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As other reviewers have said this is a strange movie. It is kind of an "unofficial" sixth entry to the series of excellent gialli directed by Sergio Martino in the early 1970's (although, as such, it is definitely step down from his previous film "Torso"). It has a very familiar "giallo-esqe" starting point where the investigation of a murdered underage prostitute leads to a lot of equally nasty killings. It also functions as a "poliziani" with lots of action and chase sequences and a cynical plot involving high-level political intrigue. Claudio Cassinelli plays a cop who makes Dirty Harry look restrained and by-the-book. He sleeps with prostitutes, consorts with minor criminals, feels up underage girls, shoots at civilians, and even leads the regular police on a wreckless high-speed chase for no real reason. The people he is after though are even worse, involved in everything from kidnapping to drugs and teenage prostitution to money laundering.

But if all this isn't a little too much, the movie also tries to be a comedy. Cassanelli has a comical side-kick, and there is a running gag where he keeps breaking his glasses. Sometimes the comedy works, but other times it tends to sabotage the drama, like when he incorporates slapstick pratfalls into what is already a very over-long car chase (a bane of these type of movies ever since "The French Connection" was released in Italy). Fortunately, Cassinelli has charisma to spare in his first of many roles for director Martino (he didn't have the impressive breasts of Martino's other frequent collaborator Edwige Fenech, but he was no doubt a better actor). Jenny Tamburi, on the other hand, was pretty much wasted (both as an actress and pair of impressive breasts). But Mel Ferrer and most of the other obscure more actors acquit themselves pretty well. Not as good as Martino's earlier movies, but better than his later ones, and it has just been released in widescreen with English subtitles on (import) DVD. So check it out for yourself.

If you are expecting a 'giallo' to unfold, and with the title, box art and opening of the film, you have every right to do so, you will be a little disappointed.

For instead this is a right hotchpotch of styles and levels of seriousness. Once aware that this is going to go all over the place and include social comment and slapstick comedy whilst retaining a sleazy back story of under age prostitution one can relax and enjoy, at face value, a most likable film.

Made after most of his 'giallo' greats this is always watchable with fine moments. It's just that it's not what you would expect.

A young prostitute is found brutally killed and is up to detective Germi (Claudio Cassinelli) the investigation of the case, as the search progress he uncovers a girls trafficking ring with connections to powerful people.

The script comes from Ernesto Gastaldi, possibly the most prolific writer in the Italian film industry. He wrote scripts for Bava, Fulci, Leone and more. If he has not written an autobiography, he really should... few scribes can claim to have put so many trashy masterpieces on the screen. Director Sergio Martino claims he added to the script and "changed it radically", though it is evident that the vast majority is Gastaldi's work.

Martino was responsible for possibly the best-named giallo film out here, "Your Vice Is a Locked Room and Only I Have the Key" (1972). This one is also usually called a giallo, though it may blur the line with a police procedural. Typically, a giallo protagonist is a common person, or at most a journalist, but rarely a police officer -- someone who should actually be involved in a mystery.

Sergio and his brother, producer Luciano Martino, were the grandsons of director Gennaro Righelli, who directed the first Italian sound film, "The Song of Love" (1930). While the Martino brothers worked heavily in cult and genre films, there is no denying they had a deep family history in cinema.

This may be Claudio Cassinelli's best-known film. He did go on to appear in "The Mountain of the Cannibal God" (1978) and "Hands of Steel" (1986), both directed by Martino. In fact, he tragically died in a helicopter crash while making the latter film, an event that Martino talks about in length on the Blu-ray.

The 2017 Arrow Blu-ray has a brand new 2K restoration of the film from the original camera negative, with the sound either mono Italian or English (your choice). We get a new audio commentary by Troy Howarth, author of "So Deadly, So Perverse: 50 Years of Italian Giallo Films". And, last but certainly not least, a new 42-minute interview with co-writer/director Sergio Martino. Oddly, Barbara Magnolfi was not interviewed, despite her being generally accessible.

