Repo Man
- 1984
- Tous publics
- 1h 32min
Un jeune punk recruté par une agence de recouvrement de véhicule se retrouve à la poursuite d'une Chevrolet Malibu recherchée contre une prime de 20 000 $ et qui cache dans son coffre quelqu... Tout lireUn jeune punk recruté par une agence de recouvrement de véhicule se retrouve à la poursuite d'une Chevrolet Malibu recherchée contre une prime de 20 000 $ et qui cache dans son coffre quelque chose d'un autre monde.Un jeune punk recruté par une agence de recouvrement de véhicule se retrouve à la poursuite d'une Chevrolet Malibu recherchée contre une prime de 20 000 $ et qui cache dans son coffre quelque chose d'un autre monde.
- Récompenses
- 2 victoires et 4 nominations au total
Miguel Sandoval
- Archie
- (as Michael Sandoval)
Avis à la une
One of the few cult classics I freely say I enjoyed, this film has a unique quality of being pretty good, yet deep down you know this is just trash. It's quite a quandary, considering this film is so close to my heart, yet so way off my critical radar. I guess it is good to have a film like this on your resume, one that is just silly, yet likable. Harry Dean Stanton was brilliant in his role, fully epitomizing the high stress life the repo man. Otto was also portrayed nicely by Emilio Estevez. Watch this film if you dare. You just might like it.
This was a surprise for me, I really didn't expect 'Repo Man' to hit such a chord with me, and alas it succeeded in making me a fan. I was admittedly a little put off by the film's supposed punk outset but was glad to find that it didn't take itself seriously and often had its tongue planted firmly in the cheek.
What Alex Cox delivers here is a timeless classic that has seemingly influenced a lot of my favourite films to date, and of course was influenced itself by other personal favourites. So not only was it natural for me to love 'Repo Man', but it won me over on its own rights with its wonderfully satirical tone and hilarious yet interesting dystopian science fiction themes.
Although incredibly annoying at first, the film's characters eventually won me over and by the end of the film I had learned to love every one of them. This was thanks to the effective and focused characterisation dealt with by Cox, allowing his characters to grow from being dislikable idiots to harmless jesters. Indeed if it wasn't for the characters, 'Repo Man' wouldn't be as funny as it is and it wouldn't even be as interesting. In key with the writing, the cast also do a great job with the handling of their characters, all turning in solid and memorable performances.
If there is one complaint I have it is that the pacing sometimes goes a little out of balance and leads to the story to getting caught up in trivial scenes that either should have been cut or been made more progressive to the plot. Nevertheless, I absolutely loved this film (especially that brilliant ending!) and recommend it to fans of science fiction comedy or satires. Granted not everyone will enjoy at as much as I did, but it certainly deserves a watch.
What Alex Cox delivers here is a timeless classic that has seemingly influenced a lot of my favourite films to date, and of course was influenced itself by other personal favourites. So not only was it natural for me to love 'Repo Man', but it won me over on its own rights with its wonderfully satirical tone and hilarious yet interesting dystopian science fiction themes.
Although incredibly annoying at first, the film's characters eventually won me over and by the end of the film I had learned to love every one of them. This was thanks to the effective and focused characterisation dealt with by Cox, allowing his characters to grow from being dislikable idiots to harmless jesters. Indeed if it wasn't for the characters, 'Repo Man' wouldn't be as funny as it is and it wouldn't even be as interesting. In key with the writing, the cast also do a great job with the handling of their characters, all turning in solid and memorable performances.
If there is one complaint I have it is that the pacing sometimes goes a little out of balance and leads to the story to getting caught up in trivial scenes that either should have been cut or been made more progressive to the plot. Nevertheless, I absolutely loved this film (especially that brilliant ending!) and recommend it to fans of science fiction comedy or satires. Granted not everyone will enjoy at as much as I did, but it certainly deserves a watch.
This is NOT a film that the average film viewer will love. Many will be alienated because of the film's strong language and rather amoral characters. Many will be alienated because the film is so strange and,....well, strange! But, if you have a high tolerance for these factors, then you'll no doubt have a great time watching this cult classic. Just be prepared--this is PROBABLY NOT a film for grandma and the kiddies! In addition to very harsh language, there is drug use, sex (though you don't see anything) and violence galore.
The film almost defies description, though I'll try. Emelio Estevez stars as a rather low-key guy who falls into the job of repossessing cars. And, once he takes the job, he finds that the subculture is bizarre. In fact, the people he works for are the most motley crew of freaks you could imagine. And, into the midst of this group of freaks comes a plot about stolen alien corpses and a car trunk that vaporizes anyone who opens it!! Heck, I won't even bother continuing...suffice to say it's just weird.
Overall, while the acting and script occasionally fall flat, the film is funny, twisted and never fails to surprise--particularly the hallucinogenic ending! In addition, the film has a great sound track--one of the best I've heard. It's full of punk music AND retro 50s rifts that I particularly loved. Who would have thought I would have liked music from the likes of Iggy Pop and The Plugz?! Plus, if you really like the tunes, you can buy the special edition which comes with the movie on DVD and a music CD as well.
