Annie
- 1982
- Tous publics
- 2h 6min
Les aventures d'une jeune orpheline à la recherche d'une famille qui se chargera d'elle.Les aventures d'une jeune orpheline à la recherche d'une famille qui se chargera d'elle.Les aventures d'une jeune orpheline à la recherche d'une famille qui se chargera d'elle.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 3 victoires et 13 nominations au total
Lois De Banzie
- Eleanor Roosevelt
- (as Lois de Banzie)
Avis à la une
The criticisms for Annie have been unfair I feel, then again maybe there's some bias as it was one of my absolute favourites as a kid and still is. There have been worse musicals before and since, as well as better admittedly(Wizard of Oz, Singin' in the Rain, West Side Story), High School Musical movies anyone, as well as The Wiz, Mame and A Chorus Line for examples? As for Aileen Quinn, she isn't ginger! She was wearing a wig, plus Annie has red hair! And she was about 10 years old, when she did this movie, and in my opinion she had a fantastic singing voice for her age, and she is an appealing and spunky actress. Albert Finney is just wonderful as Daddy Warbucks, with his gruff voice, and his slow transformation from stern to heartfelt.. it was totally believable. The locket scene was very moving. Broadway diva Ann Reinking was a lovely Grace Farrell(just look at her dancing in "We Got Annie"), and I liked her voice very much. Sometimes though, it was hidden over the highest voices especially in "I'm think i'm Gonna Like It Here". But to be fair, the arrangements are always done to the abilities of the singers. Bernadette Peters and Tim Curry had a little less to do, but they were excellent in their villainous roles, and their rendition of "Easy Street" was wonderful. Carol Burnett was fantastic in this movie, making Miss Hannigan as nasty as humanly possible, and performance-wise steals the film. The dialogue is very witty and warm-hearted throughout and Burnett has the best lines, she sings and acts the heck out of "Little Girls". The servants did well too, though I don't know any of their names, though Geoffrey Holder was a delight as Punjab. The orphans are delightful, especially Toni Ann Gisondi as Molly, she was so cute, who put rare energy into "Hard Knock Life", and "Without a smile." I was really impressed with the performances. The songs are just marvellous, even the ones added to the movie(especially "Sign"), except for "Dumb Dog", very forgettable and pointless. I have seen the stage play,(my sister Kathryn played Molly) and enjoyed it as well, though the movie should stand on its own and that's what people seem to not take into account. The 1999 film was good if too short and sugary sweet, but while this may seem like blasphemy I've always considered this the better film, more faithful doesn't always mean better you know. The wonderful title song "Tommorow!" played over the title credits, and there was a reprise in the white house, which is one of my favourite scenes. But it showed in her face that Aileen Quinn preferred "Maybe." "Let's Go to the movies" surprisingly worked on its own merits. It looked lovely with some nice movie star references, and the production values in the entire film are fabulous, glitzy and evocative. But the best element of the movie along with Burnett and the songs was the choreography by the immensely talented Arlene Phillips. I disagree that it was overblown, as a matter of fact it worked amazingly well. The only real criticisms I have with Annie, is that I agree that John Huston was the wrong director, I felt his heart wasn't really in it and his inexperience in the musical genre did show somewhat and while nail-biting the climax was a little contrived, but the performances, songs and choreography completely overshadowed them. Fantastic. 9/10 Bethany Cox
I loved this film as a child and will always hold fond nostalgia for it. You definitely have to watch this from the point of view as a child (with so many "family" films out today, I know this might be hard, when their goal has been to entertain everyone). I loved all the performances in it from Albert Finney to Carol Burnett and Tim Curry. My most favorite Huston film is The Misfits, but don't expect that from this film, which I think alot of people are doing. As most directors age, they tend to get "soft" in their filmmaking as their hunger is replaced with complacency, but this film isn't as bad as some people describe it. It's a musical, it was made in the 80's, and it's primarily for kids. Compared to other movies made in that time period, this one is actually quite good. And although I've only seen parts of the newer one made by Disney, this one seems alot more mature and crafted, and not so candy-coated.
I came on here expecting to see an 8 or something in the 7s, but a 6.6??? This is a solid classic.
The original Annie film is a giant pile of sentimental crap...and I love every second of it. Unlike the 2014 remake (No, Cameron Diaz! No!), it captures the Broadway show by letting the scenes play out naturally, on a big scale, with lots of cast members and tons of fun choreography. And it's all just plain fun; funny (getting rid of bomb), well-toned (Burnett is wonderfully awful), bubbly (singing with President), and affecting (I'M NOT CRYING, YOU'RE CRYING!).
Annie is a family favourite for a good reason. The songs are catchy and memorable. You and your family will be singing and humming them everywhere you go. The entire movie is well done but it gets the most interesting at the ending. The character development of Annie's adopted dad is heartwarming.
Le saviez-vous
- AnecdotesAuditions for the title role spanned two years, 22 cities, 8,000 interviews, and 70 actresses. Nine young actresses made it to the second round.
- GaffesThe helicopter flies past the 1982 New York City skyline.
- Citations
Molly: But they wasn't her real parents, mister, they was bad people!
Daddy Warbucks: Leapin' lizards!
- Versions alternativesNBC edited 32 minutes from this film for its 1986 network television premiere.
- ConnexionsFeatured in Lights! Camera! Annie!: The Making of a Major Hollywood Musical (1982)
- Bandes originalesTomorrow (Opening Titles)
(uncredited)
Composed by Charles Strouse
Lyrics by Martin Charnin
Performed by Aileen Quinn
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- How long is Annie?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Anita la huerfanita
- Lieux de tournage
- Woodrow Wilson Hall, Monmouth College - 45 Elm Road, West Long Branch, New Jersey, États-Unis(Daddy Warbucks townhouse)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 57 059 003 $US
- Week-end de sortie aux États-Unis et au Canada
- 510 632 $US
- 23 mai 1982
- Montant brut mondial
- 57 063 861 $US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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