Mort d'un 'dealer'...

My experience with this film differs from some of those who seem to be objecting to both the plot and the cast.

I thought the idea of a 20's something woman who immerses herself in a quasi-relationship with a person on the fringe of society to be interesting. Winger turns in a terrific performance. Part of the human experience or journey is that one encounters difficult moments in one's life - including anticipating relationships one wants desperately to work out.

Betty is in the unfortunate position of having to view Mike from afar as the latter is caught in a nightmarish world of drugs and deceit. I found Mike's drug partner in crime very compelling. One had a real sense of dread and doom as he tried to "make-up" for an irredeemable mistake. Paul Winfield is spot on as the record producer who has also suffered a loss.

All in all, what we have here is a subtle film which is compelling and which a typical focus group would probably pass over. One good example of why film producers and directors should stay away from them and let their artistic visions guide their actions.

For some inexplicable reason, critics find this film hard to follow. Actually, it's very coherent and surprisingly powerful. Debra Winger plays a bank employee who falls for her tennis coach, a young stud named Mike. When Mike is brutally murdered by drug dealers, Winger's character, Betty, is drawn into the L.A. underworld in her quest to find out why he was killed. What makes this film so great is its quiet realism. Most latter day noirs suffer from over-the-top plotting, mega-violence, and cartoonish effects. Moving by indirection and inference, MIKE'S MURDER skirts a hellish world rather than diving in, a narrative strategy that makes it eerily believable and deeply disturbing. Check it out.

Seems like many films fall into this category- especially when they were not blockbusters, had an interesting plot, and do not conform to the formulaic Hollywood trend.

Debra Winger is very good in this film as a 20-something girl, living on her own, who soon gets in over her head. Mark Keyloun plays Mike, her tennis coach, with whom she develops an interest.

The backdrops of LA are interesting and mood inspired, as was the score- if it wasn't I wouldn't be remembering it right now. Brooke Alderson ("Urban Cowboy") also has a brief part as Winger's friend- who tells her to get out- get out of the relationship. Apparently Mike has ties to the drug world- and Winger's character is embroiled in the plot. There are also some interesting scenes with Paul Winfield as a corrupt record producer.

Watch this film. The story is film-noir, set in L.A. Debra Winger is excellent, as always. You will not be disappointed.

This movie is compelling because the character of Betty is so innocent about what is going on in this murky tennis coach. It makes it easy to see how a normal person could find themselves in way over their heads without knowing it. The kitchen scene with the pal of Mike's who manages to get away from the bad guys is gut wrenching. Debra Winger has never gotten the breaks that she richly is due. I feel that it is compelling that the late Bette Davis stated that of the new actresses that Ms Winger was the most like her and I don't think that she was merely referring to their bad press.

Last night, Debra Winger spoke about this film at UCLA. The campus theatre that shows films to the general public was renamed the James Bridges Theatre in honor of the writer and director of Mike's Murder. Debra said that Bridges was an actor's director. The scene in the film where Debra's character checks her phone messages and we hear a voice say it's mom-that was Debra's real life mother Ruth-Debra didn't know she would hear that voice until the moment the scene was shot!

That example really highlights the strength of the film, the acting. All of the performances are first-rate. I was touched by Debra's quiet strength in the face of some sad and even bizarre discoveries by her character about her dead lover. A very underrated film!