L'homme dans l'ombre

The most glorious scene of the film - a lovely and loving sequence in which Sissy Spacek dances with her broom as she sweeps the house, singing along with the Andrews Sisters' "Rum and Coca-Cola" - has been brutally excised from the video - I assume due to rights restrictions -and it's enough to make you cry. That sweet, simple scene is one of those priceless film moments that will haunt you always - if you were lucky enough to see the film before it was raped. Still, even a ravaged "Raggedy Man" (inside joke) is a marvelous film - especially for the honesty in Spacek's and Eric Roberts' portrayals, the surprise redemption delivered at the end, and the charming presence of a pre-"E.T." Henry Thomas.

Sissy Spacek has this kind of part down pat, so praise comes too matter-of-fact. I liked the 'Aw Shucks" charm of Eric Roberts as the sailor who receives a 'Dear John" telephone call, and once he disappeared from the film, a lot of its life fizzled away. It's a small film with limited exposition, so that the dinner scene with the boys substituting their long lost father for the departed Teddy seemed to come from almost nowhere. Then despite all of their wailing, they gladly fall in with Mom's desire to move to San Antonio. Then it is headlong into a scene that is part To Kill A Mockingbird and part Straw Dogs.

The problem with the script, and I suspect the screenwriter realized this, is that the Raggedy Man sails too close to Boo Radley, and so the plot must steer away from devices like having the boys be afraid of him. Yet he cannot disappear, so we have shots of him lurking about, or shots of his shop, lest we forget he is part of the story.

I think the film would have worked without him even being part of it, a small tale of a thwarted four day liberty if told from the sailor's point of view, or better, simply a tale of a four day honeymoon for the divorced women. But heaven forbid, there would have been little action. Somehow the ending violence robbed me of my memory of Sissy dancing with her broom while the Andrews Sisters sang.

Go Rent This Movie! Really, it's a very good drama, set in what looks like South Central/Central Texas during WWII. Spacek and Roberts reach their thespian peaks in this film. It is a true classic with tones of despair and hopelessness, followed by love/passion and intestinal fortitude. Tremendous Realism, you'll push back the tears.

Raggedy Man is an unusual mix of themes and styles, but maybe somehow that helps the film to work. The film has quite a lot going for it. The acting, casting, locations, and strong nostalgia are all there. And there is even a surprise twist ending that we see in so many thrillers today. Maybe the ending was a bit out of place. This just is a tough film to really put your finger on, but it basically works.

Sissy Spacek, who is as terrific as ever, plays a divorced woman working as a telephone operator in a small Texas town, and trying to raise two rambunctious little boys between phone call transfers. She desperately wants out of this job and the little town, but her boss keeps telling her she's "frozen" because a war is going on. The majority of the film does take place in 1944. Apparently changing jobs was not possible back then if you were doing civil servant type things while a war was going on. Who knows? But Spacek is stuck there in her house, and very lonely and unhappy. That is until one rainy night, a polite sailor comes to the door hoping to use her public phone. The sailor, played by a somewhat subdued Eric Roberts, learns on the phone that his girlfriend has just dumped him. With nowhere to stay before he ships out in four days, Roberts is taken in by Spacek. The two quickly discover they have feelings for one another, and this does not sit well with the gossipy small town.

Further complicating matters are a couple of local louts who have the hots for Spacek and get very jealous of the sailor. Also hanging around and peeping in windows is the "raggedy man" himself. Who is this mysterious deformed man who also seems to be taking an interest in Spacek and her boys? Well, the final twist pretty much answers that question. And this revelation is a bit difficult to swallow. The film ends somewhat violently, as the louts are dealt with. And things generally seem to be upbeat as the credits roll.

The film has some wonderful selling points. The acting is top-drawer by all involved. The casting choices were absolutely perfect. Especially in support. Tracey Walter and William Sanderson were born to play parts like the two louts. They are very recognizable character actors. If you don't immediately recognize Sanderson, just think, "I'm Larry, this is my brother Darryl, and this is my other brother Darryl." Yes, he was Larry on Newhart. Look for little Henry Thomas who did this film just before E.T.. Bill Thurman of Last Picture Show fame has a bit part as the Sheriff. The town in this film looks a lot like Anarene in that film. If you were alive and recall the way things were on the home front during WWII, then this film will certainly take you back there mentally. The film is ultimately a strange cross between Summer of '42, To Kill a Mockingbird, and.... God knows what else. But somehow it all seems to work. The great cast can probably be thanked for that as much as anything. 7 of 10 stars.

The Hound.

"Raggedy Man" is not a perfect film. It has a lot of good things going for it, making the unnecessary sideroads seem unlikable with their constant insistence. But as a straightforward drama, it is only just short of wondrous. The cinematography is absolutely breathtaking. Ralf Bode makes this as stunning to look at as other great midwest dramas of the period like "The Stone Boy", "Tender Mercies" or "Country". The performances by the leads - Spacek, Roberts, and young Henry Thomas (in his first role before E.T.) - are all excellent. The main story itself is also believable, and the dramatic arc is well conceived by William D. Wittliff.

But as I mentioned, that's if "Raggedy Man" was a straightforward drama. Unfortunately, it isn't. Building up throughout the film, and culminating in a grandly ill-advised finale, it has aspirations of being some sort of domestic thriller. The reasons for this are beyond my comprehension. Perhaps someone wanted a little unneeded excitement interjected into the film? That's not something I'd generally be opposed to if it weren't so poorly put across. It's a similar mistake made in a film called "The River Rat", which insisted on turning a low key father-daughter drama into a adventure movie for kids.

I have to say, though, that in spite of its sometimes misguided nature, the overwhelmingly well made aspects shine through. The vast majority of "Raggedy Man" is emotionally raw, pure and understated. It holds a convincing humanity and purity of heart. And that means something in a film that's just a bit too schizophrenic for its own good. I recommend it.