An authentic Italian 70's Crime/Giallo movie with loads of comedy elements and even slapstick? What's next …a Disney's Pixar movie featuring graphic sex and gory massacres? Say what you want about director Sergio Martino, but you certainly can't claim he hasn't experimented with all the different genres imaginable. He directed several brilliant and prototype Gialli ("Torso", "Case of the Scorpion's Tail"), but also Spaghetti Westerns ("A Man Called Blade"), relentless cop thrillers ("The Violent Professionals"), sleazy comedies ("Sex with a Smile"), Apocalyptic Sci-Fi ("After the Fall of New York"), Cyborg action-flicks ("Fists of Steel"), cheesy monster movies ("Big Alligator River") and cannibal adventures ("Mountain of the Cannibal God"). Yet, of his entire versatile repertoire, "Suspected Death of a Minor" is perhaps his most awkward accomplishment. Judging from the title, the basic plot synopsis and the picture images on the back of the DVD box, the film looks like a standard Giallo, but the story further unfolds itself more as a bitter crime thriller interlarded with large bits of comedy. And the absolute strangest thing is that this unusual hodgepodge of styles and genre also actually works, or at least up to a certain degree. It's hard to picture yourself a Giallo plot, covering crude topics such as teen prostitution networks and vile murders, and simultaneously witness comical car chases and clichéd running gags. It's rather difficult to write a brief summary of the plot without giving away surprise details or essential twists. Most reviews – even the one on the DVD box – already reveal a nice detail regarding the main character's identity even though the script keeps it a secret up until 45 minutes into the film! I think it's best to know nothing about the story and simply watch it unfold. I'll simple reveal that all the required ingredients of a supreme Giallo dish are present, including a vicious reflecting sunglasses-wearing killer, rooftop & roller coaster showdowns and perverted men with money & power. Claudio Cassinelli depicts one of the most likable characters I've ever seen in an Italian film. He's eloquent and witty, but ultimately arrogant and provocative towards everyone who crosses his path. There are a couple of brutal murders on display but the amount of female nudity is sorely disappointing, presumably because Martino didn't engage his heavenly luscious muse Edwige Fenech this time. Luciano Michellini's musical score is reminiscent to Goblin's work for Dario Argento and the photography is very nice. "Suspected Death of a Minor" is a good film and recommended to fans of the director and the genre. However, make sure it's not your first acquaintance with the Giallo, otherwise you might get a misconception of what this wondrous sub genre is all about.

This quite rare movie by Sergio Martino is an odd thing. As the title presumes, it starts off like a typical giallo: A man with sunglasses stalks and slashes a young woman. But after the murder, the movie becomes a film in style of the "poliziescho", the Italian crime movie of the 1970s, as the audience follows an undercover cop searching for the killer and also for the kidnappers of a young boy (but the audience doesn't know for a long time either that the cop really is one and that the murder case and the kidnapping rely to each other). All this culminates (within the first half of the movie) in a car chase which offers enough gags to make the scene pure slapstick.

After that, the giallo style returns as the sunglassed killer goes on a killing spree. The crime movie is back as the plot unfolds to have its motive in mob-style drug dealing. And let's not forget: The killings have also to do with professional child prostitution and abuse. A really wild mix, even more so if one considers that the film sometimes boosts cheap (if mostly funny) humor.

The cool sound track is reminiscent of the early scores by "Goblin" for Dario Argento's films, and it seems that Ernesto Gastaldi, who wrote the story and co-wrote the screenplay with director Martino, was influenced by Massimo Dallamano's great "La Polizia Chiede Aiuto" that was made one year earlier.

All in all, this surely is not Martino's best film (his "pure" gialli are more enjoyable), but if one gets used to the unusual concoction of such different topics and styles, it's an entertaining and sometimes hilariously funny, fast paced and thrilling movie that even boosts some harsh social comment.