Un mercenaire est embauché pour sauver son ex-petite amie, une chanteuse qui a été enlevée par un gang de motards.Un mercenaire est embauché pour sauver son ex-petite amie, une chanteuse qui a été enlevée par un gang de motards.Un mercenaire est embauché pour sauver son ex-petite amie, une chanteuse qui a été enlevée par un gang de motards.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Grand L. Bush
- The Sorels - Reggie
- (as Grand Bush)
Mykelti Williamson
- The Sorels - B.J.
- (as Mykel T. Williamson)
Avis à la une
10lrw0250
Although I was only one when this film was released in 1984, my dad was a big Walter Hill fan and bought the film on video when it came out. My sister and I LOVED this film as kids. Honestly, I think we wore out about three copies on video by watching it over and over. I think it was the music (obviously), the bright lights and the fact that to an eight year old girl Ellen Aim is the coolest person ever!! The final stage scene at the end was up there with the last dance in Dirty Dancing as our favourite film moments. Since watching it all those years ago I have remained a fan ( I have Nowhere Fast and Tonight is What it means to be Young on CD in my car- excellent driving music!).However I am now also able to appreciate the amazing work of Walter Hill in this film. The sets, the underscoring, the lighting, the whole atmosphere of the movie is in a league of its own. It is so unlike anything else I've ever seen and was obviously way ahead of its time, which is perhaps the reason for its failure to do well when it was released. There are so few people I know that have actually seen this film which is a real shame because it really deserves to be appreciated for the absolute fantasy that it is. Long live rock and roll!
"I'm not an angel but at least I'm a girl"-
"I'm not an angel but at least I'm a girl"-
This is a brilliant film that is much more than it should be because of one genius director - Walter Hill.
He understands and sets the tone and world of this pic perfectly - it has straight-forward, old-western style dialouge, clear good and bad characters and rip-roaring action that reminds you of the old classic westerns that Walter Hill admittedly loves, in particular the Searcher's.
I won't say much about the plot expect for a badboy returns home rescue the girl he once loved after she is kidnapped by a leather-clad motorcycle gang. It's pretty simple but what you have to watch out for here is Walter Hill's visual and editorial style which was probably the best around in the eighties.
There isn't any Oscar-worthy performances here but there was never meant to be none - Michael Pare does well with his limited John Wayne modelled role, Rick Moranis shows that he can play much more than the "nerdy-neurotic" character that made him world famous in the early nineties, William Defoe plays a better villain in this than he did in Spiderman and Diane Lane shows that she was once, the hottest woman in Hollywood (she still ain't too bad today!).
This film deserves more credit, votes, attention and DVD extra's than it presently has - definitely one of the best film's of the eighties.
He understands and sets the tone and world of this pic perfectly - it has straight-forward, old-western style dialouge, clear good and bad characters and rip-roaring action that reminds you of the old classic westerns that Walter Hill admittedly loves, in particular the Searcher's.
I won't say much about the plot expect for a badboy returns home rescue the girl he once loved after she is kidnapped by a leather-clad motorcycle gang. It's pretty simple but what you have to watch out for here is Walter Hill's visual and editorial style which was probably the best around in the eighties.
There isn't any Oscar-worthy performances here but there was never meant to be none - Michael Pare does well with his limited John Wayne modelled role, Rick Moranis shows that he can play much more than the "nerdy-neurotic" character that made him world famous in the early nineties, William Defoe plays a better villain in this than he did in Spiderman and Diane Lane shows that she was once, the hottest woman in Hollywood (she still ain't too bad today!).
This film deserves more credit, votes, attention and DVD extra's than it presently has - definitely one of the best film's of the eighties.
This movie is yet another example of how really poor marketing can doom a movie. Walter Hill's self-proclaimed "Rock and Roll Fable" has everything that makes a movie worth watching. Interesting characters, great sets and lots of action make this movie well worth the time.
Technically, the film is brilliantly edited. It sets a pace and sticks with it, making maximum use of the action without having that choppy MTV feel that most editors have caved in to. Jim Steinman's soundtrack is one of the best I have ever heard.
