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IMDbPro

Il vizio ha le calze nere

  • 1975
  • 1h 33min
NOTE IMDb
5,1/10
254
MA NOTE
Il vizio ha le calze nere (1975)
HorreurMystèreThriller

Ajouter une intrigue dans votre langueA number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.A number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.A number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.

  • Réalisation
    • Tano Cimarosa
    • Gianni Siragusa
  • Scénario
    • Adriano Bolzoni
    • Luigi Latini de Marchi
  • Casting principal
    • John Richardson
    • Dagmar Lassander
    • Ninetto Davoli
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,1/10
    254
    MA NOTE
    • Réalisation
      • Tano Cimarosa
      • Gianni Siragusa
    • Scénario
      • Adriano Bolzoni
      • Luigi Latini de Marchi
    • Casting principal
      • John Richardson
      • Dagmar Lassander
      • Ninetto Davoli
    • 13avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos52

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    Rôles principaux14

    Modifier
    John Richardson
    John Richardson
    • Inspector Lavina
    Dagmar Lassander
    Dagmar Lassander
    • Leonora Anselmi
    Ninetto Davoli
    Ninetto Davoli
    • Sandro Lucetti
    Magda Konopka
    Magda Konopka
    • Countess Mara Orselmo
    Giacomo Rossi Stuart
    Giacomo Rossi Stuart
    • Anselmi
    Daniela Giordano
    Daniela Giordano
    • Nelly
    Ursula Davis
    Ursula Davis
    • Anna
    • (as Pier Anna Quaia)
    Tano Cimarosa
    Tano Cimarosa
    • Sgt. Pantò
    Giovanni Brusadori
    • Mario the coiffeur
    • (as Giovanni Brusatori)
    Dada Gallotti
    • Marilyn
    Gianni Williams
    • Manlio 'Jerry'
    Giovanna D'Albore
    • Emma Giorgi
    Livio Galassi
    • Marco Orsello
    Marco Busciala
    • Réalisation
      • Tano Cimarosa
      • Gianni Siragusa
    • Scénario
      • Adriano Bolzoni
      • Luigi Latini de Marchi
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

    5,1254
    1
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    5
    6
    7
    8
    9
    10

    Avis à la une

    6HumanoidOfFlesh

    Razor wielding beauty in black.

    A young woman nicknamed Nellie is murdered with a razor by a woman dressed in black.The next victim named Emma has her throat slashed in a park.The police begins their investigation and question lawyer Anselmi with whom Emma worked as a secretary.The third woman is slashed to death by enigmatic beauty in black.All the victims were friends of layer's wife Leonora Anselmi."Reflections in Black" aka "Vice Wears Black Hose" is a dreary and unremarkable Italian giallo with plenty of sleaze and some sexy Euro-exploitation starlets including Dagmar Lassander and Magda Konopka.My copy runs 74 minutes and I don't have any idea where to find fully uncut 90 minutes Italian version.If you like your gialli with sleaze and full-frontal nudity check this one out.6 out of 10.
    6The_Void

    Sleazy and nasty...but not very good.

    Well, it's safe to say that Reflections in Black isn't the most interesting example of the Giallo genre, but it has more than its fair share of sleaze and the short running time ensures that the film doesn't really have time to run of steam. One of the most nauseating things about this film is the cinematography. Director Tano Cimarosa doesn't really seem to care about the sets and colour schemes that set Giallo apart from the thriller genre on the whole and goes for a grisly look and feel to the film. This does, of course, blend well with the film's sleazy nature...but it's not very easy on the eyes. The sleazy plot line focuses on the brutal slashing of a number of women. After interviewing a few suspects, it soon becomes apparent that the murderer is focusing on the friends of Leonora Anselmi. Leonora is married, but that doesn't stop her from having numerous relationships with other women…

    Director Tano Cimarosa seems keen to keep the focus on sleaze and savagery throughout, and if we're not witnessing a woman being slashed open with a razor blade, we're watching two of them getting it on. Normally, a film like this would get a high rating from me; but because the cinematography is so painful, none of it is pleasing to the eye and that ensures that it's all rather uninspiring. The cast features two recognisable names, those belonging to John Richardson, the star of a number of Italian films including Bava's Black Sunday and Lenzi's Eyeball, and Dagmar Lassander; who also appears on a number of cult cast lists. Neither really has room to impress here. Despite putting more focus on sleaze, the plot is actually quite complicated; and is made more so by the fact that all the characters are wafer thin and it can be difficult to work out their motives because of that. The ending doesn't come as much of a surprise, although I wasn't really expecting it to. Overall, Reflections in Black really isn't a good film; but I hesitate to completely condemn it as it's a great exercise in crappy film-making, and it does at least do some of the things that you want a Giallo to do.
    5Bezenby

    Kind of drifts by

    We've all been there - the middle of a murder mystery just because you happen to be a lesbian countess with an angry husband, and the victims being all your ex-lovers. Them damn police don't let up with their questions either. Don't they know that lesbian sex scenes are a giallo film's way of distracting you from the lame plot?

