Galactica 1980

Galactica 1980 may not have had what the original series had, but it DID bring closure to the series by bringing them to their final destination. The scenes on Earth weren't that great, but the segment on whatever happened to Starbuck was great.

I have great childhood memories of this series. SciFi channel just started running it again and I'm watching it more for nostalgia than as any kind of groundbreaking series. And for that, I guess I'll always love it.

"Galactica 1980" was someone's bad idea to rejuvenate the "Battlestar Galactica" series that had been cancelled the previous year but still had strong viewer demand.

It would have made sense to simply take up where the old series left off, but no, they went for a loop. All the old cast is gone except for Lorne Greene, and the Galactica has found Earth. However, she only hangs around in orbit, not revealing herself to the primitive earthlings.

The first question that comes to mind is how long could this last? The answer was not very. There's only so many soap opera turns you can make with a scenario like this. Thankfully the series was short lived. The only episode worth watching was the final one, which explains what happened to Starbuck. (And no, he didn't open a chain of coffee houses.)

The worst series in the world....ever!

After the events of the REAL Battlestar Galactica and series, this troll of a series came along. Gone are Starbuck and Apollo and replacing them are Troy and Dillon. Wannabee heroes who can't act. They might as well have cast Troi (StarTrek TNG) and Dillan (Magic Roundabout) for all the effectiveness they have.

Lorne Greene must have had a mortgage to pay off or something, because I can't see any other reason he'd want to be on board this turkey.

There's a new character, in the form of the obnoxious Dr Zee. A child genius who basically tells Adama what to do. I couldn't help thinking that maybe Adama had gone senile and Zee was his nurse - he always dressed in white, anyhow. It certainly seemed like Adama was senile, he didn't seem to be able to make a decision without consulting the boy-wonder. A far cry from the confident, decisive war veteran of the original Galactica series.

Anyway Troy and Dillon get to inact it up a little and go to Earth on repetitive boring missions. There's none of the interesting space-going malarkey from the original series (even though a lot of it was stock footage) and I don't think I ever saw a starfighter. No budget for anything remotely interesting.

The only gadgets on display were the flying motorcycles (I kid you not) that the heroes use now and again. The special effects of them flying through the air are particularly guffawful, reminding me of those old rear-window shots of roads in black and white films, where the road movements in the background bore no correlation to what the driver did with the wheel.

A truly awful series and not at all like the original. Only one episode is remotely worth watching. Entitled "The Return of Starbuck" it focuses on what happened to Starbuck and has a kind of "Enemy Mine" plot involving a Cylon. Mercifully, it features only very few scenes of Dr Zee and Adama talking and none at all of Troy and Dufus. Nearly all Starbuck.

But, apart from this one episode, the rest of the series is just awful.

Galactica 1980 is the very, very different series to Battlestar Galactica. So, the Galactica reaches Earth where Troy and Dillon (replacing Apollo and Starbuck) get into various scrapes on the planet. Hence, rather than battles with Cylons (although they do show up now and then), we get time travelling antics in which our heroes battle with Nazis, helped out by the intrepid journalist, Jamie, in addition to scout troop action, a lot of educational speeches about Earth history and technology, and even a top hat and tails dance routine featuring Dillon and Troy. However, the highlight is when our heroes take flight on their futuristic motorbikes, which involves some of the most hilariously bad back projection seen on terrestrial screens! So, it lacks the scope, drama, quality and budget of Battlestar Galactica, but it has an undeniable charm (usually derived from the unintentional comedy that pervades many episodes, but the onscreen chemistry between Kent McCord and Barry Van Dyke is very engaging) and Richard Lynch is good, as always. However, while Lorne Greene tries to maintain his air of gravitas as Adama, he mainly just looks bemused as he constantly is forced to consult the all-knowing child prodigy, Dr. Zee, on every issue facing the Galactica. So, it isn't great, but for all of its limitations (and frustrations), Galactica 1980 is watchable, and no episode is as tiresome as the original series episodes based on Terra/Lunar Seven/the Eastern Alliance. So that's something, I guess. However, if you find it tough going it is worth prevailing until the final episode, The Return of Starbuck, which is rather excellent.

