Les secrets de l'invisible

Freelance reporter Jennifer (Barbara Bach)and her friends Vicki (Lois Young) and Karen (Karen Lamm) come visit a farmhouse owned by a shady museum owner. Little do they know is that there is something living underneath the house-and it's not very nice.

Director Danny ("Savage Streets", "Friday the 13th V") Steinmann and co-writer Kim ("The Texas Chainsaw Massacre") Henkel give you "The Unseen", a little known but watchable early 80's horror tale that has garnered something of a cult following. On one hand, it's easy to see why-Henkel and Steinmann's involvement is hard to ignore, though it's reliance on eerie, Gothic scares instead of gore (quite different from the slasher movies of the time), a plot that's part "Texas Chainsaw" and part "Psycho", some impressive atmosphere, and creepy score are all factors that work-well, for the most part.

The acting unfortunately, isn't that stellar, particularly Bach, who in spite of being in some great movies, is far from interesting here. The biggest problem though, is the third act, which just feels like the writer and director ran out of ideas in the last minute. While Stephen ("Animal House") Furst is good as the disfigured monster, his character isn't that scary, and feels a bit underdeveloped, as do other characters.

"The Unseen" is a decent but hardly perfect forgotten 80's horror flick that would make a nice watch on a rainy weekend afternoon, and would also make a nice double bill with Jeff Lieberman's underrated "Just Before Dawn." If you want to see it, then get it on DVD, though I doubt that it really deserves the 2-Disc treatment Code Red has given it.

I had seen The Unseen on TV years ago, but I didn't remember enjoying it that much. Something about it felt bland. Upon rewatching it a few nights ago, I was surprised by how well made and entertaining it was.

Three female reporters (including Barbara Bach) head up to Slovang, California to cover a big festival. There's a mix up with their hotel room and they find themselves without a place to stay. An odd man (Sydney Lassick) offers them a room at his home and they accept. Little do they know that this will be a huge mistake that will put all their lives at risk.

The Unseen won't get any major points for creative gore effects or inventive murders. In fact, that might be why I didn't care for it much when I saw it, having been raised on Friday the 13th movies. The death scenes are unremarkable and a little boring, but the story surrounding them is far better than most of the junk they'd throw into slasher films around this time. The characters actually have arcs and things to do and don't just sit around waiting to be killed off.

Barbara Bach is beautiful and handles herself fine during the finale when she's drenched in rain, mud, and blood, but she's a little comatose throughout the rest of the film. She's likable enough, but one does wonder what a more interesting actress would have done with the role. Lassick is at his creepy best and Lelia Goldoni as his put upon wife might just steal the show in a role that has precious few lines, but a lot of presence. She's playing for maximum Greek tragedy and she's wonderful. Stephen Furst of Animal House fame shows up in a totally unrecognizable role and brings his character a ton of unexpected pathos even under pounds of prosthetics. It's a marvel of a performance.

The Unseen could have used a little more thought and detail put into the murder set pieces to make them scarier and a little more creative, but the rest of the package is so interesting that it's not that big of a deal.

Since "The Unseen" is your basic B movie, the only reason to see it is that it stars Barbara Bach (Ringo Starr's wife), Stephen Furst (Flounder in "Animal House") and Sydney Lassick (Cheswith in "One Flew Over the Cuckoo's Nest" and also the principal in "Carrie"). No, seriously. That's the only reason to check it out: The Beatles, John Belushi and Stephen King are linked by a story of three women staying in a house inhabited by a carnivorous inbred! If only the founders of Solvang had predicted this! Sorry if I haven't done the greatest job describing the movie. It's just that a cast like this easily eclipses the movie, in my view. Granted, there are a few of the requirements for horror flicks, namely the bathtub scene. Otherwise, nothing significant here.

PS: Barbara Bach had previously starred in a similar movie with a similarly jaw-dropping cast. That movie was the Italian horror flick "L'isola delli uomini pesce" (called "Screamers" in the US), in which she co-starred with Mel Ferrer, aka Audrey Hepburn's ex. Yes, it's true. Ringo Starr's soon-to-be wife and Audrey Hepburn's ex co-starred in a movie about half-human, half-fish creatures.

This is not a film for the typical horror fan; this movie appeals to those who enjoy a little mental disturbance with their terror. Or even a laugh or two. I can't believe they didn't know that it was funny to watch Stephn Furst acting like a mentally challenged mutant monster, ala "The Goonies," it HAD to be intentional, and as such I applaud the filmmakers!

The story is about something horrible in the basement and Barbara Bach finds out what it is, after the usual set-up story points. There's little more to it than that. The reason to seek this film out is if you are a lover of mutants and like a little madness in your scary movies.

Otherwise, stick to something more safe and traditional.

"The Unseen" has Barbara Bach as one of three female Los Angeles news reporters who are in Northern California to cover a local festival. They end up boarding at an old farmhouse after finding all the hotels in town to be booked, and each individually come face-to-face with a sinister presence lurking in the basement of the home.

Given the credentials of its makers, one would think that "The Unseen" would excel as a genre picture— an early directing credit of cult filmmaker Danny Steinmann, director of "Savage Streets" and "Friday the 13th: A New Beginning," it was also co-written by Kim "Texas Chain Saw Massacre" Henkel, and even featured crew members fresh off of John Carpenter's "Halloween." What could possibly go wrong, right? Well, sort of.

"The Unseen" is a visually appealing film; the cinematography is slick and there is a fair amount of atmosphere here (never mind the overuse of slow-motion shots at peak suspense sequences); it does have a fair share of problems though. Not only is is it staggeringly predictable, but it's also incredibly dull for the first hour. Mind, this is not a body count film by any means, but what it lacks in visual carnage, it fails to make up for in adequate suspense.

There are two key scenes that occur in the film's first hour that kept me drawn in, and they are admittedly well-executed. That's really all to be had here though. Family hysterics abound as the loopy couple who own the farmhouse exhibit their own neuroses, and the familial drama reaches its peak point in the film's goofy climax where the "unseen"'s true identity is revealed (not to much surprise). The film is in many ways similar to Denny Harris' "The Silent Scream," which was made the same year— they share very similar tonal elements, and also complement each other in terms of architectural dwellings of the villains; "The Unseen" lurks in the basement, while the villain in "The Silent Scream" resides in a secret attic. They actually would make a fantastic double feature, though "Silent Scream" is a bit more engaging of a film.

The performances here are actually decent, though Barbara Bach is lacking in the emotive department; she does make up for this though with a great performance during the finale sequences, letting some impressive screams loose. Stephen Furst deserves attention for a disturbing turn as the "unseen," and Sydney Lassick and Lelia Goldoni are madcap mad and wildly hysterical, respectively.

Overall, "The Unseen" is a decent offering from the genre, but doesn't seem to know whether it wants to be a suspense film or a slasher film. Its victim list is far too short to qualify it as a slasher picture, but it lacks the cohesive tension of a suspense film. What we end up with is a dull and ultimately predictable horror flick that is just enough to be slightly memorable, but not enough to truly stand out. There are some well-played sequences and a decent climax, but the majority of the picture is too plodding to truly engage with. 5/10.