NOTE IMDb
5,9/10
2,3 k
MA NOTE
Ajouter une intrigue dans votre langueFrederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.
- Réalisation
- Scénario
- Casting principal
Annie Belle
- Jennifer
- (as Annie Brilland)
Jean Rollin
- Le gardien du cimetière
- (non crédité)
Avis à la une
Lips of Blood has a languid quality that could've registered as decadence had it been made with any wit whatsoever, but instead of wit the movie offers us this vapid literal-mindedness. The movie is played with such soft-core-porn straightness that it's impossible not to snicker at it. Director Jean Rollin is sometimes described as a fantasist, but his fantasies are strictly pedestrian. Who but a teenage Goth-nit-wit could find anything to savor in this somnambulistic tale of a pale guy with bad hair being menaced by some half-naked chicks with dime-store vampire fangs? The movie requires more than suspension-of-disbelief, it requires suspension-of-intellect.
It's striking how amateurish and bereft of energy this movie is. Cult directors like Rollin are usually at least capable of some halfway decent staging, but there aren't even any images that stick with you, any trashy-iconographic moments. The problem is that Rollin himself doesn't seem all that charged up about his fantasies. Directors who deal in this kind of fetishistic material are usually at least somewhat interested in the subject-matter, but judging by this film Rollin could care less about vampires. The scenes all seem to plod on for hours with nothing happening, the cutting so flaccid that it's like we're being encouraged subliminally to nod off. Not a bad idea considering the display of cinematic indifference being carried out before us.
It's striking how amateurish and bereft of energy this movie is. Cult directors like Rollin are usually at least capable of some halfway decent staging, but there aren't even any images that stick with you, any trashy-iconographic moments. The problem is that Rollin himself doesn't seem all that charged up about his fantasies. Directors who deal in this kind of fetishistic material are usually at least somewhat interested in the subject-matter, but judging by this film Rollin could care less about vampires. The scenes all seem to plod on for hours with nothing happening, the cutting so flaccid that it's like we're being encouraged subliminally to nod off. Not a bad idea considering the display of cinematic indifference being carried out before us.
LIPS OF BLOOD is the second Jean Rollin film I've seen and I have to say that I enjoyed it more than LIVING DEAD GIRL. The acting, script and sets are very unspectacular, sometimes goofy and somewhat unconvincing, but the arch of the story is a bit more interesting than the one in LIVING DEAD GIRL, which I thought was too slow for its own good.
Some scenes were contrived and the script is filled with holes, but I thought the overall film was okay. Nothing earth shattering but it's an enjoyable change of pace and attitude from other (mostly US) horror films out there. LIPS OF BLOOD hasn't turned me off from wanting to see more Jean Rollin films.
Some scenes were contrived and the script is filled with holes, but I thought the overall film was okay. Nothing earth shattering but it's an enjoyable change of pace and attitude from other (mostly US) horror films out there. LIPS OF BLOOD hasn't turned me off from wanting to see more Jean Rollin films.
A man (Jean-Loup Phillipe) has visions of himself as a small boy being cared for by a young girl living in a castle. At a party he sees a photograph of the castle ruins and is committed to finding them.
I had never seen a Jean Rollin film, but took interest in him given his significant following. Clearly on a tiny budget, the bulk of this vampire story is devoted to the cast walking all over the place, staring and posing wherever they're on screen. Rollin, who seems fond of vampire stories and has made many, is clearly also fond of the human body and indeed he finds a reason for just about every cast member to get their kit off for one reason or another. The plot such that it is, is thin and the dialogue and acting somewhat stilted. It does however have a dreamlike quality that does wash over you and I was never bored.
I had never seen a Jean Rollin film, but took interest in him given his significant following. Clearly on a tiny budget, the bulk of this vampire story is devoted to the cast walking all over the place, staring and posing wherever they're on screen. Rollin, who seems fond of vampire stories and has made many, is clearly also fond of the human body and indeed he finds a reason for just about every cast member to get their kit off for one reason or another. The plot such that it is, is thin and the dialogue and acting somewhat stilted. It does however have a dreamlike quality that does wash over you and I was never bored.
