Ajouter une intrigue dans votre langueLight the Rock n' Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame.Light the Rock n' Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame.Light the Rock n' Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame.
- Réalisation
- Scénario
- Casting principal
Avis à la une
When 70's Glam Rock champions Slade where asked to appear in a movie, several script options came their way. It was not until Manager Chas Chandler and John Steel came across Flame that the ball started rolling (and Rocking). Original songs where written by usual Slade Songsters Noddy Holder and Jim Lea. Slade spent the latter end of 1974 filming around Leeds and London. The Movie premiered in 1975 accompanied by the hit record "Far, Far Away". The Movie shows the rifts building within the group and the behind the scenes wrangles of Management. Snatched from obscurity, Pub and Club band 'Iron Rod' are discovered just as their relationship with seedy Manager Ron Harding is ending. They are given a make over "Im not a bloody fish-finger" moans Paul (Jim Lea). But Flamboyant Barry(Dave Hill) and reluctant singer Stoker (Noddy Holder) are keen for glory. Drummer Charlie (Don Powell) provides the on screen laughs. New Manager Robert Seymour (Tom Conti) employs ex-Singer Jack Daniels (Alan Lake) to steal the group's contract from Harding, but Daniels gets discovered by Hardings heavies and is beaten up. Harding threatens Seymour with more violence unless his contract turns up. Seymour returns the group to Harding on the same night that Paul walks out on the group. harding goes to the groups hotel room where Stoker informs him "We've all had enough Ron", and the film finishes to the strains of "How does it feel?". Great concert scenes filmed at the Marquee club in 1974 featuring members from the Slade Fan Club. An Album 'Slade in Flame' was released to tie in with the film, and an accompanying book by Andrew Birkin are available. See it just to relive the Glam days of flares and glitz of the early 1970's. Keep On Rockin'
I watched this film for the first time in around 30 years last night and was amazed at how well it stands up today.It is gritty,funny and has a good storyline.The direction by Richard Loncraine is crisp and the acting is pretty good throughout.
As the band Flame,Noddy,Jimmy,Dave and Don do a fair job as actors.Not Oscar winners but not bad at all.Tom Conti does well in his first major role as the oily manager and Johnny Shannon is convincing as their gangster like first manager.The best performance comes from Alan Lake as Jack.He is very good in every scene he is in and should have received more recognition for this role.
The film moves along at a good pace,never drags and will surprise many people with it's edginess and at times grim reality.I have seen quite a few music based films and this is most definitely right up there with the very best.It is now quite respected and this is deserved.It really should reach a much wider audience as it is a very good attempt at showing that it is not all a bed of roses when you achieve success.The soundtrack is great and there are also a couple of scenes that without a doubt influenced the makers of 'Spinal Tap',see if you can spot them.Well done Slade.They took a big risk by making a movie like this and although their career went downhill afterwards,this is a film they can be very proud of.
As the band Flame,Noddy,Jimmy,Dave and Don do a fair job as actors.Not Oscar winners but not bad at all.Tom Conti does well in his first major role as the oily manager and Johnny Shannon is convincing as their gangster like first manager.The best performance comes from Alan Lake as Jack.He is very good in every scene he is in and should have received more recognition for this role.
The film moves along at a good pace,never drags and will surprise many people with it's edginess and at times grim reality.I have seen quite a few music based films and this is most definitely right up there with the very best.It is now quite respected and this is deserved.It really should reach a much wider audience as it is a very good attempt at showing that it is not all a bed of roses when you achieve success.The soundtrack is great and there are also a couple of scenes that without a doubt influenced the makers of 'Spinal Tap',see if you can spot them.Well done Slade.They took a big risk by making a movie like this and although their career went downhill afterwards,this is a film they can be very proud of.
When Wolverhampton rockers Slade were at the top of their tree in the early Seventies, it seemed only natural that they would branch out and make a movie. The original idea was to make a sci-fi spoof called The Quite A Mess Experiment, scuppered by the fact that Dave Hill was eaten by a monster in the first half an hour.
Into their collective laps fell a script by Andrew Birkin about a band called Flame. It seemed like a perfect vehicle, although for the band, much of the script didn't ring true. So Birkin and director Richard Loncraine went on tour with the lads.
The revised script came back and was much more on the ball. The result is a rarely seen music drama, one of the bleakest and most intriguing in history which is a fascinating alternative to the Beatles offerings and the David Essex movies of the period.
Into their collective laps fell a script by Andrew Birkin about a band called Flame. It seemed like a perfect vehicle, although for the band, much of the script didn't ring true. So Birkin and director Richard Loncraine went on tour with the lads.
The revised script came back and was much more on the ball. The result is a rarely seen music drama, one of the bleakest and most intriguing in history which is a fascinating alternative to the Beatles offerings and the David Essex movies of the period.
