NOTE IMDb
6,6/10
1,5 k
MA NOTE
Un bar gay est frappé par un groupe de sociopathes, et tous les clients sont tués à l'exception d'un homme qui s'échappe et se réfugie dans un appartement occupé par un groupe d'amis, qui fe... Tout lireUn bar gay est frappé par un groupe de sociopathes, et tous les clients sont tués à l'exception d'un homme qui s'échappe et se réfugie dans un appartement occupé par un groupe d'amis, qui feront tout pour le protéger et survivre au siège.Un bar gay est frappé par un groupe de sociopathes, et tous les clients sont tués à l'exception d'un homme qui s'échappe et se réfugie dans un appartement occupé par un groupe d'amis, qui feront tout pour le protéger et survivre au siège.
- Réalisation
- Scénario
- Casting principal
Daryl Haney
- Chester
- (as Darel Haeny)
Terry-David Després
- Daniel
- (as Terry-David Despres)
Richard Collins
- Rosie
- (as Rick Collins)
Allison Outhit
- Punk
- (as Alison Outhit)
Avis à la une
A pretty taut Canadian thriller that shares some similarities with Assault on Precinct 13. It's well shot and the acting isn't too bad either. A nice discovery on Shudder.
Inspired by the real-life police strike in early-1980s Halifax, the obscure Canadian thriller "Self Defense", a.k.a. "Siege" is a hell of a good time for exploitation devotees. During this period of police inaction, criminal scum are able to do as they please. And so a gang of trouble-making bigots with a "cause" storm into a gay bar and terrorize the customers. Ultimately, almost all the victims end up dead, except for Daniel (Terry-David Despres), who flees for his life. He makes it inside an old apartment building. Initially, the residents are unsure of how to proceed, but soon they decide to shelter Daniel and fight back against the psycho antagonists, who are led by a stone-faced creep named Cabe (Doug Lennox, "Lars and the Real Girl"). And they prove to be decent fighters.
If this hadn't been a "lost" film for such a long time, this would surely have been considered a classic B flick over the decades. Directors Paul Donovan and Maura O'Connell, who went on to do another cult flick, "DEFCON-4", give the story great pace. In fact, the movie is so exciting, quickly paced, and manipulative (these filmmakers know how to push your buttons), that viewers can gloss over any flaws in the narrative and just enjoy the ride. Needless to say, it can get pretty violent, and there's some of the standard "stupid characters doing stupid things" tropes that people expect to find in many movies. But this viewer will say that it hooked him early on, and often delivered the goods.
The cast includes a few actors whom you may recognize from other things: Tom Nardini ("Cat Ballou") as Horatio, Jack Blum ("Happy Birthday to Me") as Patrick (a blind kid with acute hearing), and Keith Knight ("Class of 1984"). Jeff Pustil, who was also in "DEFCON-4", is an amusing highlight as the most aggressive of the bad guys. Daryl Haney is also a standout as the calm and cool Chester; you may better know him as a writer of such things as "Crime Zone", "Friday the 13th Part VII: The New Blood", and "Xtro III: Watch the Skies".
Excellent atmosphere and a haunting electronic score are assets. Worth noting is the tidbit of info that this apparently contains the only known existing news footage of that aforementioned police strike. There is also a priceless, final second twist before the end credits start appearing.
Eight out of 10.
If this hadn't been a "lost" film for such a long time, this would surely have been considered a classic B flick over the decades. Directors Paul Donovan and Maura O'Connell, who went on to do another cult flick, "DEFCON-4", give the story great pace. In fact, the movie is so exciting, quickly paced, and manipulative (these filmmakers know how to push your buttons), that viewers can gloss over any flaws in the narrative and just enjoy the ride. Needless to say, it can get pretty violent, and there's some of the standard "stupid characters doing stupid things" tropes that people expect to find in many movies. But this viewer will say that it hooked him early on, and often delivered the goods.
The cast includes a few actors whom you may recognize from other things: Tom Nardini ("Cat Ballou") as Horatio, Jack Blum ("Happy Birthday to Me") as Patrick (a blind kid with acute hearing), and Keith Knight ("Class of 1984"). Jeff Pustil, who was also in "DEFCON-4", is an amusing highlight as the most aggressive of the bad guys. Daryl Haney is also a standout as the calm and cool Chester; you may better know him as a writer of such things as "Crime Zone", "Friday the 13th Part VII: The New Blood", and "Xtro III: Watch the Skies".
Excellent atmosphere and a haunting electronic score are assets. Worth noting is the tidbit of info that this apparently contains the only known existing news footage of that aforementioned police strike. There is also a priceless, final second twist before the end credits start appearing.
Eight out of 10.
It's hard not to see the parallels between this film and the likes of RIO BRAVO or the the above mentioned John Carpenter film. This film isn't perfect by any means but functions well as a down and dirty urban crime / action thriller with a few cute surprises sprinkled in that any fan of 60's-80's "grindhouse" would appreciate. It's pretty clear that the makers of VFW pulled a little bit of inspiration from this, especially in terms of musical score.
One thing ASSAULT didn't even attempt to do was make its villains sympathetic in any way, but this film gives them about 30-35% of the dialog and attention, making each one of their deaths a little more meaningful. I loved the varying degrees to which the villains stayed committed to the crime and greater adherence to realism in general. People in this film act about like how you or I would react to a situation here and there isn't a lot of James Bond style heroics at play.
That said, it isn't quite a classic by any stretch. My main beef with the film is that it's just too convenient in many places. For one, of all the places the person fleeing from an angry mob in all of Canada, it just happens to be the place next door to a doomsday prepper with the means of building rockets and grenades at his disposal. Also, the fun idea of the shared medicine cabinet feels a bit ludicrous when compared to the fairly grounded reality of the rest of the movie. The main protagonists do not get introduced until late in the film, giving them very little room to build character development or strong audience sympathy. The viewer may never fully connect to the characters, but the short length and constant sense of immediacy keep things from ever getting dull.
Overall I considered myself surprised by how well this extremely low budget film comes together despite its relative obscurity. It's a shame that Donovan's next film DEF-CON IV would be such a letdown (after an excellent first half) and that afterward he'd generally stick to making more profitable (but even more forgettable) kids' films.
One thing ASSAULT didn't even attempt to do was make its villains sympathetic in any way, but this film gives them about 30-35% of the dialog and attention, making each one of their deaths a little more meaningful. I loved the varying degrees to which the villains stayed committed to the crime and greater adherence to realism in general. People in this film act about like how you or I would react to a situation here and there isn't a lot of James Bond style heroics at play.
That said, it isn't quite a classic by any stretch. My main beef with the film is that it's just too convenient in many places. For one, of all the places the person fleeing from an angry mob in all of Canada, it just happens to be the place next door to a doomsday prepper with the means of building rockets and grenades at his disposal. Also, the fun idea of the shared medicine cabinet feels a bit ludicrous when compared to the fairly grounded reality of the rest of the movie. The main protagonists do not get introduced until late in the film, giving them very little room to build character development or strong audience sympathy. The viewer may never fully connect to the characters, but the short length and constant sense of immediacy keep things from ever getting dull.
Overall I considered myself surprised by how well this extremely low budget film comes together despite its relative obscurity. It's a shame that Donovan's next film DEF-CON IV would be such a letdown (after an excellent first half) and that afterward he'd generally stick to making more profitable (but even more forgettable) kids' films.
One helluva good time. Gritty and chock full of spine-tingling suspense. Borrows a lot from Assault on Precinct 13 but manages to conjure plenty of creativity. A stellar choice to throw into a late-night movie bingeing session.
As i was in the videostore i saw this box of a movie called NightWarriors. It looked familiar, turned out to be i saw it as a kid.
I must say even now it still is a very interesting thriller.
Police are on strike in Halifax which means a lot of scum are loose on the streets. A gang kills some people in a bar but one visitor manages to escape...and these guys don't want any witnesses. A couple of friendly people let him into theire house...and thats where it goes all wrong. The gang wants the witness...and the friendly people aint gonna turn him over. What follows is the gang trying to siege the building...and the people inside have to defend themselfs all night...
Looks indeed alot like Assault on Precinct 13, Escape from New York and a bit of the Warriors. Acting in the beginning of the movie is not that good, but further on in the movie it actually improves. Some solid action and it had me on the edge of my seat a couple of times. For all you people who want go out and rent this: i guess it is hard to get. In Europe it's called Night Warriors (why?), in US and Canada Siege or Self Defense.
I must say even now it still is a very interesting thriller.
Police are on strike in Halifax which means a lot of scum are loose on the streets. A gang kills some people in a bar but one visitor manages to escape...and these guys don't want any witnesses. A couple of friendly people let him into theire house...and thats where it goes all wrong. The gang wants the witness...and the friendly people aint gonna turn him over. What follows is the gang trying to siege the building...and the people inside have to defend themselfs all night...
Looks indeed alot like Assault on Precinct 13, Escape from New York and a bit of the Warriors. Acting in the beginning of the movie is not that good, but further on in the movie it actually improves. Some solid action and it had me on the edge of my seat a couple of times. For all you people who want go out and rent this: i guess it is hard to get. In Europe it's called Night Warriors (why?), in US and Canada Siege or Self Defense.
Le saviez-vous
- AnecdotesIt contains the only existing news footage of the actual 1981 Halifax Police strike.
- GaffesAt 1:16, boom mic visible to left of screen.
- Versions alternativesIn German version named "New York 1991 - Nacht ohne Gesetz" events happening in New York instead Halifax. It about 10-12 minutes between opening titles and bar scene, except news broadcast, was cut.
- ConnexionsFeatured in Hagan Reviews: Siege (2014)
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- How long is Siege?Alimenté par Alexa
Détails
Box-office
- Budget
- 300 000 $CA (estimé)
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