Walter Hill gets solid performances from his cast although I have always wondered about Deborah Van Valenburgh's role. I get the impression after watching the movie a few times that a lot of her work ended up on the cutting room floor. I once heard a critic, either Siskel or Ebert perhaps, say that Amy Madigan should have gotten a Best Supporting Actress nod for her performance in this movie. I agree. This is some of her best work ever.
Diane Lane is gorgeous as always but doesn't really have enough to do. Her musical numbers are staged well and she does a good job with them. Michael Pare' plays yet another tough guy. One real treat is an early perfomance by Willem DaFoe as the villian Raven. You can see that he had a good career ahead of him back then. You can also catch Bill Paxton in a bit part as a bartender.
All in all, this is an excellent little movie that should be remembered much more than it is. Check it out sometime.
Technically, the film is brilliantly edited. It sets a pace and sticks with it, making maximum use of the action without having that choppy MTV feel that most editors have caved in to. Jim Steinman's soundtrack is one of the best I have ever heard.
Walter Hill gets solid performances from his cast although I have always wondered about Deborah Van Valenburgh's role. I get the impression after watching the movie a few times that a lot of her work ended up on the cutting room floor. I once heard a critic, either Siskel or Ebert perhaps, say that Amy Madigan should have gotten a Best Supporting Actress nod for her performance in this movie. I agree. This is some of her best work ever.
Diane Lane is gorgeous as always but doesn't really have enough to do. Her musical numbers are staged well and she does a good job with them. Michael Pare' plays yet another tough guy. One real treat is an early perfomance by Willem DaFoe as the villian Raven. You can see that he had a good career ahead of him back then. You can also catch Bill Paxton in a bit part as a bartender.
All in all, this is an excellent little movie that should be remembered much more than it is. Check it out sometime.
I seems that not everyone understands the greatness with this movie? -The actors do a really good work-Moranis is one, and Pare is good, but he has much less to play with as a carachter. -style is everything here: the lines are like they where stolen from old westerns or movies from the 50s. To really enjoy this movie: do not expect the ordinary action...see it as a "musical" set in a theatre and admire the artificial "artsiness" of this studio-style film! ...the bad guys are really bad...but funny, -and the good guy is really brave... -This is not suppose to be your ordinary action movie! -This is art...and poetry!
Best Regards
/MadvikinS
Best Regards
/MadvikinS
In this dark musical drama a soldier of fortune must rescue his former girlfriend after she is kidnapped by a motorcycle gang. This is a very dark and energetic film with an excellent soundtrack and a story that keeps you involved..it has a great cast with Amy Madigan, Rick Moranis, Diane Lane, and others ..very underrated and ahead of its time on a scale of one to ten...7
Le saviez-vous
- AnecdotesWhen Amy Madigan read for the film, she read for the part of the lead character's sister. Madigan told Walter Hill that the best part in the script was the lead character's sidekick. That part called for a man and the character's name was Mendez. The part was rewritten for Madigan and was renamed McCoy.
- GaffesWhen the Sorels' bus is stopped by the cop roadblock, as McCoy is pulling the bus to a stop, there's a shot of her in the driver's seat. Seated directly behind Amy Madigan is a middle aged woman who looks like a crew member, present throughout the entire shot. She disappears immediately after the cut and is never seen again, nor was she a passenger on the bus prior to this scene.
- Versions alternativesAn 'R' rated version of the film was shown to theater exhibitors before being cut to a 'PG' for theatrical release.
- ConnexionsEdited into Code Quantum: Miss Deep South - June 7, 1958 (1990)
- Bandes originalesNowhere Fast
Performed by Fire Inc.
Vocals: Holly Sherwood, Rory Dodd, Eric Troyer
Written and Produced by Jim Steinman
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- How long is Streets of Fire?Alimenté par Alexa
- The ending seems a little off. Was there supposed to be a sequel?
- Is McCoy a lesbian?
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Calles de fuego
- Lieux de tournage
- Wilmington, Los Angeles, Californie, États-Unis(Factory rooftop scenes; Torchie's industrial area club scenes.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 8 089 290 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 426 500 $US
- 3 juin 1984
- Montant brut mondial
- 8 090 536 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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