-ooo-ooon-chiiillld!", MOONCHILD begins.

A student (Mark Travis) is taken on a strange journey by a man called Mr. Walker (John Carradine). A journey filled with nonsense and pseudo-symbolic claptrap. This includes Victor Buona hamming it up so much that it fries the brain! He showed far more subtlety as King Tut on TV's BATMAN!

MOONCHILD can't simply be excused or justified by saying "It was a 1970's thing". No, this was mind-numbing bilge upon release, and is about as entertaining as a nail through the foot!

Watching it now makes one long for drugs, any drugs, especially fatal ones!

BRAVO FOR: The "hog's head" scene, which manages to be both idiotic and gross!

This could be called an "art film", in much the same way that a lead pipe to the head can be called a "cure for migraine".

Just plain terrible...

'Moonchild' is an odd little movie. Originally made as a student film, it would have been better if went for about an hour. As it is it gets a bit too dull and repetitive for my liking. Unknown Mark Travis plays a young art student who wanders in a strange and mysterious hotel where he meets a bunch of oddballs. He doesn't know it but he is stuck in a kind of spiritual limbo and the eccentric figures he interacts with may determine his ultimate fate. The only real reason to watch this silly and generally boring movie is because the cast includes horror legend John Carradine, star of countless movies, Victor Buono ('Whatever Happened To Baby Jane?') and William Challee ('Five Easy Pieces'). Apart from that, there's very little to recommend it. Writer/director Allen Gadney never made another movie after this and after you've watched it you won't wonder why.

"Moonchild" ran on German TV under the title "Im Jenseits ist die Hölle los" (roughly translated as „All Hell breaks loose in the hereafter"), which led many viewers to expect a horror-comedy, since a zillion comedies ran under the moniker 'All Hell breaks loose …' (you just need to fill the blanks). Having recorded it on video tape and watching it many month later, I was surprised to find that this was neither a horror film nor a comedy – in fact, at the time I couldn't have put it under any genre apart from, say, experimental film.

I don't want to say much about the story; this is one of those cases, where the viewer is best left to his own conclusions.

The movie shouldn't be based so much on the story (which should really be left to the interpretations of the viewers) but rather on the excellent atmosphere: despite taking place in the seemingly endless, sun-showered desert, the atmosphere throughout is gloomy, claustrophobic, even suffocating. Although it is obvious that the director is young and inexperienced, there are traces of Bunuel, Kenneth Anger and even the "weirdness" of Salvatore Dali.

While Carradine seems frail and sickly, bent by age. Victor Buono, as he does in most performances, hams it up to 11, swinging easily from gentle, benevolent giant to steely eyed and threatening menace. Over-acting isn't for everybody, but it has always worked for Buono. A similar thing could be said for Pat Renella with piercing eyes and sharp, chiselled features, there is an air of violence about his character throughout, until revealing a strange gentleness at the end of the film; evidence of a very distinct, versatile actor, making one sad that Renella hasn't gotten many bigger roles in his career.

On the other hand, Mark Travis isn't altogether convincing as protagonist and it's no surprise that he only appeared in a handful of TV-shows after "Moonchild" – let's just say that acting isn't for everybody. Same goes for Janet Landgard and Frank Corsentino, whose performance as Homunculus is plain embarrassing. So, it doesn't come as much of a surprise that Buono and Renella easily steal the show.

Compared to many contemporary, over-ambitious and self-important student- and experimental-films, this film is a little, albeit almost forgotten gem, even though it's probably not everybody's cup of tea. Highly recommendable if you're into "weird movies".

A young man (The Moon Child) is reincarnated every 25 years, with each life ending in a stay at a mission hotel.

There he meets characters from his first life, all of whom are doomed to relive their roles in his life (and death) as well.

The cycle will end when his spirit reaches a state of perfection by purging its negative (violent) impulses.

Actor John Carradine is The Walker of The World, an otherworldly poet who is there to observe, and record for posterity, the proceedings.

Supposedly this was shot as a student film. I find that hard to believe considering the impressive cast. This film is not going to wow you, but it sure does deserve a better than 2.0 rating that it currently has here on IMDb. And certainly deserves to re-discovered for a cult following.

It's well filmed and very strange in a compelling sort of way. It's shocking that the director never worked again! Wish there was more info on him somewhere. He was talented.

Even if this movie wasn't a hit, the directing alone -- as a student film -- should have gotten him offers. Hell, David Lunch went on to make a movies after that Eraserhead which put me to sleep!

It's so well filmed (even if you can see the boom mike shadow in a scene or two). The framing is spot on and the color is superb.

It's a weird surreal trippy film. Give it a chance.

While watching this strange 70's gem, it struck me that could have been the inspiration for the Eagles hit song Hotel California. The movie came out a few years before and is full of parallels to the song. I did a quick web search and was amazed to see there is no connections between the two.

Weary traveler in a desert highway hearing Mission Bells and Checking in to a hotel that he can never leave.

Yes, I'm aware the Eagles have stated the song is about their experiences in Hollywood, but keep an open mind and check this out for yourself. It's actually pretty eerie. You won't be able to keep the idea out of your head while watching it!