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6,5/10
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MA NOTE
Dans un futur où mourir de maladie est devenu très rare, une femme mourante devient une célébrité et un homme avec une caméra greffée la filme en secret pour une émission de télévision morbi... Tout lireDans un futur où mourir de maladie est devenu très rare, une femme mourante devient une célébrité et un homme avec une caméra greffée la filme en secret pour une émission de télévision morbide.Dans un futur où mourir de maladie est devenu très rare, une femme mourante devient une célébrité et un homme avec une caméra greffée la filme en secret pour une émission de télévision morbide.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 8 nominations au total
Max von Sydow
- Gerald Mortenhoe
- (as Max Von Sydow)
William Russell
- Dr. Mason
- (as William Russel)
Bernhard Wicki
- Katherine's Dad
- (as Bernard Wicki)
Billy Riddoch
- Truck Driver
- (as Bill Riddoch)
Avis à la une
I saw this film in May 1980, loved it, and immediately became a Harvey Keitel and Romy Schneider fan. I was shocked and saddened to read the next week in the newspaper that Romy Schneider had died suddenly. This was haunting -- especially since in this film she plays a woman who is dying and just wants to be left alone. Harvey Keitel plays a reporter working for a TV station who wants to up their ratings by filming raw drama. Harvey follows her, befriends her, and secretly films her on the run as she falls sicker and falls in love with Harvey. There are wonderful twists in the plot and technology ground breakers. Harvey has a camera lens implanted in his eye but the side effect is that he can never sleep. When I saw the Truman Show, it reminded me of this film from so long ago whose treatment of the subject matter (filming someone's life who is unaware of the fact) was such a new and exciting concept. Check this film out. You will not be disappointed!
Bertrand Tavernier's tale of a critically ill woman hounded by a television network for its popular show 'Deathwatch' could be looked back in 1980 as almost a premonition in these times of reality TV and their popularity with today's viewing public.
A strong cast portrays a simple, if at times ponderous story dealing the acceptance of death and those out to prosper from it, with Harvey Keitel putting in a passionate driving performance as the TV company's 'virtual camera', a point in the film which adds a certain element of fantasy to the whole proceedings, along with vague decrepit industrial towns and eerie bays as the backdrop for the main characters to drift through. However, despite strong performances all round, the journey the film takes never seems to reach a definitive destination, rather slows, bogs down and then finally stops, and despite keeping the viewer intrigued throughout never seems to deliver anything more than the inevitable.
There is no doubt 'Deathwatch' is an original, eerie and at times beautiful film but one that does not necessarily make sense, just like Max von Sydow's eloquent line in the film that 'Events that have no significance like the flight of a bird, do not have to mean something.'
A strong cast portrays a simple, if at times ponderous story dealing the acceptance of death and those out to prosper from it, with Harvey Keitel putting in a passionate driving performance as the TV company's 'virtual camera', a point in the film which adds a certain element of fantasy to the whole proceedings, along with vague decrepit industrial towns and eerie bays as the backdrop for the main characters to drift through. However, despite strong performances all round, the journey the film takes never seems to reach a definitive destination, rather slows, bogs down and then finally stops, and despite keeping the viewer intrigued throughout never seems to deliver anything more than the inevitable.
There is no doubt 'Deathwatch' is an original, eerie and at times beautiful film but one that does not necessarily make sense, just like Max von Sydow's eloquent line in the film that 'Events that have no significance like the flight of a bird, do not have to mean something.'
I just finished watching this movie in a pitch black room and boy was it dark.Several sequences bordered on the invisible as Harvey Keitel descends into a cameraman´s room 101. Romy Schneider a revelation and spreading compassion on all throughout. The cityscapes are glorious and the faceless people of Glasgow add to the alienation expressed by the script. Excellent shift of pace as Max von Sydow enters to fulfill Romy Schneiders dreams. Great cast, though Harry Dean Stanton under-used, and a sin that this is not more widely recognised.
Science fiction films in recent years have been noticeably lacking both credible science and original fiction, but this multi-national production is a startling exception, presenting a complex tale of emotional manipulation that engages the imagination without the crutch of special effects. The intriguing plot, set in a recognizable near future where medical advances have completely eliminated the threat of natural death, follows a young volunteer (Harvey Keitel) who after having experimental micro-cameras implanted into his eyes agrees to follow a woman known to have a rare, incurable disease, in order to record on video her final days for the entertainment of a desensitized and nostalgic TV audience. Despite the morbid premise (anticipating by two decades the current glut of tacky, ersatz 'reality TV' programming) it's a surprisingly life-affirming movie, maintaining a mood of cautious optimism even while prophesying dark days just around the corner.
A great film, and quite scary, specially for Tavernier's view over the media (television here, but just replace that word, and nothing will be different), in a not so far future. Sad, because was Romy Schneider's last film. She, and Harvey Keitel, are in the leading roles, under Tavernier's direction the two in top form. In a way, this was ahead of other future "prophecy films", sure one of the best.
Le saviez-vous
- AnecdotesAt one point in the film, Gerald Mortenhoe (Max von Sydow) tells some historical facts about the Medieval French Composer Robert De Bauleac, while listening to one of his works on a record player. When the film was released, numerous music lovers tried to get a copy of the same record in specialized stores, which could never provide any for a very good reason: Robert De Bauleac has never existed, and the composition heard in the film is Antoine Duhamel's work. However, the concerned piece of music, "Robert De Bauleac's Lament," has been since available as part of the complete movie soundtrack.
- Citations
Vincent Ferriman: Look how shy we've become about death. It's the new pornography.
- ConnexionsFeatured in Romy, femme libre (2022)
- Bandes originalesFor The Love Of The Golden City
Written by Antoine Duhamel, Produced by Gabriel Boustiani
Performed by The London Symphony Orchestra conducted by Harry Rabinowitz
Performed by Roger Mason
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- How long is Death Watch?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Death Watch
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h 10min(130 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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