    Yep, the killer has black gloves and an open razor, the victims are young and often naked ladies, and there's loads and loads of nudity to keep you awake between the interminable police investigation scenes. The main focus seems to be mainly on John Richardson the policeman and his sidekick, who suspiciously is played by director/actor Gaetano. There's also a keen rookie cop and his girlfriend that clog up the investigation side of things too, and bulk out the plot.

    As usual a photograph is a main plot point, there's a few effective stalking scenes, but even the rampant nudity couldn't really carry this one all the way through. They didn't give Giacomo Rossi-Stuart enough screen time either.
    6nick121235

    Okay

    This had absolutely zero atmosphere whatsoever. It felt, to me, like a made for TV film. The camera work wasn't too bad, it wasn't breathtaking but there were some very nice shots and sets/locations, so that kept me paying attention even when the story was either not keeping me interested, or just confusing me to the point that I wanted to turn off the TV. I do like that it's a mid-70s giallo rather than the more typical early 70s, because it meant that the fashion was quite fun to observe, being different from a lot of other gialli. Mid to late 70s fashion is some of the best and funnest and craziest in my opinion, but that's completely subjective. Still, it added another factor that kept me watching. Great furniture too.

    Overall it's not actually bad, it's just not good either and has no atmosphere whatsoever which is unfortunate in a giallo film. But it's better than I originally thought.
    lazarillo

    Sleazy (but not unenjoyable) giallo

    This is one of your sleazier gialli right up there with scuzzy favorites like "Strip Nude for Your Killer" and "The Slasher Is a Sex Maniac". The plot even by giallo standards is hopelessly convoluted and ridiculous with far too many thinly-drawn and similar-looking characters for any non-Italian viewer to keep straight. To his credit, the first-time director, sleazeball character actor Gaetano Cimorosa, obviously tried to inject some visual style into the proceedings, but to little avail. Still there is fun to be had here; at least, if you can get past the unusually homophobic storyline that has any number of heterosexually desirable bisexuals and lesbians being killed for no other reason than their sexual orientation (even as the movie itself hypocritically wallows in prurient lesbian sex).

    Normally, I'd describe the plot right here, but, believe me, it really doesn't matter with this one. The movie is currently available in two versions. The English version is full-screen with Dutch(?)subtitles, but it looks pretty decent. The Spanish language version (obviously from the post-Franco, post-censorial "destapa" period) is wide-screen and is the only version featuring nudity from the ravishing Dagmar Lassender and Magda Kopovka. Unfortunately, its also WAY too heavily padded with softcore sex scenes that manage to slow even further the movie's already glacial pace, and it looks horrible to boot. Pick your poison (lucky me, I own 'em both).

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When the cultured but assumedly heterosexual dress designer happens to employ the French phrase "mise en scene" to "set the scene" for his testimony, Sgt. Panto, who just assumes all designers and hairdressers are automatically gay [he's previously insinuated that the couturier wears his own wares, and later professes the belief that the guy's a "fag"], on a hunch it must be something subversive and immoral, mimics back "mise en shame", so as to indicate, wrongly, that he knows it's pervy code for a proposition to commit some sort of disgusting same-sex act.
    • Gaffes
      When the cultured but assumedly heterosexual dress designer happens to employ the French phrase "mise en scene" to "set the scene" for his testimony, Sgt. Panto, who just assumes all designers and hairdressers are automatically gay [he's previously insinuated that the couturier wears his own wares, and later professes the belief that the guy's a "fag"], on a hunch it must be something subversive and immoral, mimics back "mise en shame", so as to indicate, wrongly, that he knows it's pervy code for a proposition to commit some sort of disgusting same-sex act.
    • Citations

      Dressmaker: Our work requires a certain "mise en scene." ... Do you understand Sergeant?

      Sgt. Pantò: Well,,, I try ... So I wanted to ask you if you ever dressed as a woman?

      Dressmaker: Me, dress as a woman? Why would I?

      [Panto stutters, trying to avoid an indelicate or explicit response]

      Dressmaker: Mise en scene?

      Sgt. Pantò: [cutting him off, relieved he didn't have to say it first] "Mise en shame!" Exactly!

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    Détails

    Modifier
    • Date de sortie
      • 4 octobre 1975 (Italie)
    • Pays d’origine
      • Italie
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • Reflections in Black
    • Lieux de tournage
      • Italie
    • Société de production
      • I.R.I. Cinematografica
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 33 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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