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This isn't the best film adaptation of an Agatha Christie mystery or even in the top five. Those would probably be Murder on the Orient Express, Evil Under the Sun, Witness for the Prosecution, the Judith Anderson version of And Then There Were None and Murder, She Said with Margaret Rutherford but this does have some pleasures to be found within.

Chief among those pleasure is the cast. Guy Hamilton, who followed this up with Evil Under the Sun, managed to corral a great deal of high quality talent. Angela Lansbury makes an okay Miss Marple but her obvious makeup detracts from her being completely believable in the part. Geraldine Chaplin is also fine as Taylor's assistant although her part doesn't offer much depth. Elizabeth Taylor and Rock Hudson team well giving off that old time movie star glamour, this was Rock's second to last theatrical feature and the last time he looked really well on the screen, but it's not their story that really sets off sparks on screen. The real scene stealer who walks off with every second she's on view is Kim Novak in an absolute gem of a comic performance. She looks sensational and the barbed dialog she and Liz share is worth the price of admission itself.

The only real drawback is that the story is an obvious ripoff of Gene Tierney's personal tragedy and from that angle, since it sticks so close to the details, it is in rather bad taste. However the story was widely known so could have been considered in the public domain.

Overall a well made, pleasant entertainment.

The Mirror Crack'd is one of the many Agatha Christie stories made into an all-star film. This one is more campy and less opulent than "Murder on the Orient Express," for instance, but for what it is, it's pretty good.

Set in the '50s in Miss Marple's village of St. Mary Mead, the film stars lots of big names from that era: Elizabeth Taylor, Rock Hudson, Tony Curtis, Kim Novak - a veritable who's who of '50s megastars.

Angela Lansbury plays Miss Marple, and she's perfect in the role. The film also has an appearance by Pierce Brosnan in a small, uncredited part.

The script has the Taylor and Novak characters camping it up with bitchy insults which I don't quite remember from the book. The story concerns a movie star, her husband, her co-star nemesis, etc., coming to St. Mary Mead to make a movie.

During a party, a local resident is murdered, but the intended victim is assumed to be Taylor. It's up to Miss Marple to unravel the mystery as more murders occur.

The scene between Taylor and Edward Fox is especially good, and I've never been sure if Taylor falling on top of Hudson on the bed was supposed to be funny or not - in the movie theater, it got a laugh.

It's great to see all these old stars in the same film. By the way, perhaps this was mentioned by one of the posters - this story is based on a real-life incident that happened to Gene Tierney.

Lord Brabourne who produced The Mirror Crack'd as he did a few other films adapted from Agatha Christie's work was lucky to have produced this at all. He was the son-in-law of Lord Louis Mountbatten and when the IRA blew up the yacht they were on, Brabourne's mother and son were killed on the vessel as well as Mountbatten. Brabourne, his wife and a younger son survived. This all happened a year before The Mirror Crack'd filmed and was released.

This film is right in keeping with the high standard of pictures Brabourne made of Christie stories like Murder On The Orient Express and Evil Under The Sun. As the story involves an American film crew over in Great Britain in 1953 Brabourne was able to get a quartet of top Hollywood names in support of Angela Lansbury as Jane Marple.

Producer Tony Curtis and Director Rock Hudson are collaborating on a film about Mary Queen of Scots that will star Hudson's wife Elizabeth Taylor in the title role. Curtis's wife Kim Novak plays what would be billed as a cameo in the film as Queen Elizabeth. Taylor and Novak are rivals in the tradition of Bette Davis and Joan Crawford and get off some truly bitchy lines at each other.

Maureen Bennett who is one of the villagers and who met Taylor years ago in passing when she was a WREN and Taylor was entertaining troops is poisoned at a gathering of the villagers and the film crew. Someone spiked Bennett's daiquiri and who could possibly want to murder this ingenuous fan. Later on Hudson's secretary and girl Friday and trenchant observer of the whole Hollywood scene Geraldine Chaplin is also poisoned when her inhaler is similarly spiked.

When Lansbury figures out the who in the film it all becomes deceptively simple. The motive however is an incredibly complex and obscure one involving a trivial passing incident that brought to life a great tragedy suffered by one of the visiting Americans.

The film is a reunion of sorts with Hudson and Taylor as co-stars of the classic Giant from the Fifties, a personal favorite of mine for both its stars. Also back in those days Rock Hudson and Tony Curtis were both the leading contract stars at Universal studios, but they never starred together in anything. They did appear in Winchester 73 as featured players but had no scenes together. I really liked Curtis the best in this film with him doing a wonderful satire of Darryl F. Zanuck in the producer part. I'm sure Agatha Christie must have met Zanuck sometime because she had him down great and of course Curtis knew him as well.

Definitely The Mirror Crack'd is a must for Agatha Christie fans and for fans of the stars. And considering what its producer went through we are lucky to have it at all.

How many of us have fantasies about English country villages and cottages therein? This movie will take you directly into such things and your eyes will be delighted with the settings. How cozy it all is - no wonder they call light-hearted mysteries "cozies." I was struck by Angela Lansbury's height. Either she is a tall woman or the ceilings in these adorable cottages are quite low. Angela is Miss Marple, of course, and she begins the flick by demonstrating, at a public screening of a movie murder mystery, how quickly she can solve a complicated crime. Elizabeth Taylor is queenly and is married to the scrumptious Rock Hudson who, although he dallies with a strenuously self-adoring Kim Novak, appears to love her dearly. Edward Fox, a much-enjoyed actor whom I loved in '95's "A Month by the Lake" with Vanessa Redgrave, is so fresh and youthful here! Tony Curtis as the brash producer strikes not one false note - (or else they are all somewhat false as befits his role as wheeler-dealer!) My girlfriends and I may study and duplicate Miss Marple's cottage decor in our own homes after ooh-ing and ahh-ing over the famous sleuth's movie digs! Note: Angela Lansbury proves in this film that she can chop and dice with the best chefs. And she uses a very long, sharp blade, worthy of a Maven of Murder!

They gathered an amazing celebrity cast for this, many of whom were top Hollywood draws in their younger years.

Unfortunately the performances are really inconsistent which takes the shine off things.

Liz Taylor is probably the biggest name and also the most variable. In some scenes she is fantastic, in others she is barely there, with a predilection for delivering her lines under a "beauty light" which I doubt was the director's choice.

Rock Hudson stands out and is the heart of the story. Kim Novak has the funniest lines as Taylor's siren rival. Tony Curtis is good too.

But Angela Lansbury's Jane Marple simply isn't on screen enough, with Edward Fox's wooden police officer doing far too much of the in-person investigation before Miss Marple weaves her magic.

And the reveal, although authentic to the book, is a bit too unexpected to be really satisfying.