Il était une fois des gens heureux... Les Plouffe

Based on the novel by Roger Lemelin written in 1948. Les Plouffe tells the story of a roman catholic french Canadian family from Quebec city circa 1930 to 1945. It was adapted as a long running live television series from 1953 to 1959 under the title "La Famille Plouffe" on the french Canadian Broadcasting Corporation (Radio Canada) network.

In 1980 film maker Gilles Carle set out to make a feature length motion picture with producers husband and wife Justine and Denis Heroux and John Kemeny. As many of those tax credit deals worked, they needed a signed broadcast deal to get the financing together and Radio Canada stepped. The film was released in 1981 to great acclaim and a longer two part version was later broadcast on CBC television and on Radio Canada television.

While the longer version has more depth of character and takes its time to give further context to its action, the theatrical film moves along and has the virtue of being punchier and more energetic. It is a populist story that shows the social and political context of french Canada between the wars very well. We see the shackles of the Catholic Church and the growing strain the population felt under its restrictions. We see the sentiment in French Canada against the British monarchy and the fear of conscription in the upcoming war. We are shown the unrelieved poverty many french Canadian families lived in during the depression. All four of the Plouffe children live with their parents and work to contribute to the family earnings. Each in his or her own way yearns to get out on their own.

Following the success of "Les Plouffe" Lemelin wrote a sequel book under the title "Le Crime d'Ovide Plouffe" which became an immediate best seller in Quebec. It was quickly adapted into a two part television miniseries directed by Denis Arcand of "The Decline Of The American Empire" fame.

The DVD for "Les Plouffe" would have to wait for release until the 21st century.

An amusing satire of the French 'little people' inhabiting the working class neighbourhoods of Lower Quebec City. Skewed archetypical characters struggle with encroaching 'outsider' values, as well as meekly rebel against the paternal control by a conflicted French Catholic ruling class. Done with such a light, loving touch, that the viewer isn't crushed by the import of this historical watershed in Quebec history.