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5,6/10
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MA NOTE
Lorsqu'un riche cadre d'entreprise blanc découvre qu'il a un fils noir illégitime, les choses commencent à se gâter pour lui à la maison, au travail et dans ses cercles sociaux.Lorsqu'un riche cadre d'entreprise blanc découvre qu'il a un fils noir illégitime, les choses commencent à se gâter pour lui à la maison, au travail et dans ses cercles sociaux.Lorsqu'un riche cadre d'entreprise blanc découvre qu'il a un fils noir illégitime, les choses commencent à se gâter pour lui à la maison, au travail et dans ses cercles sociaux.
- Réalisation
- Scénario
- Casting principal
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Before watching this, I feared I was in for some cringy, eye rolling moments. Not as many racial slurs as I'd thought, plus two great actors (Denzel Washington and George Segal) starring in this. I was thrilled that I was about to witness Denzel's film debut, and I'd hoped it wasn't as offensive as I'd imagined. I mean, for young Denzel to be in such a film? I had expected something... better.
There were a few poignant moments between father and son. At the heart of this 80s film, it became more of a son trying to connect with the father he never knew, and they made some discoveries. In the end though, it's all about what the white person learns about other people. I understand who this film is aimed at, which is common. Still, it was better than I realized. It looked for something redeeming and the moments at the prison had Denzel's Roger give a good moment. It was good that George's. Walter gained insight too: loved that. I won't get into the awful supporting characters (I've met too many people in real life like that), but overall, I'd challenge people to find some worthy moments in this. At least it's not "Soul Man"!
There were a few poignant moments between father and son. At the heart of this 80s film, it became more of a son trying to connect with the father he never knew, and they made some discoveries. In the end though, it's all about what the white person learns about other people. I understand who this film is aimed at, which is common. Still, it was better than I realized. It looked for something redeeming and the moments at the prison had Denzel's Roger give a good moment. It was good that George's. Walter gained insight too: loved that. I won't get into the awful supporting characters (I've met too many people in real life like that), but overall, I'd challenge people to find some worthy moments in this. At least it's not "Soul Man"!
White corporation man George Segal gets a rude awakening when he finds out that he has an illegitimate son who happens to be black (our first real theatrical look at Hollywood icon Denzel Washington). Naturally Segal's Beverly Hills life turns topsy-turvy with wife Susan Saint James and father-in-law Jack Warden complicating the situation by forcing Segal into a life of degradation and poverty with usually hilarious results. Pure early-1980s fluff here as Washington puts that bright smile of his on and steals every scene from veteran Segal. Segal though does an admirable job and feeds off the film effectively. Ultimately though the substance is lacking and the typical comedic situations eventually end up being predictable and sometimes stale. The late drama also feels forced and somewhat unnecessary. Still a watchable piece of entertainment for its two leads. 2.5 out of 5 stars.
Carbon Copy was previously unknown to me but recommended by a friend of mine. I'm a fan of Denzel Washington's work and to see him in a comedy, I figured why not. It has certain similarities to Trading Places as a riches to rags story. George Segal plays a successful white yuppie executive type who's life gets turned upside down when he discovers he has a black son that he won't turn his back on. He ends up losing his job and assets because of it and does the best he can do to deal with the situation. The film deals with a lot of race and class issues that are not much different and relevant today. The race situation is a little better, but we have a ways to go with that in America. Another theme of the movie is selling out has consequences and it is much better to stick to your principles than to take the more financially lucrative situation. Even with some of these themes , Carbon Copy is a comedy and a funny one that doesn't come across as preachy or pretentious.
One part "Fire Sale" ( White family adopting Black child ), one part "Guess Who's Coming to Dinner?" ( the culture clash surprise ), one part "Life Stinks" ( the reality of life on the streets ), and you pretty much have "Carbon Copy". The movie can stand on it's own however, because George Segal and Denzel Washington compliment each other nicely as mismatched Father and Son. There are a number of laugh out loud moments, and some social lessons too. If you go in not expecting too much in the way of logic, you will not be disappointed. I think George Segal is very underrated as a comedy actor. Just take a look at "Where's Poppa?" if you disagree. - MERK
This was the first time I had seen Denzel Washington and our family really enjoyed the movie. We are a Black family, so the White dad buying into the stereotypes about Black people struck us as quite amusing and he deserved his comeuppance for his sorry thinking. The movie was funny and also touching. True, there was a lack of depth in some of the acting, but not all movies that are made contain a great amount of depth. For the most part, if you want to watch a movie that won't assault your eyes or ears, yet entertain you with some true and humorous depiction of slices of life, this is a good one to check out. I've been a Denzel fan ever since I saw "Carbon Copy" and it is a part of my "favorites" collection.
Le saviez-vous
- AnecdotesTheatrical feature film debut of actor Denzel Washington.
- GaffesWhen Walter and Roger check into a hotel the sign says "Free Ice and TV". Later in the room, Roger wants to watch TV and states that the TV requires payment of a quarter (25 cents) to watch it. This is most likely due to shady business tactics which can promise something but later retrieve that promise with diverse excuses.
- Citations
Reverend Hayworth: God is white. It's simple logic. His son is white.
Walter Whitney: That's not proof. I'm white. My son is black.
- ConnexionsFeatured in Vintage Video: Carbon Copy (1981) (2022)
- Bandes originalesI'm Gonna Get Closer to You
Music by Bill Conti
Lyrics by Paul Williams
Performed by Dan Seals (as England Dan Seals)
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- How long is Carbon Copy?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Llámame Mr. Charly
- Lieux de tournage
- 417 Amapola Ln, Bel Air, Los Angeles, Californie, États-Unis(Home the family lived in located in Bel Air, though the storyline stated they lived in San Marino)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 566 593 $US
- Montant brut mondial
- 9 566 593 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Carbon Copy (1981) officially released in India in English?
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