La rivière

Lotta screenplay issues here. For working so hard on their farm, why do they look so young and fresh and alive - farming must not be that tough. They had a horrible flood at the beginning of the film and another at the end. Why didn't they plan and shore up the levee? Sissy was caught on a tractor for most of the day, arm crunched by a drive train; lost a lot of blood, but a cast for a while and she pops back to tendin the farm. Mel doesn't ask about that. Just a lot of unanswered questions in a shoddy script. Good points: the cinematography is excellent as is the musical score. Oh, and to get money Tom takes a job as a scab in a union steelworkers mill and doesn't realize it?????? It's not a bad movie ~ it's not a good movie ~ it's a depressing movie because you think after all is said and done, they are set up for failure during the next crop season.

By 1984, Hollywood must have decided we had been in outer space too long with the Star Wars Trilogy. They decided to bring us not only back down to earth, but to take us down on the farm with The Green Acres trilogy. In the space of a year they gave us Places In The Heart, with Sally Field, Country with Jessica Lange, and this movie The River with Sissy Spacek and Mel Gibson.

Of the three this is the only one I saw in a theater, and if you're going to view this film, it is best viewed in a theater or on a big screen TV with the DVD. That's not to say you can't otherwise enjoy The River, but what you miss is some beautiful photography by Vilmos Zsigmond, that draws you in from the opening frame and will keep you enthralled throughout. From the opening shots of the grey clouding skies and the first drops of rain dropping gently off the leaves, to the mighty force of the torrential thunderstorm and the raging waters of the river, you are treated to a Cinematographer's delight. Not once, during the first fifteen twenty minutes of The River do you even consider the notion that there are guys out there with hoses spraying the set down, and if they were I sure don't want to know about it. Even after the opening storm has subsided, the film becomes almost like an oil painting of rural America.

Not only is the photography in The River impeccable, it has sound editing that matches it on every level. This sounds like a storm in every aspect, from the rain hitting the tin barn roof, the sound of the river water overflowing it's banks, to the sound Tom Garvey's (Mel Gibson) boots sloshing through the mud. Even the sound of Tom's tractor, as he is anxiously trying to keep the river from overflowing it's banks is meticulously detailed. This film was deservedly nominated for an Oscar for both cinematography and sound editing, and in my opinion, should have won both, having lost out to The Killing Fields and Amadeus, respectively. (It did win a special achievement award for sound effects so go figure!)

Then there's the musical score. One critic complained that John Williams academy award nominated score was a bit overdone, but I think what that particular critic didn't understand is that the musical score perfectly complimented the cinematography. It's beautifully done, and it's a shame that it is never mentioned in the huge lists of John William's film scores.

Okay, so what about the rest of the film? Tom Garvey, his wife Mae (Sissy Spacek in an academy award nominated performance, but lost to Sally Fields for the previously mentioned Places In The Heart) along with their two children Lewis and Beth (well played by Shane Bailey and Becky Jo Lynch), are trying desperately to hold on to their farm through tough times. It doesn't help matters that Tom's crop is washed out at the beginning of the film by a massive flood. Throw into this mix, Joe Wade (Scott Glenn), who wants to see the Garveys fail so that his own Leutz Corporation can buy the farm out so that a dam can be built, a dam that would flood the valley, taking Tom and Mae's farm with it. This is not only a film about a man trying to hold on, but it is also an essay on character, Tom's, Mae's, and Joe Wade's.

Just by listening, we find out that at one time, before Mae and Tom were married, there was something going on between her and Joe Wade, and that Joe ended up with someone else. We are never told much of the details, but we know that anything that Joe Wade does irritates Tom tremendously. There is a scene between Mae and Tom, after Joe has made Tom what seems to be a more than reasonable offer on the farm, he refuses to even discuss it. "Because it's from him?" Mae asks. It is Tom's hesitation before giving her a stock answer that gives him away. He says it is not, but Mae and the audience know otherwise. As you watch this film, it is the subtlety in the performances, that says more here than any of the dialogue which drops only subtle hints about what happened in the past. Joe is on Tom and Mae's minds, even when he's not around.

Though she never says anything to make us think so, we can tell that there are times when being a farmer's wife is beginning to wear on Mae. At one scene taking place at a farm auction, another woman tells her "I hate being a farmer's wife". From the look on Mae's face, at this particular moment in time, she is in agreement. When she is trying to figure out where the money is going to come from to pay Sears, when she can't call a vet when their cow is dying, you can tell Mae is being worn down. As Mae looks around her, when they are at the auction, and sees what is happening to not only herself, but to all the other farmers around her we know what she is thinking, though she hardly speaks.

Some have complained about Mel Gibson's Tom Garvey being too stubborn and unsympathetic. There is another scene at the auction when someone offers to help Tom unload his truck and Tom refuses the offer. Mae grabs the man by the arm and tells this guy that he knows how Tom is not to take it personally. "Yes, just like, his father" he answers. Towards the end of the film, when the River is about to flood once again, we see Tom treating his children more like work hands than anything else, and we can imagine that Tom was raised in much the same way, so though we may not like his stubbornness, we now at least understand why he's that way. If Gibson's performance weren't consistent throughout, then the whole characterization wouldn't have worked.