What a brilliant film! This film is a must to watch, not only if you are a Slade fan, but if you like to take a sneak-peek into the seedy and gritty world of pop/rock 'n' roll. The hard cutting realism of the life of a working band rising to short fame during the 70's. The film encapsulates the lives of the band and individual band members that come from ordinary every day life, working through working mens clubs to concerts and star status. you get a shear sense of being there and what it means to work in those circles, (It's not all, 'Glitter 'n' Glam). It's a cut throat world between band and managers, eat or be eaten. There are some great songs in the film to, which everyone from that era will remember. It's not surreal, the film holds up well along with 'That'll be the day' and 'Stardust' and compliments them. Buy it you will not be disappointed. Well done Nod, Jim, Dave & Don, lets have a revival or a sequel eh! Allan.
Just obtained this on dvd, with an informative behind the scenes attachment - what a bargain @ £7.99.
The movie may well be regarded by many as old and therefore irrelevant. That would be a harsh judgement as it does, on a critical re-viewing, stand the test of time. To put it in perspective, Slade were Kings of their day, although this film was made toward the end of their useful life, at the fag end of glam (forget the Reading gig comeback - it was never as good as the first time around in true 70's style). In a nutshell, it is the story of a band "Flame" played by the members of Slade and it documents the transition from irreverent songsters to chart toppers, assisted along by a parasitic agent (aren't they all?) who latches on to them, promotes them as a cash cow and then dispenses with the problem by caving in to a former manager from their amateur days (played brilliantly by Johnny Shannon).
The songs from the film are not bad either: "Far Far Away" is still memorable, but all of them are totally eclipsed by the single release "How Does It Feel" - their first in this fame period not to make the top ten. That still stuns me as it is by far the best thing they ever did, and they had plenty of quality to underpin it (Buy "Sladest" or "Old New Borrowed & Blue" - all on CD). Slade in Flame uses the Black Country's darkness (pardon the pun) to its full effect and the story of individual personalities does unfold and develop with credibility - particularly Stoker & Paul. I also agree with Chris Murray re Don Powell - he had a scene down by the canal with an old mate from the foundry, inviting him to a swish recording industry party - that was a good scene and Don Powell did well as he was still recovering from a near death car crash at the time - he had to learn everything moments before it was filmed as he had no memory retention (gladly he fully recovered). Overall, the acting is good, the direction is tight and although the sound is poor (they had to subtitle it in English for the USA release as the accents were so broad) there is a charm to the film. Its a good tale well told.
The movie may well be regarded by many as old and therefore irrelevant. That would be a harsh judgement as it does, on a critical re-viewing, stand the test of time. To put it in perspective, Slade were Kings of their day, although this film was made toward the end of their useful life, at the fag end of glam (forget the Reading gig comeback - it was never as good as the first time around in true 70's style). In a nutshell, it is the story of a band "Flame" played by the members of Slade and it documents the transition from irreverent songsters to chart toppers, assisted along by a parasitic agent (aren't they all?) who latches on to them, promotes them as a cash cow and then dispenses with the problem by caving in to a former manager from their amateur days (played brilliantly by Johnny Shannon).
The songs from the film are not bad either: "Far Far Away" is still memorable, but all of them are totally eclipsed by the single release "How Does It Feel" - their first in this fame period not to make the top ten. That still stuns me as it is by far the best thing they ever did, and they had plenty of quality to underpin it (Buy "Sladest" or "Old New Borrowed & Blue" - all on CD). Slade in Flame uses the Black Country's darkness (pardon the pun) to its full effect and the story of individual personalities does unfold and develop with credibility - particularly Stoker & Paul. I also agree with Chris Murray re Don Powell - he had a scene down by the canal with an old mate from the foundry, inviting him to a swish recording industry party - that was a good scene and Don Powell did well as he was still recovering from a near death car crash at the time - he had to learn everything moments before it was filmed as he had no memory retention (gladly he fully recovered). Overall, the acting is good, the direction is tight and although the sound is poor (they had to subtitle it in English for the USA release as the accents were so broad) there is a charm to the film. Its a good tale well told.
Le saviez-vous
- AnecdotesAlan Lake was sacked on the first day of filming, after getting drunk at lunchtime. He was only reinstated after his wife, actress Diana Dors, undertook to keep him sober during the film's shoot.
- Citations
Jack Daniels: [shouts over the din of a poor drum solo audition] Not your actual Gene Krupa is he?
Barry: Who's she?
Jack Daniels: Before your time.
- Crédits fousAt the end of the film black and white stills of each actor are shown with their name.
- ConnexionsFeatured in It's Slade (1999)
- Bandes originalesHow Does it Feel?
Performed by Slade
(uncredited)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Slade in Flame?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Slade in Flame
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 81 609 $US
- Durée1 heure 31 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant