Stryker

In a post-apocalyptic future, people have banded together for survival. The key to that survival is water. A woman holds the key to the location of a vast water supply. She's being chased by a roaming gang of baddies hoping to gain her knowledge. Water is power and the baddies want the power. The woman is rescued (multiple times) by a man known as Stryker. Stryker and his friends will battle the baddies for the secret of the water.

Stryker is one of the countless number of films that looked to cash-in on the success of The Road Warrior. Some are good (or at least enjoyable) and some are not so good. Stryker falls into the latter category. There are lot of problems I had with the movie, but the biggest issue I had was Stryker is it's just plain boring. I had the hardest time staying awake. There's little that held my interest. The plot is so unbelievably unoriginal. The filmmakers attempted to take the search for gas in The Road Warrior and replace it with the search for water in Stryker. In addition, the action is repetitive. The good guys save the girl, then they save Stryker, then they save the girl, and on and on it goes. But the biggest bore of all comes in the form of lead actor Steve Sandor as Stryker. Sandor's Stryker is so unappealing and so dull that it's hard to believe he's the title character. You'd be hard pressed to find a lead with less screen presence. What a wretched waste of time!

In a post-apocalyptic world the world's water supply has dried up, but woman holds the location of the last springs being guarded by a group of female warriors. Stryker and company, along with the warriors go about stopping a warlord and his 'Road Warrior' gang.

Director Cirio H. Santiago's Stryker is another Mad Max 2 copy but with an American Western feel than most of the post apocalyptic films of 1983 including the similar, Escape from the Bronx, The New Barbarians, Exterminators of the Year 3000, End Game, 2019: After the Fall of New York to name a few.

The late TV actor Steve Sandor (with a handful of film screen credits, also the excellent voice of Darkwolf in Fire and Ice (1983)) looks the part as rugged, gun toting, cowboy hat wearing Stryker. Bandanna sporting William Ostrander is notable (incidentally also the voices Taro / Larn in Fire and Ice) as Bandit. Warrior women wearing old football shoulder pads and leather knickers, including Julie Gray, Monique St. Pierre and Andria Savio are all notable. Mike Lane's villain Kardis with hook hand is menacing but his minions have more interaction with the hero.

Howard R. Cohen's sparse script and Santiago's story is packed with slow motion shots, there's little people, 'Amazon' women, gangs, a tank, a tanker, cars, motorcycle chases, smoke grenades and shootouts across rugged terrain. The writers also pop in some flashback for good measure to try and flesh-out Stryker. The editing is disjointed and Ed Gatchalian's score, is more classical than synth, mostly piano and drums which is used sparingly throughout. Even though Sandor and Ostrander along with some of the female cast are highly watchable, in terms of production this probably on the lower end of scale of the post apocalyptic offerings.

Overall, if you enjoyed the aforementioned there's no reason not to indulge.

Yes, it is a blatant Road Warrior ripoff, yes, much of it is shot in a gravelpit, yes, it is poorly acted. Yet it is entertaining, not a bad post apocalyptic story, water shortage and lots of heat, same thing as in the underrated, but much higher budgetted "Solarbabies". Violence, nude babes and a decent score graces this flick, this is a drive-in classic. If you feel like slumming, you can do much worse than this. 5/10

Here's yet another Mad Max inspired post apocalyptic outing from the glorious 1980's that depicts a parched and barren world inhabited by leather clad gangs (an odd choice of material to attire oneself with considering the scorching temperatures!) who drive around recklessly in armour plated cars and on motorcycles searching for the most precious commodity remaining on earth: water.

Yes, fans of the genre may recognise the above plot as exactly the same as Giuliano Carnimeo's Exterminators Of The Year 3000 which was also released in 1983. In fact, the miraculously fortuitous ending in both films is exactly the same to! (I don't know which one was released first but considering the derivative nature of the Italian movie industry in the late 70's and 80's I would hazard to guess that Carnimeo's film was most likely 'heavily inspired' (ahem) from the film being reviewed here.

Back to the film and oddly, it would appear that the producers of this, neglected to hire two always vital contributors in any film making process, namely a screen writer and a script writer (!!!) - well at least one could be forgiven for assuming this to be the case as this film has virtually no logical plotting nor character development (or even character definition for that matter!) and has scarcely any dialogue throughout! The end result is a somewhat confusing affair with scene after scene of seemingly pointless car chases and shoot outs revolving around a (VERY HOT!) woman who is being pursued by just about everyone she encounters (including the films beefy hero).

To be fair, as the movie progresses a plot of sorts is disclosed and there's even the trappings of a love story that begin to blossom! On the plus side, the action sequences are competently handled throughout with some fair stunt work on display in a number of scenes and as previously mentioned, - males rejoice, for the heroine along with all of the other females in the cast, is absolutely gorgeous (and spends the entire film in some seriously sexy leather shorts!) Wey Hey!!! For fans of the genre this is certainly worth a watch but it has to be said that this is far from the best of its kind.

It's hot.

It's the desert (well, actually, it's a gravel pit in the Philippines masquerading as the desert)

They're fighting over water.

End of story.

Once you get past the fighting over what appears to be only a few gallons of water, the plot of this post apocalyptic grindhouse flick becomes nonexistent, as entire reels of film go by with either not much happening, or several lengthy car chases and explosions and shootouts. Most of the characters here are never even given names, let alone do we ever find out anything about them. It's also rather difficult to learn anything about the characters when there is hardly any dialogue to the film.

Good looking girls in shorts, and good action in the first half hour and at the climax are about all this has going for it. Its climactic battle between the Chuck Norris lookalike leader of one tribe, aided by the Keebler elves, against the other tribe led by one-handed Anton LaVey lookalike was reasonably exciting and well done, but it's a LONG wait for it. If you can turn your mind off and just enjoy the action scenes, this movie might be more watchable for that and the good looking half nude girls, but if you want more than that, look elsewhere. I'm also a fan of William/ Bill Ostrander, so I was disappointed by his somewhat small role in the film, and by the fact that his voice was apparently dubbed for his few lines. Also, this movie looks like it was filmed a year or two prior to its release, as Ostrander looks noticeably younger than he did in Christine, which was released only three months after this.