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IMDbPro

L'Echo de la montagne

Titre original : Haruka naru yama no yobigoe
  • 1980
  • 1h 35min
NOTE IMDb
7,6/10
747
MA NOTE
L'Echo de la montagne (1980)
Drame

Ajouter une intrigue dans votre langueA mysterious stranger appears at door of a farmhouse on a stormy night and asks for shelter.A mysterious stranger appears at door of a farmhouse on a stormy night and asks for shelter.A mysterious stranger appears at door of a farmhouse on a stormy night and asks for shelter.

  • Réalisation
    • Yôji Yamada
  • Scénario
    • Yoshitaka Asama
    • Yôji Yamada
    • Hidetaka Yoshioka
  • Casting principal
    • Ken Takakura
    • Chieko Baishô
    • Hidetaka Yoshioka
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    747
    MA NOTE
    • Réalisation
      • Yôji Yamada
    • Scénario
      • Yoshitaka Asama
      • Yôji Yamada
      • Hidetaka Yoshioka
    • Casting principal
      • Ken Takakura
      • Chieko Baishô
      • Hidetaka Yoshioka
    • 8avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 3 nominations au total

    Photos13

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    + 6
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    Rôles principaux25

    Modifier
    Ken Takakura
    Ken Takakura
    • Kôsaku Tajima
    Chieko Baishô
    Chieko Baishô
    • Tamiko Kazami
    Hidetaka Yoshioka
    Hidetaka Yoshioka
    • Takeshi Kazami
    Tetsuya Takeda
    Noko Konoha
    Mizuho Suzuki
    Mizuho Suzuki
    Tokuko Sugiyama
    Tappei Shimokawa
    Yasujirô Ono
    Hirohisa Sonoda
    Takuji Aoki
    Gô Awazu
    Kyôichi Satô
    Megumi Otake
    Kazuhiko Kasai
    Yasuo Shinohara
    Keiji Tsuchida
    Nobuo Takagi
    • Réalisation
      • Yôji Yamada
    • Scénario
      • Yoshitaka Asama
      • Yôji Yamada
      • Hidetaka Yoshioka
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs8

    7,6747
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    7
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    10

    Avis à la une

    7Jeremy_Urquhart

    Moving

    The very slow pace challenged me (as sometimes happens when I'm not in the ideal mood for a slower film), but it's subtle in a way that largely works, has beautiful visuals, and Chieko Baisho is as good as always.

    I can see why her and Yoji Yamada collaborated dozens of times over so many decades, because her acting and his direction always seems to work so well together.

    It's also always fun to see Kiyoshi Atsumi show up in a more serious Yamada film and bring a small amount of levity to a scene or two. As is the case with Yoji Yamada, A Distant Cry from Spring is worth watching because it's by the filmmaker alone; his stuff is always worthwhile.
    3Max-Stirner-1800

    Why even japanese Remakes are terrible

    This film is basically a remake of the famous american western "Shane" (1953) but for some mysterious reasons all connections between these tho films are ignored or hushed up.

    Both films feature a stranger in a rural "western" setting who ends up at a families house and starts to bond with them (especially the son) and working for them while trying to protect his secret.

    Now this is far worse than the original as is almost always the case when "remaking" something that was already great.

    There are barely any (beautiful) shots of the nature or the countryside in this film. The son is raised by a very argumentative, b*tchy single-mom, so the original main motif of male friendship and brotherhood between the stranger and the father are non-existent.

    Having a really uncharismatic woman as a mc in a film that tries to copy american western movies is definitely such a great decision that I must draw my head.

    If you don't believe me, just watch Shane by the love of god and you'll see.
    10charminpool

    My Favorite

    I'm not a native English speaker, I'm not gonna irritate the movie.

    This is my favorite movie of all time. I've watched it for ten times or more. It is simple, no trick, no extra adornment. Both the story and the scenery in Hokkaido will purify my mind, and they give me warmth at the time when I am most alone. There is no "bad people" in this movie. It's just natural. People are kind, hard-working, willing to help. This movie was produced in 1980. Maybe it was a golden time for the development of Hokkaido. There were beautiful farms, crops, animals, and hopes that would make people beautiful.

    Although I've never been to Japan, this movie alone is enough for me to long for Japan. This is the kind of beauty I appreciate from Japanese movies, literature and paintings. Maybe it's a distant cry from the blue mountains, over the vigorous fields, but it is so close to my heart.

    I really love this movie, it's not a style for everyone, I just want to write some thing in my mind.
    9mikael-popa

    Just beautiful

    I have first seen this movie in the 80s. I was only a child and the movie was on Romanian television, who at that time only transmitted in black & white. Funny how I still remembered the opening scene with the stranger arriving at an isolated farm during a storm. I found the movie now almost by chance. I heard that Ken Takakura died last year and I was very sad to hear it, I always liked his stoic acting. I searched IMDb for his movies and found this one among others. I love the movie. I have seen others with better plot, better directing, maybe better actors ... maybe. But there is something so authentic, so simple and yet so deep about this movie that I just love it. By the way, the last scene is incredible. One of the all-time classics, in my opinion. If you can get the movie don't miss it.
    10mr_avid

    Simple story told with great charm and emotional depth

    I first saw this film at the Hong Kong International Film Festival in 1981 and have often looked for it since (without any luck). Of the 50 films I saw in those 16 days (including masterpieces by Angelopoulos, and Syberberg's Hitler, A Film From Germany), Yamada's simple story turned out to be my favorite. When it recently turned up in a 5-disk Yoji Yamada box set, I immediately ordered it. Well, the disk is very poor quality, a murky transfer with the widescreen compositions butchered by a truly wretched pan-and-scan job -- and yet the quality of the film still manages to shine through.

    On its surface, there's nothing particularly remarkable about A Distant Cry From Spring. A widow struggles to maintain a small farm in a remote area of Hokkaido, fighting the elements and raising her young son. One brutally stormy night, a stranger appears at the door looking for shelter. Though wary, the widow offers him her hospitality. He leaves, but then returns in the spring and asks for work, desiring only room and board in return. What follows is the depiction of a slowly developing emotional bond set against a beautifully observed portrait of daily life on the farm, an endless round of backbreaking chores which constantly threaten to overwhelm the lonely woman.

    There is nothing terribly surprising in the revelations which eventually emerge about the characters, but they are so finely drawn and their emotional lives resonate with such authenticity, that only a cold-blooded viewer could fail to be moved by the film's resolution.

    Yamada is a master of emotional nuance and a brilliant observer of the small details of ordinary lives, which he obviously holds in some kind of awe, and in which he finds a kind of magic. He makes you feel for the characters without ever stooping to sentimentality or easy manipulation. His work deserves to be more widely known, and he certainly deserves better treatment from DVD distributors.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Posthumously listed as one of Akira Kurosawa's 100 favorite films.
    • Connexions
      References La poursuite infernale (1946)

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    Détails

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    • Date de sortie
      • 15 mars 1980 (Japon)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • A Distant Cry from Spring
    • Lieux de tournage
      • Nakashibetsu, Hokkaido, Japon
    • Société de production
      • Shochiku
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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