The White Lions

The White Lions is based on a true story by Chris McBride entitled "The White Lions Of Timbavati". This pleasant outdoor story is brought to the screen by director Mel Stuart, who is probably best remembered for the 1971 classic Willy Wonka And The Chocolate Factory. Although I don't think the story was written primarily for youngsters, Stuart directs it with a juvenile audience very much in mind: there are countless cute wildlife shots, the child character played by Lauri Lynn Meyers is given a heck of a lot of screen time, and the film's more serious and adult themes are largely neglected. For example, there's a subplot featuring Donald Moffat as a poacher which remains sadly under-developed; and the McBride's strength as a family unit is clearly tested by their differences of opinion (Chris is an outdoors-fanatic, addicted to his research, while wife Jean longs for the safety and creature comforts of home) but this aspect of the plot is disappointingly half-baked throughout the film.

University lecturer Chris McBride (Michael York) wins a grant to conduct a lion study in the African wilderness. He takes his wife Jean (Glynnis O'Connor) and young daughter Laura (Lauri Lynn Meyers) to his old birthplace and home, the isolated wilderness retreat of Timbavati. Here they spend a year getting used to a totally new way of life, living off the land and coping with the various natural hazards that Mother Nature throws at them. Chris is proceeding nicely with his study of lion behaviour when he discovers that a pair of ultra rare white lions have been born into the litter of the pride he has been observing. The white lions are starving as their mother is a poor hunter; but Chris cannot intervene to help them, as it would compromise the integrity of his work and the ruthless course of nature's destiny. They endure further complications when a poacher (Donald Moffat) is repeatedly spotted on their land, as well as young Laura contracting life-threatening malaria.

Kids will undoubtedly enjoy following the adventures of this family, but older viewers might find less to occupy them. It's basically a very similar story to the one told in "Born Free", "Living Free", and all those other stories where a family reject the big city life to take off into the back of beyond. York is quite good as Chris McBride - he generates a convincing characterisation, both as a nature lover and a family man who is in danger of loving Africa more than his wife and child. O'Connor is OK as Jean, though the character seems to put up with hardship and discomfort too tolerantly at times, which makes her less than believable. The location photography is very nice, though, and the titular white lions are absolutely adorable. There are certainly worse ways to spend a rainy afternoon than watching The White Lions.

My review was written in July 1983 after viewing on tv via HBO.

Lensed in the spring of 1979 and MPAA rated two years later, "The White Lions" is a mild family picture which failed to get domestic theatrical distribution and is currently providing pleasant tv diversion.

With educational value for the younger set, picture toplines Michael York as real-life naturalist Chris McBride, who with wife and daughter in tow returns to an African wildlife preserve where he was born, to study animal behavior. Easy-going narrative (with York voicing over lots of background material about lions and their habits) is short on conflict, the main issue being wife Jeanie (Glynnis O'Connor) wishing to go back to the U. S. and resume a normal, academic family life.

Ultimately she comes around and serves as still photographer, accepting McBride's dictum: "We gave up the creature comforts and gained the creatures". When they discover a cute pair of white-colored (but not albino) lion cubs, argument is between the femmes' desire to help them survive versus McBride's hard stance of non-interference. Da finally compromises (while maintaining a firm opposition to zoos) but the cubs' fate is hinted at by a heme song nicely sung by Maureen McGovern: "Enough to Let Me Go".

Lead thesps give earnest performances, with York balancing the preachy demands of his role adroitly and O'Connor a sympathetic helpmate/adversary. A corny subplot has Donald Moffat as a poacher aiming to exploit the cubs.

Wildlife photography is attractive but unexciting, with not enough integration of the actors and animal subjects (reflecting the dichotomy between second unit African lensing and principal filming at a Texas wildlife park).

Commercially, though wilderness adventure pictures have had a big family audience traditional British entries in the "Born Free" tradition such as "Living Free" and "The Belstone Fox" have not made a boxoffice dent Stateside, marking "White Lions as mainly of ancillary interest.

I was only 12 when I first saw The White Lions and immediately fell in love with it. I would love to see this movie again and know that my

daughter to see it. The White Lions is a touching movie

that is appropriate for adults and children to watch. This

movie needs to be put back into print. The movie was interesting from beginning to end. A must see for all animal lovers. The lion cubs are so adorable. I learned a lot about Africa from the movie and because

of it spent a lot of time studying some of the country.

I haven't seen this film in many years, but when it was released I recorded it off of HBO for my personal viewing. After my kids, then 2 and 4 watched it with me they were hooked. They loved the lions and asked me many questions about them. They watched the tape so many times, that I swear you could've seen through it.

As for me, I though Glynis OConnor was hot. She never looked more attractive than she did in this film. The story and the scenery were good too. I definitely recommend this film as a must see and if you can find it, and a video library addition. You never know when you'll have some kids over who have seen everything else worth watching.

This film, now some 30 years old, is timeless. It is an understatement to say that it needs to be released in DVD format. The movie preceded all the more recent interest in the white lions, and I think that it would be well received today.

Animal conservation, family relationships, endangered animals - all relevant issues today... the director was years ahead of his time in telling this story.

I watched it over and over on HBO, and may have even recorded it from there at one time. It has long been missing if I did so. It would be added to my DVD collection if it were released, and I would probably buy more than one copy so that I could give it to my grandsons and great-great nieces and nephew as well.