Sale temps pour un flic

*****SOME SPOILERS***** Eddie Cusack, Chuck Norris,is both though and honest. During an impending drug raid on the Comacho mob by Cusack's undercover crew their interrupted by the Luna mob who kill eight Comacho gang members.

Luis Camacho, Henry Silva, the head of the Comacho mob vowed revenge and a full scale gang war erupts in Chicago. During the police raid officer Cragie, Ralph Foody, shoots an innocent boy down in cold blood and then plants a gun on him to cover it up. In full sight of his startled partner officer Kopalas, Joe Guzaldo.

With most of her family murdered by the Comacho mob, Cusack rescues Diana Luna, Molly Hagan, and hides her with a friend of his Ed Pirelli, Allen Hamilton, until he can get her to the safety of the police. Meanwhile at the police hearing of the shooting of the boy by Cragie, Cusack testifies that he wrote a memo some time ago that Cragie should be taken off the streets. Cusack says "30 years on the streets is too much for anyone" plus he saw that Cragie was not only a threat to those that he dealt with but also to his fellow police officers.

The Comacho mob finds where Cusack hid Diana and after murdering Pirelli who was hiding her takes her hostage. Cusack going to the Comacho mob headquarters calls for backup but his fellow policemen let him go at it alone and don't come to his aid since he broke the "Code of Silence" in regards to taking against a fellow police officer. Cusack gets brutally beaten by the Comacho mob and is told that if he doesn't bring them Diana' father Tony Luna, Mike Genovese, she'll be dead by morning.

Cusack finding out that Tony Luna is arriving at the Chicago train station from Wisconsin where he was in hiding tries to arrest him. In a wild shootout and car chase Luna is killed in a car smash up as Cusack was chasing him through the city streets. With nothing left for him to negotiate for Diana's life and with his fellow policemen treating him as a leper an not coming to his aid Eddie Cusack is now left to take on the entire Comacho mob by himself. In a last and desperate attempt to save Diana's life.

Chuck Norris's best movie by far with more story and less action then Norris movies usually have. Few as they are the action scenes are far more effective and exciting when they come on the screen. Because of the much more superior writing they don't come off cheap and monotonous like they usually would in a Chuck Norris action movie.

With great heart stooping shoot-outs in the beginning and end of the movie and an exciting and terrifying chase on top of the Chicago El Train in the middle of the film makes "Code of Silence" with out a doubt Norris's best movie ever. Norris's acting has also improved when he's directed to talk more and fight less which director Andrew Davis allowed him to do.

An undistinguished action vehicle for Chuck Norris, this time playing a maverick cop (a real stretch for him) who has to battle a street war between rival drug dealers. What his movie lacks in an original plot it makes up for with an intelligent script which somewhat surprisingly focuses on characterisation instead of macho one-liners, and good pacing and direction from Andrew Davis, here cutting his teeth on the genre which would later serve him well in the likes of UNDER SIEGE.

Norris plays the typical tough-yet-likable hardman character he always seems to play, except that he's less reliant on the martial arts here. The physical fights that do ensue are generally unexciting and limp, the shoot-outs and gun battles more convincingly portrayed. Henry Silva (NICO: ABOVE THE LAW) is the chief villain, and is very good as per usual; there aren't many actors who manage to look as genuinely evil as Silva - except Christopher Walken perhaps. Dennis Farina appears in a minor role as a buddy of Norris, and the supporting cast are rounded out by passable actors and actresses who put in solid, if unmemorable, performances.

The movie draws in drug dealing and battles between rival gangs with a subplot involving police corruption, specifically an officer who accidentally shoots an innocent bystander. The various plot strands are woven together well, and there are a couple of set-pieces (like Norris taking on an entire bar) which certainly don't disappoint. The violent ending is predictable and pretty clichéd, but executed with a certain style. This is routine but solid stuff from Norris.

During the 1980's, Chuck Norris was a big star who starred in many sub par action flicks. Code of Silence(1985) is one of the raw exceptions where the action and story blends together. Code of Silence's story seems to take its roots from the Italian police thrillers of the 1970's. The locales of Chicago are beautifully shown.

Code of Silence(1985) along with Aliens(1986) contained some of the most slam bang action sequences during that period. There are two remarkable scenes that define the movie. First, the fight on top of the elavated subway. Second, the climax where Chuck takes on an entire group of villains on his own.

The sub plot involving a corrupt cop who covers up an accidential shooting adds some realism to the film. The title refers to the code that policemen uphold among themselves. Code of Silence(1985) deals with police corruption in a frank and honest many that many action specialist in the 1990's would be afraid to tackle. This is the only Police thriller I've seen where no one helps the main hero.

The director, Andrew Davis has created characters who always fight against corruption...E.G., Above the Law(Nico), The Package(Agent), Under Siege(Casey), and The Fugitive(Richard). Henry Silva is fantastic as the cool and cold blooded Luis Comacho. Dennis Farina is his usual sarcastic self in the role of a policeman named Dorato. The funniest scene is when two people attempt to rob a bar that's full of Police officers.

This came out after he had made some increasingly better films, which also made more $$ than earlier foot-in-face efforts...His stuff like 'Lone Wolf McQuade' and 'Missing in Action I and II' were hits, weren't terrible and showed him on the rise. Then came this in the spring of '85, it made a lotta $$$ and was actually seen as starting a new phase to his career. It got good reviews too.

It was seen as being like a good Bronson or Eastwood flick.

Then he fell off the wagon with two more hits-Invasion USA and Delta Force, before tanking with the Firewalker and Missing III. Never recovered save for the '93- TV series. That at least is okay. Its too bad things went that way, for as Code shows, it didn't have to happen.

This is a good flick, I liked the action, Henry Silva is an effective baddie, the El-train stunts are fun, the foot in face stuff not too insulting to yer intelligence, Norris seems to show some real concern for the young gal he is protecting, etc. You have to also like the corrupt cop angle here. They didn't blow that either.

This one is good and is better remembered than you would think.

*** outta ****

Henry

Well, I certainly wasn't expecting this; Chuck Norris in a genuinely good film.This is one of the better ones though. There isn't much in the way of martial arts, but there's a great one man army style finale.

It's more of a cop thriller, which has a genuinely good story and a damn good cast to boot. You've got the legendary Denis Farina and Henry Silva, who can never, ever play a good guy; he just looks evil all the time.

I love stories about corrupt cops; there's something that really grabs you emotionally because you get so angry that even "heroes" can be corrupted. Not our Chuck though, who ends up alienating himself from the force because he wants to bring down one of his own.

Code of Silence is a gritty, old-school cop thriller kinda like Dirty Harry and it's one of Chuck's more serious roles and he is actually pretty damn good in it too. Its a little slow in the first half and isn't constant action, but it is really tense in places and doesn't skimp on the violence either.

I would have given it a higher score if there was more martial arts in the film. But overall, if you're a Chuck Norris fan then give Code of Silence a watch. It's definitely one of his better films. 8 out of 10