There are some minor flaws in the film. Most of the things that happen when Tom takes a job as a scab at an iron works plant, are too loaded with heavy-handed symbolism, and unnecessarily so. The end of this film is also a bit of a disappointment. We may not like Joe Wade much, but we never feel any great animosity toward him at any time. The actions he takes in the waning moments, are way over the top in order to bring things to some type of dramatic close. It is not true to what the character had been up to that point, and it unnecessarily makes too much of a villain out of him. Besides, someone who runs a big corporation wouldn't take such actions, as it easily would open them up to a gigantic law suit.

Of the three farm movies that opened in a years time, I think this one is the most underrated and forgotten of the three. I've seen all of them, and though Sally Field's performance in Places in the Heart was good, I think Sissy Spacek's role here was much more difficult, as it required her to do so much in a very subtle way. Then again, I've never thought of the Academy Awards as being much of a judge of anything, let alone who was the best farmer!

Till Next Time, Next Class Please

Mel Gibson and Sissy Spacek, are a young Farming family who battles not just the river of the title but also other matters such as the bank threatening to repossess their farm, and Scott Glenn plays a scrupulous land developer who plans to buy the farm to make way for a dam. together the family battles through the hard times in a desperate battle to hold on to their farm. Directed by Mark Rydell who directed such other fine American films 'The Reivers' 'The Rose' 'Harry & Walter go to New York' 'On Golden Pond' 'The River' is still a relevant if not hard to watch film in these downtrodden times. It also represents Mel Gibson at a time he was making quality fare. As usual Vilmos Zsigmond contributes terrific photography.

The River features a decent portrayal of the harsh life of American farmers and delivers a fine message that stands as the epitome of genuine American virtues. It is the story of Tom Garvey (Mel Gibson) and his family. They cultivate land close to the banks of the Tennessee River and have to fight floods and financial crises while one of the local capitalists plans to build a reservoir and wants them to abandon their land. Tom and his wife Mae (Sissy Spacek) are unwilling to yield. They rather chose to continue their inhuman struggles and stick to the grounds of their ancestors. What follows is a desperate and almost destructive fight to survive against adversities that seem invincible.

Mel Gibson and Sissy Spacek are portrayed as a loving couple that would never back down. Despite mounting pressure and considerable setbacks it is a question of honor and integrity for them to hold on. Due to financial reasons, Tom takes a job as a factory worker and has to leave Mae with the work at home. Mae is a rugged but also very sensitive and determined woman. She is not as stubborn as her husband and does indeed show signs of wavering and despair. Yet she is as dogged as he is when it comes to defend their land and their family. This is where both get their strength from. Land and family. The most important values for Americans. As long as there is land, and as long as the family is intact, there is always hope. Whatever adversity is thrown upon you – natural or man-made – backing down is no option. The movie lives from this emotional and psychologically compelling commitment and brings these genuine American virtues to the fore with sincere authenticity and without glossing over the facts. The life of the family is portrayed in all its depressing hardships and stands as a symbol for the bold ambitions and the perseverance of the pioneers of the historical frontier. At the same time Tom and Mae embody natural virtues of not just Americans but all humans.

Apart from the very obvious emphasis on courage and steadfastness, the movie provides visually intriguing sequences. The camera work is sublime and manages to capture at least some of the most picturesque images of the Tennessee River. The entire movie is shot on location in the Volunteer State along the banks of the great river. The scenes shot at night and during heavy rain are stunning and require substantial experience.

The River is indeed more than an average movie. Its story is simple but compelling. The characters are decently portrayed and the message is both appealing and inspirational. Storyline developments are sometimes still too slow and some scenes are occasionally long-winded. It is a typical American movie, thus elaborating strongly on American issues and American virtues.

Tom and Mae Garvey (Mel Gibson, Sissy Spacek) are the owners of a small eastern Tennessee farm that has been in the Garvey family for generations. It is the early 1980s, when the staggering U.S. economy threatens the welfare of the American family farm. The Garveys' struggles are compounded by the fact that their property is in a flood plain, and by the enmity of Tom's rival Joe Wade (Scott Glenn), who is a wealthy and powerful foe. This is not lighthearted entertainment.

For me, the film's most powerful moments come when cash-strapped Tom has to leave the farm to find work elsewhere. He unknowingly becomes a scab in a factory where the regular labor force is on strike. At least there is a regular paycheck, but the contrast between the man-made hell of a iron foundry/steel mill and the natural beauty of the family farm is compelling, and you can see why the Garveys struggle to hold on to their agricultural way of life, however hard it is. The cinematography for this movie is way above average, a celebration of rural America.

Sissy Spacek delivers her usual fine performance. Mel Gibson is very good-- his Tennessee accent quite convincing. The two youngsters who play their children deserve special praise for their natural performances. This is a good, thoughtful movie-- not romantic, thrilling or exciting-- but one the family can watch together and think what sacrifices they would make to keep a heritage and a way of life preserved.