Une chose très naturelle

I no longer live in Florida, having decided to move to California after the death of my long-time companion/partner -- a life altering event. Having never heard about or seen this movie before, I wish Bill could have viewed this film before he left me! We were pre-Stonewall (I am now in my 80's)and, in fact, living just around the corner from The Stonewall in the NYC Village on the night of that famous explosive event -- another life altering event. A Very Natural Thing is an amazing film that everyone (gay or straight) should (must?)see. It tells a simple story in a very simple manner: expressive of a time when gay men and women were watchful and fearful of exposure. I confess tears streamed down my face -- partially because of the beauty of the film and partially grieving for lost youth. I hope younger homosexuals will not disparage the old-fashion-ness or the lack of modern day cinematic sophistication of this outstanding piece of film work: indeed a thing of beauty and a joy forever.

I only heard of this film in passing, and did not realize how good it was until I rented the DVD. Don't be put off by the dated 1970s music, wardrobes, hairstyles, small-budget, grainy photography, etc. For this is a milestone in gay cinema. Made just about 5 years after the groundbreaking "The Boys in The Band", this greatly improves upon that film, with no self-loathing characters, but natural, real people. The writer-director Christopher Clark incorporates pensive dialogue in the story of an ex-Seminary student who finds love with one man, but is soon turned away from him and eventually finds peace with someone else. The musical score is moving, with classical pieces and more. Cast of unknowns unfortunately remained that way, but they are all outstanding. The parade sequences give added flavor and still timely food for thought. The last 5 minutes, with slow-motion photography and soaring music (pre-dates "Chariots of Fire" -1981), better illustrates male bonding than anything seen before or since. Most of the latter-day gay films remain silly, shallow, frequently mean-spirited fodder, with "Big Eden" (2000 - good), "Maurice" (1987 - better) "Making Love" (1982 - great) among the few notable exceptions. A classic awaiting rediscovery.

It's interesting to see how this film has weathered the last 40+ years. I enjoy reading your comments.

This 1973 film tells a story of gay life that is simple and familiar. Boy meets boy. Boy loves boy. Boy gets bored with boy. Etcetera. The straightforward, non-apologetic script is either timeless or old as the hills, depending on your tolerance level. While I was watching I began to wonder if the script could be re-shot today without significant modification. I think it probably could--there isn't much happening that couldn't take place almost word-for-word in any present-day urbanopolis.

Despite the sometimes raging amateurism in acting, photography, and especially sound, this film is well worth seeing. Those who lived through the era will experience an affectionate nostalgia for what I cannot help but call "the good old days." For those born after, say, 1985, you'll get an accurate look at what gay life was like as it was beginning to coalesce post-Stonewall. The production of the film also reflects the times. Some scenes have a cinema verite feel, some are clearly documentary. The last scene's unflinching male "frontal" nudity is another relic of the 70s. Like I said, the good old days.

I would classify this as a "must-see" for any gay cinema buff. To my knowledge it is the first to grapple with the relationship problems unique to post-Stonewall gay life.

Some very fine reviews already posted for this interesting movie, which I found very enjoyable as an intriguing look at gay life and also from a historical point of view. It often has the flavor of a documentary because of the interjection of real newsreel scenes of Stonewall. The cruising episodes on Fire Island and in steam baths have a cinema verite quality. The story involving the up-and-down efforts of ex-priest David to find a man he can settle down with hold the viewer's interested, but the bickering between the two men becomes a drag on the movie. One is relieved when David finally hooks up with the Bo White character, leading to a very beautiful closing episode shot amid the dunes at Truro on Cape Cod. The movie therefore ends on a note of affirmation and one hopes that all went well for all the men involved in this important glimpse at gay life a generation ago.