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À l'oeil nu

Titre original : Through Naked Eyes
  • Téléfilm
  • 1983
  • Not Rated
  • 1h 35min
NOTE IMDb
5,7/10
265
MA NOTE
À l'oeil nu (1983)
Thriller

Ajouter une intrigue dans votre langueA musician living in an apartment building likes to check out the residents of the building opposite him--until he finds out one day that an attractive woman in that building is checking him... Tout lireA musician living in an apartment building likes to check out the residents of the building opposite him--until he finds out one day that an attractive woman in that building is checking him out. He strikes up a relationship with her. Soon afterwards a string of serial killings o... Tout lireA musician living in an apartment building likes to check out the residents of the building opposite him--until he finds out one day that an attractive woman in that building is checking him out. He strikes up a relationship with her. Soon afterwards a string of serial killings occurs in the neighborhood, and suspicion begins to fall on the musician.

  • Réalisation
    • John Llewellyn Moxey
  • Scénario
    • Jeffrey Bloom
  • Casting principal
    • David Soul
    • Pam Dawber
    • Fionnula Flanagan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    265
    MA NOTE
    • Réalisation
      • John Llewellyn Moxey
    • Scénario
      • Jeffrey Bloom
    • Casting principal
      • David Soul
      • Pam Dawber
      • Fionnula Flanagan
    • 7avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux29

    Modifier
    David Soul
    David Soul
    • William Parrish
    Pam Dawber
    Pam Dawber
    • Anne Walsh
    Fionnula Flanagan
    Fionnula Flanagan
    • Dr. Frances Muller
    William Schallert
    William Schallert
    • Terry Parrish
    Dick Anthony Williams
    Dick Anthony Williams
    • Det. Wylie
    Gerald Castillo
    • Sgt. Scopetta
    Rod McCary
    Rod McCary
    • Terry Sheppard
    Amy Morton
    Amy Morton
    • Karen
    Ward Ohrman
    • Chairman
    Michael Miller
    • Waiter
    Rick Cluchey
    • Detective
    Roberta Baskin
    • Newswoman
    Rolf Boettger
    • Maitre d'
    Annabel Armour
    • Spinster #1
    Joan Lazzerini
    • Spinster #2
    Stacey Gustaferro
    • Woman #1
    • (as Stacey Guastaferro)
    Pamela Baker
    • Woman #2
    Will Cleary
    • Elderly Man
    • Réalisation
      • John Llewellyn Moxey
    • Scénario
      • Jeffrey Bloom
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs7

    5,7265
    1
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    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    8nick121235

    I was surprised

    This is gorgeously shot and in pristine quality on prime. gorgeous cinematography of the city and fun 80s outfits and make up to look at as always. Keeps wavering from quality to camp, with a strange atmosphere. It was actually really enjoyable. Maybe a guilty pleasure? Maybe justified. I love the soundtrack as well. This is a great movie to get someone into the style of 80s films
    6sol-

    My brief review of the film

    A surprisingly well, even if not brilliantly, filmed voyeurism tale, it is cleverly shot, quite reasonably acted, and almost rather intriguing, with a number of allusions to 'Rear Window'. There are some interesting ideas raised, but in general the screenplay has nothing new to offer. The film is made from is an original screenplay by Jeffrey Bloom, who would later go on to write and direct a poor adaptation of 'Flowers in the Attic', so perhaps this should be taken into account? Other than its storyline, this is quite a well made film considering that it was produced for television. If it is showing one night, it is certainly worth checking out, even if it is not a great film in itself.
    5moonspinner55

    A precursor to "Sliver": people-peeping in Chicago

    Attractive TV performers David Soul and Pam Dawber do decent work in formulaic TV-made thriller about residents of a Chicago high-rise apartment complex, a professional flautist and a tour guide at the Planetarium, spying on each other from their facing windows and later dating; there's also a maniac on the premises running around with a knife, and the musician is high on the list of suspects. Jeffrey Bloom's teleplay is surprisingly rich with detail (and may have inspired author Ira Levin with his future novel "Sliver"), but the plot is ultimately served up in a by-the-numbers fashion. The list of police advisors in the end-credits looks impressive, however the finished results make the Chicago police force look like bungling idiots. Had Bloom concentrated more on the relationship between Soul and Dawber--who have an interesting chemistry--and less time on the crime investigation, this might have been something special.
    5adriangr

    Fun but not a lot happening

    This dippy mystery stars David Soul and Pam Dawber (Mindy!) as Anne and William, two people caught up in a tale of murderous goings on in a high rise apartment block. This is a fairly standard made-for-TV thriller, which attempts to generate thrills with it's central theme of snooping through binoculars at people in distant windows, which is what the two leads do to each other, and what the murderer seems to do to his victims, in fact so do the police while on surveillance! Sadly the idea of mixing murder with long distance surveillance has been done enough times already in the movies, and this one doesn't have anything new to offer. If anything, the actual snooping has very little to do with the plot or the uncovering of anything of much that may have provided extra excitement. What is VERY odd is that Anne and William actually start a romance together after spotting each other from distant windows which is not very wholesome when you think about it, especially as Anne actually uses a telescope rather than binoculars to peer at William, and does so in quite a predatory fashion! But all this is laughed off once they meet, confess their snooperish leanings and start to fall in love with each other...hmm, not sure about that myself! All the while, a murderer in the apartment complex is knifing random people to death and who knows who will be his next victim. The story does flow along quite well, with William being set up as the main suspect for most of the time, and there's some nice acting from all concerned. My only concern is that all the telescope-related action falls into nothing but window dressing as none of the peeping apparatus is ever used to pursue any interesting plot twists - except for the VERY obvious climax in which someone VERY obviously spots the murderer through binoculars and screams "Oh my god - He's in the apartment!!", which was the one thing I would have expected the film to try and do a new take on, but no luck I'm afraid.

    There is some suspense, and the subplots about both main characters having other sides to them such as Anne's lecherous agent and William's father and current on-off girlfriend are kind of interesting. But I take this film to task because not a single loose end is tied up with regard to explaining the motivation behind the murders. Big disappointment there, and extremely lazy to roll the credits as soon as the script has the guilty party dealt with. A case of "job done, let's go home". Thanks a lot guys! So, fun and diverting, but a bit unsatisfying and with very little emphasis on binocular snooping except to show us that it's generally harmless but our romantic leads (particularly Anne) are a bit perverted.
    1Tera-Jones

    Watch for David Soul Only

    David Soul is the only good thing about this film - seriously. I enjoy TV films of the 70s and 80s but this one was not my cup of tea. It took way to long to get to the murderer - the reason we are watching the film.

    1/10

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    • Anecdotes
      Amy Morton's debut.

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    Détails

    Modifier
    • Date de sortie
      • 11 décembre 1983 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Tension Mortelle
    • Lieux de tournage
      • Chicago, Illinois, États-Unis
    • Société de production
      • Charles Fries Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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