Les frénétiques

I bought this on DVD from a Poundland for, hey! - a pound. It was re-titled as 'Fanatic'. Actually it was a double bill. Another schlock flick who's title I forget was on the flip side of the disc. So in effect, I got the Spinell picture for 50p. I'd say it was money well spent.

This was shot on the hoof at the 1981 Cannes film festival. Joe is a taxi driver who goes there to seek out his idol/wet dream Caroline Munro. Caroline appears with her then real life spouse Judd Hamilton. Husband and wife are both dubbed, and Caroline looks pretty much as she did when she was a hostess on '3-2-1' with Ted Rogers. The film bears little resemblance to the previous Spinell/Munro vehicle, 'Maniac'. That was grim, gory and reprehensible. This is light, silly and incomprehensible.

'The last horror film' seemed to receive an inordinate amount of coverage in the British film fantasy magazine 'Starburst' at the time. I can now see why: Spinell appears reading a copy of said periodical. Reciprocal publicity. There are also numerous references to other films, especially Scorsese's 'Taxi Driver' (which Joe appeared in). In fact, there is a vaguely interesting blurring of film reality and fantasy and 'real' reality and fantasy throughout. Generally, though, it's a mess. Scenes just seem to rear up out of nowhere. But if you're interested in such things, the footage of Cannes and the general nakedness of the female cast will provide fifty pence's worth of entertainment.

There's a nice story on the Spinell documentary included on the Anchor Bay 'Maniac' disc which pertains to the making of this film. The cast and crew were staying at a rather expensive Cannes hotel, and due to the penurious nature of the budget found themselves unable to foot the extravagant bill. Spinell, Winters, Munro and all concerned therefore decided to do a runner in the middle of the night and catch the nearest plane home. Pity they didn't film that little episode and stick it in here along with everything else.

Watch out for Joe's verbal sparring with his real life mother Filomena (aka Mary). Pretty funny.

Plot: Joe Spinell plays a guy who desperately wants to make a movie with his dream-girl a famous actress portrayed by Caroline Munro. His mom thinks the idea` is cuckoo but he travels to Cannes anyway to make his movie......

Form: The acting is splendid. The story has twists and hints all the way through and the ending, the finale, it`s eminent. Lovely movie by all means.

Who is it for?: Sensitive viewers should be advised, the movie is pretty harsh and contains violent images and a haunting atmosphere in the horror-filled scenes. It is not suitable for kids. Adult horror-fans with a taste for blood will probably enjoy this movie a lot.

Grade: 7 out of 10

Who knew watching a lonesome daydreaming New York cabbie Vinny with desires of being a famous filmmaker obsessively lament over a beautiful well-known horror scarlet to appear in his first film, while running around after her at the Cannes film festival could be so entertaining? To go along with that some unknown deranged serial killer staying in the shadows begins knocking off her entourage while filming it. Could they both be linked or is it pure coincidence?

"THE LAST HORROR FILM" wasn't what I expected it to be, mainly due to the unhinged tonal shifts. From an underlining comedic edge, it can turn depressingly downbeat to nastily macabre then back to kooky again. It's not over-the-top, but it sticks out because it puts a clever spin on the material, as it lures you into thinking it's something it is not. I kind of liked how the story evolved, being quite a delirious cocktail, as it kept you on your toes. Never too sure what direction it was heading. This led to an oddball climax to only be topped off by an enjoyably absurd ending that I don't see how anyone could predict. In all a very unorthodox experience.

What really came to the forefront is its true-to-the-facts information of the times it was shot to use as sort of a satirical social commentary of the influences of film on violence, where the script in more than one way was taking a shot at the narrow-minded assumption of those who see violent films to be blamed for the unstable descent of society instead of being a reflection of it. So with this viewpoint, making it the more interesting is having it set in Cannes, where the shot-on-location atmosphere added to the buzz. Still even with that feverish glitz of searching for stardom with a beautiful French Riviera backdrop, it's soaked in sleaze, unpleasant gore and a lingering dinginess when the killer hits the scene.

Then there's Joe Spinell. As he showed in "MANIAC", he's a live-wire that you simply work around. Just let him go, sweat and all, as his instinctive presence emits such weirdness, yet stays strangely appealing (when interacting with his real-life mom) in spite of being an emotional wreck leading to some crazy visions, and disturbing encounters in his on-going fascination towards the actress (the very capable Caroline Munro).

This is a deliriously demented early 80's horror film with a curious self-reflective feel to it, that gives this a rather run of the mill camp tone to it, but with some brutal violence thrown in for good measure. The movie is driven by its central star Joe Spinell & supercharged in a visual fever dream with production boasting a fantastic atmospheric punch & a fun fantasy infused world. Dripped in sleazy tones & unhinged mayhem.

The plot follows Vinny Durand (Joe Spinell), a mentally unstable cab driver that believes that he has the ideal script for actress of his dreams Jana Bates (Caroline Munro), he heads off to the Cannes film festival to convince her, but as soon as he arrives people on her crew start getting brutally murdered one by one, is Vinny the killer though... who knows?

Joe Spinell takes on the role of the distressed and manic Vinny with extreme grit & hopeless sympathetic overtones & he knocks it out of the park with his fantastic performance. His co-star Caroline Munro really exudes beauty with an alluring performance as Jana Bates.

There is a subtext going on throughout on whether horror films can affect the minds of the viewer, which adds an interesting layer to the whole thing. When it comes to having anything to say about the nature of horror films & horror fans, it becomes rather confused, but ignoring that this is still a fun little horror flick with some great dream like atmosphere & a rather strange feel to the whole thing. The mystery angle doesn't quite work, but this is still a delirious good time.

I was expecting a lot from this so-called horror also know as the last Horror Film. Why, because the combination of Joe Spinell and Caroline Munro is back on the screen best know for their cult classic maniac (1980). Joe plays Vinny, obsessed with Jana Bates (Munro) who he wants to play in his last horror flick. He travels to Cannes to convince Jana to play in his flick but people surrounding Jana disappear.

I thought that this would be a brutal horror but it's really low on every part. Some scene's are clearly filmed at the festival without knowledge of the organization but it just doesn't work. Spinell's acting is okay and did remind me of Maniac especially when he's projecting Jana's face over his body. It's funny to see the promoting of flicks at the festival with a lot of posters and marquees. Also funny is the ending were Spinell has a scene with his real mother.

One to see for Spinell or Munro fans but horror buffs will be disappointed because this isn't another Maniac and is a bit low on red stuff, although it contains a bit of nudity. Not as good as expected.

Gore 1/5 Nudity 1,5/5 Effects 2/5 Story 3/5 Comedy 0/5