L'affrontement

A well acted and dramatic film dealing with a construction worker and his family relationship . As Paul Newman is a depressed widower who loses his job and along the way he quarrels with their kids. As Newman is the ordinarily tired old man and we've all seen Robby Benson play the young character too many times .

The script and action are a little thin , and quite pleasantly for a while , until you start realising that Newman has decided to compose this entire movie out of them. Superb interpretations don't make up for a really boring and dull flick . It is nothing more than a constant succession of the sort of emotional peaks players love to do on screen . The result is a curiously tiring phenomenon , and sometimes indigestible and dullness . Nice duo of protagonists : Paul Newman as the widower construction labourer who faces the problems of raising his son Robby Benson, both of whom give awesome acting . Being well accompanied by a notorious plethora of secondaries as a young Ellen Barkin, Wilford Brimley , Judith Ivey , Ossie Davies , Morgan Freeman and of course Joanne Woodward .

It contais an atmospheric cinematography by Donald McAlpine , as well as sensitive and evocative musical score by Henry Mancini . The motion picture was well directed by Paul Newman , though it has a number of flaws and gaps. Being written by Ronald Buck and Paul Newman himself , dedicated to his son who early died due to overdose .The famous actor of hits as "The Hustler , Exodus , Torn Curtain , The Prize , Hud , Harper , Judge Roy Bean, Verdict , Color of Money" , among others , also directed some movies , such as : "The Glass Menagerie , The Effects of Gamma Rays on Man-in-the-Moon Marigolds ,Sometimes a Great Nation , Rachel Rachel and this Harry and Son" . Rating : 6/10 , passable and acceptable . The flick will appeal to Paul Newman fans .

The narrative line of the script is scattered and seems to pick up ideas and problems and then drop them without resolution to tackle some other tangential issue. The issues all pertain to the relationship between the father and son but it would have been better to focus more on their interaction and less on exterior forces. Benson tries in the lead but just is not that strong of a screen presence especially when competing with Newman's star power. The rest of the cast is certainly talented even if what they are handed character wise is diffuse. It is interesting to see some like Freeman and Barkin who went on to long careers just starting out. Not a bad film but very average.

Harry & Son (1984)

** (out of 4)

Family drama centering on father Harry (Paul Newman), a blue collar construction worker who loses his job due to an unknown illness he's suffering from. Harry has trouble trying to connect to his growing son Howard (Robby Benson) who wants to make it as a writer. The son can't keep a "real" job, which rubs his father the wrong way since he actually wants to work but is unable to. You can tell this was a labor of love for Newman who not only plays the lead but he also directed, produced and co-wrote the screenplay. If you've seen some of Newman's earlier directorial films you'll know that he can create some very touching pictures and there are glimpses of that here but sadly the end result is that HARRY & SON is a complete misfire and without question the low point in Newman's directing career. The biggest problem is without question the screenplay, which is a real mess. I think this movie is supposed to be about a father and son relationship but you'd never know that because not for a second does Harry and Howard come off as some sort of connection. The relationship between the two never really comes off as a father-son thing and another major problem is that neither character really gets a chance to grow. I'd also say that the screenplay really doesn't give us much to go on because we never fully understand their motivations. We never really know why the father is so against his son. There's a subplot with an issue between Harry and his daughter that we never fully understand. There are a wide range of characters who pop up only to either disappear or you never fully get to know who they are. Another major problem with the film is that even though it runs 117-minutes, in the current form, that's way too long as scenes just seem to drag on or the obvious just happens. I'm not sure if this was originally much longer and perhaps some of the character development had to be cut out to get it down to its current length. The one saving grace here and what keeps the film from being a major dud are the performances, which for the most part are very strong. Newman has no trouble playing the troubled blue collar worker but one wishes the screenplay would have given him a stronger character to stick his teeth in. Joanne Woodward is very good in her small supporting role as a love interest. We get other good performances from a likable cast that includes Ellen Barkin, Wilford Brimley, Ossie Davis and Morgan Freeman. The one exception to the good performances is Robby Benson who is pretty bad here. Rumor has it that he actually got this part over Tom Cruise, which is a real shame because I think that actor could have done much more. Benson is really lackluster and his rather bizarre performance makes his character more creepy than anything else. Even worse are his incredibly horrid facial gestures, which quite often make the viewer break out in laughter, which certainly wasn't the intent. HARRY & SON was overlooked when it was released and today it's only of interest to Newman fans who want to see the lower side of his career.

For a kid from the posh suburb of Shaker Heights, Ohio Paul Newman has a remarkable affinity for playing blue collar men. This is a guy who knows the value of hard work and it's his greatest disappointment in life is that he hasn't passed on that value to his children, Katherine Borowitz and Robby Benson.

It's Benson who Newman worries the most about. He wants to be a writer, but that just doesn't happen over night. One has to get out into the world and acquire a little life experience to learn what one wants to write about. The only one that didn't apply to was Emily Dickinson. Benson cites Hemingway as getting rejected 300 times before getting some money for his thoughts. But there certainly was a man who had himself a lot of life experience and earned a few dollars to pay his own way.

I could understand Newman very well since I came from a family of uncles just like Newman on my mother's side. I could understand Benson less so since all he wants is surf and sex. He tries working at some dead end jobs, his scenes with Morgan Freeman at a cardboard box factory and trying to repossess Ossie Davis's car are his best in the film.

In fact Newman's tragedy is that health issues cause him to stop working and he won't acknowledge them.

But it's Newman and Benson that's the heart of Harry&Son. Father and son Keach come to a kind of understanding toward the end. The film is not the best from either Newman or Benson, but nothing to be ashamed of here.

Paul Newman plays Harry Keach , a father who has been widowed for two years , who works as a demolition crane operator . He loses his hub due to a medical condition and finds himself battling his son and other personal demons .

When you think of Paul Newman films you don't think of Harry & Son and for good reason . This overlong , melodramatic film , directed by Newman is definitely not his best work .

It's nearly two hours of nothing much which ends extremely abruptly . Almost as if they ran out of money!

It definitely has the feel of a TV movie but actually wasn't .

Newman , unsurprisingly is the best thing about this film along with his real life wife , Joanne Woodward , but I haven't addressed the elephant in the room yet and that's Robby Benson who plays Howard , the son.

What a terrible actor ! He prances around looking like a cheep John Travolta, in a pair of shorts that should be on a twelve year old boy , flashing his eyelashes and whispering every line as if he's trying to be Brando . The worst thing is he has a massive amount of screen time as well .

He really is appalling and it's no wonder I've never seen him In anything since.

It was interesting to see a young Morgan Freeman in a small cameo and Wilfred Brimley whois criminally underused.

Unless you are a massive Paul Newman fan ( and I am ) , then I wouldn't bother .