ABC's decision to cancel Battlestar Galactica after one season didn't sit well with viewers, and the show's strong ratings (it out-rated almost every ABC series renewed for 1979-80) easily justified continuation. But with costs rising faster than expected ABC and Universal Studios wanted the show for substantially less than the per-episode costs of the original show, and at a time when SFX technology was not as advanced as today (modern SFX technology allows maintenance of a series' high production values at greater affordability, as well as allowing greater production of original SFX footage), there was no practical argument against the economics angle that hurt the show.

Nonetheless, ABC tried to continue the Galactica mythos on a budget, and regardless of whether series creator Glen Larson was involved. Larson signed on to try and make it work, but the result, Galactica 1980, was a bitter disappointment to all.

The show's weaknesses were extensive, but by far the greatest weakness lay in the deception used in promotion before the first episode aired. Promotions used the footage of Cylon raiders blasting Los Angeles extensively and gave the impression that the Cylon empire had found Earth and was in process of slaughtering the last planet of humanity, a premise that would have given the show a much stronger punch. But this footage was merely part of a "what if?" computer simulation to illustrate why the survivors of the Twelve Colonies cannot colonize Earth - "If we land, we will bring destruction upon Earth as surely as if we'd inflicted it ourselves," as Commander Adama succinctly puts it in one of the show's best lines.

With this premise of real life Cylon predation against Earth thus vetoed, the show begins to suffer, hurt even more by the excessive juvenile angle in the platoon of children rescued from the freighter Delphi after it is ambushed by Cylon raiders and forced to land on Earth, and also in the use of the mysterious Seraph youth Doctor Zee - had Doctor Zee been a Cylon creation (like the humanoid Cylon featured in "The Night The Cylons Landed" or better yet the Cylon IL Lucifer from the original series) that had turned against its masters, this angle would have made more sense - as it was, Zee's genesis did make for the show's best episode and surprisingly one of the best sci-fi episodes of any series, "The Return Of Starbuck." Subsequent graphic-novel speculations about Doctor Zee does make the character more understandable.

The show also suffered from several embarrassing incidents, notably the Halloween angle of "The Night The Cylons Landed" and the general incompatibility of the Kobollian survivors with the culture of Earth, leading to numerous bits of forced comedy that really aren't funny.

But despite these weaknesses, the show did have some superb moments - the Cylon attack on Los Angeles, deception or not, is compelling footage, lasting roughly ninty seconds on-screen and superbly mixing stock matte-FX footage of Cylon raiders over outtake footage from Universal's 1974 disaster film "Earthquake." The sequence thus becomes one the best SFX sequences ever done for television - I especially liked the shots of Cylon raiders blasting the Capitol Records building, Cylon raiders diving into strafing runs then cutting to the Cylon POV shot of a street being attacked, the street being strafed as seen from above then from low angle as a raider flies toward and then past the screen, and the triumphant flyover of Cylon raiders over the now-ravaged city.

The introduction of new Cylons in the human-form combat ILs in "The Night The Cylons Landed" as well as the new command-class AB raider (first seen mixed with the stock FX shot of Cylons strafing the Delphi in "The Super Scouts" but not fully explored until "Night") is also an intriguing look into the evolution of the Cylon empire; not surprisingly this idea was developed to great fruition by Ronald Moore for the 2003 version of Battlestar Galactica.

The arguments between Commander Adama and Commander Xavier (Richard Lynch) in the three-part pilot episode are well done - Lynch's Xavier gives the show as compelling a villain in his own way as John Colicos' Baltar, whose non-presence is particularly missed here. Also well done is the interaction between Troy (Kent McCord) and Dillon (Barry Van Dyke), especially early in the opening episode when we learn something of Troy's background. The presence of Boomer (Herbert Jefferson Jr.) is welcome with no other original cast members available except for Dirk Benedict's appearance in "Return Of Starbuck," and the series does tackle some moral dilemmas (notably the Nazi-Jewish angle in the three-part opening episode) generally avoided in the original series.

By no means is Galactica 1980 great television, but it does have some excellent moments, and the cast deserves credit for trying to make it work.