By the way, as you are watching here are a couple interesting things to note. The food in the movie is all in generic-style containers and say 'food', 'beer' and the like. Also, note when the one punk is dying--listen to his death speech--it's a classic!
The film almost defies description, though I'll try. Emelio Estevez stars as a rather low-key guy who falls into the job of repossessing cars. And, once he takes the job, he finds that the subculture is bizarre. In fact, the people he works for are the most motley crew of freaks you could imagine. And, into the midst of this group of freaks comes a plot about stolen alien corpses and a car trunk that vaporizes anyone who opens it!! Heck, I won't even bother continuing...suffice to say it's just weird.
Overall, while the acting and script occasionally fall flat, the film is funny, twisted and never fails to surprise--particularly the hallucinogenic ending! In addition, the film has a great sound track--one of the best I've heard. It's full of punk music AND retro 50s rifts that I particularly loved. Who would have thought I would have liked music from the likes of Iggy Pop and The Plugz?! Plus, if you really like the tunes, you can buy the special edition which comes with the movie on DVD and a music CD as well.
By the way, as you are watching here are a couple interesting things to note. The food in the movie is all in generic-style containers and say 'food', 'beer' and the like. Also, note when the one punk is dying--listen to his death speech--it's a classic!
I first watched 'Repo Man' around 1985 or 1986 and it knocked me out. I've watched it many times since and it STILL knocks me out! Alex Cox has made quite a few strange movies since this, mostly excellent (check out 'Three Businessmen' sometime), a few not so good, but this is gonna be the movie he will always be remembered for. It's a black comedy, a science fiction movie, a buddy film, a punk rock movie, it's all kinda things. There has been nothing quite like it made before or since! Emilio Estevez has made some really bad movies in the 80s and 90s but he is excellent as disenfranchised surburban punk Otto, and the legendary Harry Dean Stanton ('Cool Hand Luke', 'The Rebel Rousers', 'Two-Lane Blacktop', 'Alien', 'Paris, Texas',etc.etc.) gives one of his most memorable performances as Bud, the repo man who tries to be his mentor. The supporting cast are all first rate, especially Tracey Walter (Miller) and Sy Richardson (Lite), two actors who never became household names but who still generate knowing smiles and nods from cult movie fans everywhere at the mere mention of their names. Also keep an eye out for an almost unrecognizable Miguel Sandoval ('Get Shorty', 'Blow'). Cox would use him in most of his subsequent movies, most notably his absurdist classic 'Three Businessmen'. 'Repo Man' also has a celebrated soundtrack by Iggy Pop, Black Flag, Suicidal Tendencies and others. The Circle Jerks also perform in a memorable sequence. This movie is a cult classic which looks as good now as it did back in the 1980s. I love it. Highly recommended!
It's hard to critique a movie that doesn't take itself very seriously. On one hand, it's absurd and squanders an attempt at suspense with its silliness, but on the other hand it's got a fantastic screenplay with some unforgettable one-liners.
A cult classic with plenty of dark humor that couldn't help but remind me of Heathers, and some cheesiness that reminds you it's from the '80s. Clichés are intentional and part of the fun, and the soundtrack fits right at home. It begs to laugh with you and will get your attention like a class clown.
A great party movie, it's fun with lots of creativity and a hint of intelligence.
A cult classic with plenty of dark humor that couldn't help but remind me of Heathers, and some cheesiness that reminds you it's from the '80s. Clichés are intentional and part of the fun, and the soundtrack fits right at home. It begs to laugh with you and will get your attention like a class clown.
A great party movie, it's fun with lots of creativity and a hint of intelligence.
Le saviez-vous
- AnecdotesWhen filming began, they only had one 1964 Chevy Malibu. It was stolen a couple of days into filming, forcing the film crew to scramble to find a replacement. Shortly after finding a replacement, the original was recovered by the police undamaged. This was fortunate timing because about a day later Fox Harris severely damaged one of the Malibus by accidentally ploughing it into a gasoline pump. In the carwash scene, one of the gas pumps is clearly severely dented up and damaged. This is the pump Fox plowed into in a previous take.
- GaffesWhen the motor-cycle cop walks to the back of the Chevy Malibu to look in the trunk, the number plate is "K8B 283". As the Malibu drives off, leaving the cop's smoking boots, its number plate is "127 GBH". According to the director's voice-over, these takes were months apart because the original Malibu was stolen from the set.
- Crédits fousCredits scroll down instead of up
- Versions alternativesTelevision version, supervised by director Alex Cox, features alternate footage to the theatrical release.
- ConnexionsEdited into Cent une tueries de zombies (2012)
- Bandes originalesRepo Man Theme Song
Written and Performed by Iggy Pop
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- How long is Repo Man?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- La mort en prime
- Lieux de tournage
- Orpheum Theater - 842 South Broadway, Downtown, Los Angeles, Californie, États-Unis(Bud and Otto drive by the theater early in the film)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 129 000 $US
- Week-end de sortie aux États-Unis et au Canada
- 95 300 $US
- 4 mars 1984
- Montant brut mondial
- 130 715 $US
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