Le Joyau de la couronne
Titre original : The Jewel in the Crown
- Mini-série télévisée
- 1984
- Tous publics
- 56min
NOTE IMDb
8,3/10
2,5 k
MA NOTE
Ce drame indien de la Seconde Guerre mondiale dépeint les conflits de classe et la lutte des populations pour s'adapter à des changements profonds.Ce drame indien de la Seconde Guerre mondiale dépeint les conflits de classe et la lutte des populations pour s'adapter à des changements profonds.Ce drame indien de la Seconde Guerre mondiale dépeint les conflits de classe et la lutte des populations pour s'adapter à des changements profonds.
- Récompensé par 1 Primetime Emmy
- 11 victoires et 18 nominations au total
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There's a small scene in the first 2 hour episode of Jewel in the Crown about 80 minutes in. Susan Wooldridge, a gangly maladroit, clearly not cut out for India, is sleeping. The long awaited rain wakes her and she gets up and walks out onto the balcony. The obsessional loving care and artistry that is evident in just this single minute tell you everything you need to know about the quality of Jewel in the Crown. The set and the lighting on the sleeping figure momentarily transforms the character who will later be known, pejoratively as "that Manners girl" into the Diana-like beauty she always imagined she would become. Wooldridge is convincingly asleep and wakes naturally, and surprise, delight and relief register on her face as she revels in the feel of rain on her face. Nothing is out the book. It's all fresh, original, new. A great piece of acting by Wooldridge, never surpassed or even approached by all the other actors and actresses who have had to play this popular little scene, present in so many other movies. A great piece of directing, lighting, scene setting and costume design.
Aside from this one, there are 649 other minutes and the same care and devotion is taken with all of them. In the episode "The Mughal Room", Sara Layton and Guy Perron spend Guy's last afternoon exploring the Governor's Summer residence at Pankot. 7 minutes go by without any dialogue in this little elegy for the cobwebbed glory of the Raj before they settle down in one of the bedrooms to make love. You won't find anything else like it in mainstream television. Very hard to do but very beautiful.
But then the whole story is excellent, beautifully paced, tragic, funny, pathetic, illuminating and exciting by turns. I've watched it a number of times and I never want it to end.
It really is the best drama series ever made.
Aside from this one, there are 649 other minutes and the same care and devotion is taken with all of them. In the episode "The Mughal Room", Sara Layton and Guy Perron spend Guy's last afternoon exploring the Governor's Summer residence at Pankot. 7 minutes go by without any dialogue in this little elegy for the cobwebbed glory of the Raj before they settle down in one of the bedrooms to make love. You won't find anything else like it in mainstream television. Very hard to do but very beautiful.
But then the whole story is excellent, beautifully paced, tragic, funny, pathetic, illuminating and exciting by turns. I've watched it a number of times and I never want it to end.
It really is the best drama series ever made.
Apologies but those above who have slated the series by rubbishing the acting I feel, are seriously mistaken. Those who have said that the British characters were too reserved and meandering are quite correct - it is how British people were and definitely how they were portrayed in Paul Scotts original book. The beauty of the piece lies in its tender subtlety which provides in itself enough drama without constant high adrenaline action so common to the Hollywood Blockbuster. Tim Pigott Smith was just beautiful with his sadistic menacing Ronald Merrick who definitely goes top on my list of all time favourites. The whole piece when watched one after the other definitely gives the sense of time and place which - living in modern times it is often easy to lose sight of. Thumbs up to all the cast I feel that the acting from all members was superb.As the show progresses the viewer gets gradually enveloped and involved in the lives of these people the thing to remember about this piece is that it is not necessarily the action which enhances the show but more importantly the psychological development of every single character ( maybe with the exception on Aunt Fenny - funny but was only there for convenience - to introduce Sarah to Jimmy the soldier)
The person who wrote the other review here dismays me. I loved The Jewel In The Crown and highly recommend it! I think it's a very skillful and successful adaptation for TV from fiction.
My own views about this series have changed -- from good to better. A few years ago, I rented it and watched it over a couple days. I thought it was very good, a haunting, tragic story very well done. I realize now that I watched it then very literally, very matter-of-fact, and saw it mostly as a straightforward series of events in the lives of these people trying to cope with the turmoil of the last days of the British in India. I viewed it mostly as a sort of soap opera.
Recently I read all four of the books from which this story was taken, and what an illumination! These novels are brilliant, and I'm stunned with admiration for the talent of the writer, Paul Scott. So after turning the last page, I hot-footed it down to my local video store and rented the whole shebang AGAIN -- and this time saw it as a giant allegory, laden with symbolism, foreshadowing, and irony. The acting is top notch across the board -- you won't find better -- and it's visually striking. There are scenes in this movie that I'll never forget, in the same way the characters are haunted by them.
Instead of a meandering and random soap opera, I saw how event built upon event, how characters affected one another, how chance meetings changed lives, how it all slouched inexorably towards the climax -- or anticlimax -- of the devastating conclusion.
I am amazed at the skillfulness of the screenplay -- to compress those four novels and all their layers of complexity into this TV series. It really is astonishing how the *intent* and *spirit* of the story is communicated... it's not bashing you over the head, but it's *implied*.
I love how the story does not spoon-feed you. I love how the characters don't make sense and we must puzzle them out for ourselves. We're left with a hundred questions about why they did what they did, and I will enjoy speculating about that for years to come. (If you like pat answers, steer clear of this one.)
I loved this series, I intend to buy the videos, and I highly recommend it.
My own views about this series have changed -- from good to better. A few years ago, I rented it and watched it over a couple days. I thought it was very good, a haunting, tragic story very well done. I realize now that I watched it then very literally, very matter-of-fact, and saw it mostly as a straightforward series of events in the lives of these people trying to cope with the turmoil of the last days of the British in India. I viewed it mostly as a sort of soap opera.
Recently I read all four of the books from which this story was taken, and what an illumination! These novels are brilliant, and I'm stunned with admiration for the talent of the writer, Paul Scott. So after turning the last page, I hot-footed it down to my local video store and rented the whole shebang AGAIN -- and this time saw it as a giant allegory, laden with symbolism, foreshadowing, and irony. The acting is top notch across the board -- you won't find better -- and it's visually striking. There are scenes in this movie that I'll never forget, in the same way the characters are haunted by them.
Instead of a meandering and random soap opera, I saw how event built upon event, how characters affected one another, how chance meetings changed lives, how it all slouched inexorably towards the climax -- or anticlimax -- of the devastating conclusion.
I am amazed at the skillfulness of the screenplay -- to compress those four novels and all their layers of complexity into this TV series. It really is astonishing how the *intent* and *spirit* of the story is communicated... it's not bashing you over the head, but it's *implied*.
I love how the story does not spoon-feed you. I love how the characters don't make sense and we must puzzle them out for ourselves. We're left with a hundred questions about why they did what they did, and I will enjoy speculating about that for years to come. (If you like pat answers, steer clear of this one.)
I loved this series, I intend to buy the videos, and I highly recommend it.
The Jewel in the Crown is in my opinion one of the best series ever. The story unfolds, characters come in and out the only common denominator in all episodes is a despicable man, viewed from other nuclear stories. The acting is superb and contrary to many comments here, quite genuine, certain British people WERE like that. The gestures, actions and facial expressions mean more than what is actually being said. What is hilarious, however, is reading some comments posted here as if all stories should follow a strictly "physical-action-sequence" of A kills B and jealous C falls in love with D, but in the end all marry and are happy ever after. Thanks to BBC, Granada and others, there are series and films that make us interpret, feel and think beyond what we see on the screen or else we'll all end up left watching "Th Incredible Hulk"
I think that this series is absolute perfection. The acting is magnificent, the story is fascinating and the characters are so real that one thinks that one is actually watching a documentary about the final days of the Raj. It is a marvelous adaptation, not a spare scene and it is beautifully directed. It is tightly woven and tells its tale with enviable clarity. I can not find one flaw in this stupendous series. Literate, complex, compelling, this series is singular and an out and out classic. I fear that we will never see anything like this again. Given the current vapid and stupid landscape of American and British television, "The Jewel in the Crown" is THE exemplar of the height of drama.
Le saviez-vous
- AnecdotesAll the exteriors of India were shot on location in India, but all the interiors of the Indian buildings were shot some six months later and 5000 miles away in the studios of Granada TV in Manchester, causing continuity problems because some of the cast had put on or lost weight in the meantime.
- Citations
Capt. Ronald Merrick: Are you one of those people who think that if you teach an Indian the rules of cricket he'll become an English gentleman?
Guy Perron: Hardly sir. I know quite a few English gentlemen who play cricket brilliantly but are absolute shits.
- ConnexionsEdited into Masterpiece Theatre: The Jewel in the Crown: Part 1 (1984)
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- How many seasons does The Jewel in the Crown have?Alimenté par Alexa
Détails
- Durée
- 56min
- Couleur
- Rapport de forme
- 1.33 : 1
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