There's no question that Jean Rollin films are something of an acquired taste. His style is certainly off-putting to many. Even from someone who is fond of most of his output, I can easily understand why someone would not like Rollin's movies at all. Lips of Blood is another textbook example of the man's work with all the usual eccentric and idiosyncratic details you could reasonably expect. Its story involving female vampires is typical of the sort of thing he is most well known for. Except I have to say that I think that this film may very well be the most complete expression that Rollin ever made. I get the feeling that this movie is possibly the closest of all his pictures to the original idea he envisioned.
Quite unusually much of the action takes place in the middle of the city. But as is typical for Rollin, this also incorporates scenes in a Gothic cemetery as well as the expected crumbling castle and beach sequence. However, the night time city scenes are very probably the best parts of the entire movie. They include some strange and surreal locations such as the aquarium, the night fountains and the late night cinema (showing Le Frissons des Vampires no less). The extended scene where our hero navigates all these locations is some of the most fully-realized and effective stuff Rollin ever filmed. He photographs and lights things very well too and Lips of Blood doesn't betray its ultra low-budget origins as much as most of his other films.
The storyline, however, is as basic as usual. The characterizations are as paper-thin as always. But these considerations are just not what you would watch his films for, and if these things do bother you then his films are most probably not for you. But if you appreciate more dream-like fare or melancholic horror films, then this could well be worth your time. Lips of Blood is arguably Rollin's best film, it's certainly one of his most well made. Recommended to those who like Euro horror from the more surreal end of the spectrum.
Quite unusually much of the action takes place in the middle of the city. But as is typical for Rollin, this also incorporates scenes in a Gothic cemetery as well as the expected crumbling castle and beach sequence. However, the night time city scenes are very probably the best parts of the entire movie. They include some strange and surreal locations such as the aquarium, the night fountains and the late night cinema (showing Le Frissons des Vampires no less). The extended scene where our hero navigates all these locations is some of the most fully-realized and effective stuff Rollin ever filmed. He photographs and lights things very well too and Lips of Blood doesn't betray its ultra low-budget origins as much as most of his other films.
The storyline, however, is as basic as usual. The characterizations are as paper-thin as always. But these considerations are just not what you would watch his films for, and if these things do bother you then his films are most probably not for you. But if you appreciate more dream-like fare or melancholic horror films, then this could well be worth your time. Lips of Blood is arguably Rollin's best film, it's certainly one of his most well made. Recommended to those who like Euro horror from the more surreal end of the spectrum.
If your one who enjoys the recent surge in European horror films, by all means watch this delirious, non-sensical, erotic gem courtesy of director Jean Rollin.
From nude vampire women roaming the streets of Paris, to spooky castles and graveyards. LIPS OF BLOOD is sure to please
Be forewarned, as this film is for acquired tastes only. A must for sleazy, soft core horror buffs who enjoy their movies with an art house touch.
From nude vampire women roaming the streets of Paris, to spooky castles and graveyards. LIPS OF BLOOD is sure to please
Be forewarned, as this film is for acquired tastes only. A must for sleazy, soft core horror buffs who enjoy their movies with an art house touch.
Le saviez-vous
- AnecdotesJean Rollin based the main male character Frederic on himself.
- GaffesTwo men carry a corpse down a narrow staircase, followed by a woman with a lantern. As they emerge at the bottom of the stair, they have switched places: the woman is in the lead, followed by the two men and the corpse, despite there being only enough room for one person at a time.
- Versions alternativesX-rated version with explicit sex scenes: Suce-moi vampire (France, by 'Michel Gand') or Suck Me Vampire (USA, by 'Mike Gentle').
- ConnexionsFeatured in Eurotika!: Vampires and Virgins (1999)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Lips of Blood?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Jennifer
- Lieux de tournage
- Cimetière de Montmartre, 20 avenue Rachel, Paris 18, Paris, France(Jennifer at cemetery gate)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant